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DARK SECRETS: 3 | Rare Historical Photos

The week in classical: Our Mother; Masabane Cecilia Rangwanasha; Madama Butterfly – review

Pergolesi’s Stabat Mater is reimagined for the stage; the South African soprano scales the heights from Strauss to The Sound of Music; and Asmik Grigorian is a shattering Butterfly

The Guardian - UK

Equality groups urge cultural elite to give up Garrick Club membership

Campaigners call for ‘outdated structures’ that undermine progress and encourage inequality to be dismantled

The Guardian - UK

Garrick Club’s men-only members list reveals roll-call of British establishment

Exclusive: Details made public for first time prompt anger over how many influential figures belong to club that bars women

The Guardian - UK

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The Royal Ballet celebrates new talent in choreography with edgy set design

The Royal Ballet Festival of New Choreography encompasses performances and events at the Royal Opera House in London

Wallpaper

The week in classical: La bohème; Family Ties: The Schumanns and the Mendelssohns; Treske Quartet – review

Royal Opera House; Queen Elizabeth Hall; Conway Hall, LondonPuccini’s genius shines through as his centenary year gets under way. Elsewhere, a good week for the Mendelssohns, and a Carrot Revolution

The Guardian - UK

La Bohème review – Angela Gheorghiu reprises a legendary Mimì

This revival of Richard Jones’s 2017 staging sees the diva return to the stage and the role that made her name, and if Gheorghiu doesn’t quite sparkle as she did 30 years ago, there is superb support from her fellow bohemians

The Guardian - UK

How The Nutcracker became the most popular ballet in the world – and a holiday colossus

At dance companies around the world, ‘Nutcracker’ season is in full swing. Clémence Michallon speaks to dancers and critics about the show that has become a staple across countries and generations

The Independent UK

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The week in classical: Hansel and Gretel; London Handel Players; La Nativité du Seigneur – review

Humperdinck’s sweet-toothed favourite wins at least one new fan; the joy is contagious in Bach’s Magnificat; and the Christmas story as imagined by Messiaen

The Guardian - UK

The week in classical: Cavalleria rusticana/ Pagliacci; OAE/ Suzuki: Christmas Oratorio; The Sixteen: Messiah – review

Hot-blooded double bill Cav and Pag hits home in a fine Royal Opera revival, while the OAE and the Sixteen thrill in seasonal Bach and Handel. Plus, the human cost of ENO’s move to Manchester

The Guardian - UK

‘This could be really interesting’: Manchester and English National Opera may yet suit each other

London’s loss will be Manchester’s gain as the opera company announces it is to create a base in the thriving cultural centre

The Guardian - UK

The week in classical: Jephtha; 7 Deaths of Maria Callas; Perfection, of a Kind: Britten vs Auden – review

Handel’s majestic final oratorio holds its own in Oliver Mears’s searching new production; Marina Abramović channels Maria Callas; and a well-told tale of when Britten met Auden

The Guardian - UK

Jephtha at the Royal Opera House review: highly recommended to all but zealots and puritans

This is a powerful indictment of religious fervour and the dangers that can stem from it

Evening Standard

King enjoys ballet performance so much ‘he could not stop tapping his feet’

Charles and Camilla chose not to sit in the Royal Box at the Opera House.

The Independent UK

Allan Clayton: ‘I’m your tortured tenor for hire’

His committed performances and expressive voice have made him one of today’s most admired singers. As he prepares for Jephtha at Covent Garden, Allan Clayton ponders creativity, pigeonholes and facial hair

The Guardian - UK

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The Guardian - UK

The week in classical: Under the Little Red Moon; Helen Charlston & Sholto Kynoch; Rigoletto – review

An ‘opera for tinies’ captivates its target audience; the mezzo of the moment dazzles at Oxford’s renamed song festival; and Oliver Mears’s #MeToo Verdi still resonates

The Guardian - UK

On my radar: Es Devlin’s cultural highlights

The set designer and artist on the most extraordinary opera, a gut-wrenching Sudanese-American poet and a writer’s new angle on economics

The Independent UK

English National Opera cuts risk ‘killing off of art form’, warn prominent music directors

Former ENO conductors Edward Gardner, Sir Mark Elder and the Royal Opera House’s Sir Antonio Pappano said cuts would make company ‘an empty shell of its former self’

The Guardian - UK

La Forza del Destino review – superb voices and slick dance routines for Loy’s reimagined Verdi

Christoph Loy’s 2019 staging staging feels more cogent in this, its first revival, and baritone Etienne Dupuis is stunning as Carlo

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The Guardian - UK

The week in classical: Das Rheingold; Lucerne festival review – all about oil

From an all-consuming performance of Barrie Kosky’s fierce new Rheingold to a stage invasion in Lucerne, musical excellence and the climate emergency went hand in hand

The Guardian - UK

‘The most dangerous stage I’ve ever been on’: the wildest performances of Wagner’s Ring

Gods! Dragons! Horned helmets! Swords! Valkyries! The 15-hour apocalyptic epic is about to explode onto the Royal Opera stage. But what’s the best way to tackle ‘the ultimate opera’?

The Guardian - UK

Tips for going to the theatre on the cheap

Letters: Jude McGowan on being a lifelong theatregoer on a modest budget. Plus letters from Rory Murphy and Ian Wells

The Guardian - UK

Carlos Acosta: ‘At 50, I have to dance in a way that I can still walk off, and not call an ambulance’

The Cuban star on returning to the Royal Opera House stage, commissioning a heavy metal ballet and diversity in the arts

The Guardian - UK

The week in classical: 74th Aldeburgh Festival; Werther – review

From thundering Thorvaldsdóttir to late-night Bach, it’s a standout year for Britten’s music festival, while at the ROH Jonas Kaufmann made a subdued Werther

Evening Standard

Calling all school leavers: six reasons our Step Up Expo will change your life

Never has the education and careers landscape looked so complex for today’s teens. Julie Henry reports on two days of expert help

The Guardian - UK

Il trovatore; The Planets; Dennis & Gnasher: Unleashed at the Orchestra review – from Bosch to Bash Street

Spellbinding Jamie Barton and company excel in Adele Thomas’s clear-sighted take on volatile Verdi; to the final frontier via Peckham; and kazoos at the ready for a Beano Concerto

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