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HISTORICAL FACTS: 2 - Caught on Camera

Repatriation or political theatre? How the return of stolen artefacts can distort history

In late July, during a visit to the National Gallery of Australia, three Buddhist bodhisattva statues caught my attention.

The Conversation

Have the Tate galleries lost their way? There’s no accounting for taste

Letters: Readers respond to Jonathan Jones’s view that the chain of galleries is losing its identity as more dynamic rivals flourish

The Guardian - UK

Art lovers rejoice: the National Gallery can finally show us when painting really gets exciting

Curators can now chart the seismic shifts in 20th-century art – and include more works by women and artists of colour, says Guardian columnist Rhiannon Lucy Cosslett

The Guardian - UK

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Shrinking audiences, a cash crisis and rivals on the rise: what’s gone wrong at Tate?

The museum group is struggling with its identity – while the National Gallery is not only thriving but expanding into modern art

The Guardian - UK

The dotty genius of Seurat and a song and dance about Picasso – the week in art

Tate Modern reframes its Picassos in a theatrical light, there’s a hands-on utopia in Gateshead, and the Cerne chalk giant gets a colourful new neighbour

The Guardian - UK

Radical Harmony at the National Gallery: 'you can have just too many dots'

4/5 Radical Harmony looks at collector Helene Kröller-Müller's Neo-Impressionists, in an interesting homage... but there’s no escaping the dots

Evening Standard

OPINION - Museums are about who we are and who we aspire to be

We've just come out of the bicentenary year of the National Gallery, crossing the threshold into our third century, and we've been thinking a lot about the future. In part, this lies in developing a building a called St Vincent House at the back of the gallery, which was acquired…

Evening Standard

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National Gallery accused of risking ‘bad blood’ with Tate over 20th-century art

Sources say decision to collect ‘modern’ art could have two galleries ‘at each others’ throats’ – but others welcome move

The Guardian - UK

Radical Harmony review – Seurat’s shimmering visions trounce his spotty dotty imitators

The tradition of neo-impressionism begun by Georges Seurat was radical, even revolutionary, but this po-faced showcase is sadly lacking its joyful dazzle

The Guardian - UK

Why the National Gallery is creating a public panel to help shape its future

What do you expect to see when visiting the National Gallery in London? A neatly curated collection of landscape painting? Or a selection of the gallery’s must-see highlights – a veritable who’s-who of art history?

The Conversation

Locatelli at the National Gallery, London: ‘Come for the Michelangelo, stay for the orecchiette’ – restaurant review

Someone is actually cooking here – it’s not just for tourists

The Guardian - UK

Humble peasants … or an odyssey of sex and death? The Millet masterpiece that electrified modern art

Van Gogh saw compassion for the rural worker; Dalí saw phalluses and a child’s grave. As The Angelus comes to the UK, our critic celebrates a painting so deep it could even induce hallucinations

The Guardian - UK

38 Famous And Culturally Significant Paintings That Are Kept In The Most Surprising Places

Do you know where the world's most famous paintings are kept?

Bored Panda

What if every artwork you’ve ever seen is a fake?

I was shocked to learn just how many pieces of art sold around the world are forgeries. But should finding out something is a cheap dupe really make us enjoy it less?

The Guardian - UK

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Livingetc

London's Most Famous Italian Chef Has Set Up Shop Inside the National Gallery — And the Food Is So Good It Competes With the Art

We spent a lunch break at Locatelli, the freshly unveiled restaurant by Michelin-starred culinary powerhouse Giorgio Locatelli, and asked him about the inspirations behind his latest venture

The Guardian - UK

Research confirms that Samson and Delilah is a Rubens

Letter: The National Gallery has published detailed research into Samson and Delilah, writes Gabriele Finaldi

The Guardian - UK

That muscular back! Those fleshy breasts! The National Gallery’s ‘fake’ Rubens looks very real to me

How can anyone call Rubens’ sumptuous masterpiece Samson and Delilah a ‘fake’ and ‘a shoddy artefact’? The Flemish master is simply doing a superb job of copying his own favourite outlaw artist

The Guardian - UK

First Thing: Suspect in murders of Minnesota lawmakers caught and charged

Vance Boelter accused of killing Melissa Hortman and her husband and wounding John Hoffman and his wife. Plus, why a professor of fascism left the US

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The Guardian - UK

A £2.5m dud? Fresh doubt cast on authenticity of National Gallery Rubens

Former curator’s comments, later withdrawn, reignite debate over attribution of Samson and Delilah painting

The Conversation

The National Gallery at 200: is this rehang a bold relaunch or rinse and repeat?

The National Gallery has recently rehung its entire collection. Taking hundreds of paintings off the wall and replacing them in a new arrangement requires considerable mental and physical labour on the part of curators, conservators and technicians.

Evening Standard

Maltesers in tea are the chicest snack, fake Goyard bags must be avoided… What's hot (and not) this week

What’s going up... and what’s going down— keep up with Joe Bromley’s weekly barometer

The Guardian - UK

A sumptuous rehang, jumbo jellyfish and naive manly paintings – the week in art

The revamped National Gallery offers a new take on its glorious wonders, a psychoanalytical painter tackles masculinity, and abstract watercolours rise from the deep

Evening Standard

The National Gallery rehang review: 'what a 200th birthday treat this is'

5/5 With a complete architectural overhaul of the Sainsbury and a rehang of its collection., The National is truly making its wonders shine

The Guardian - UK

National Gallery rehang review – ‘A momentous retelling of the story of art’

t is one of the world’s greatest museums and this revamp starts with a thrilling embrace from Leonardo, unfolding to Titian, Van Eyck, Monet and more – all bolstered by cool new architecture and lighting. What a wonderland!

The Independent UK

National Gallery spends £16m on painting without knowing where it’s from or who the artist is

Painting full of ‘wildly inventive’ details to be publicly exhibited for first time since 1960

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Rhiannon Lucy Cosslett

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