At first glance, Michel Devanakis’ paintings can feel remarkably grounded in reality. Faces are carefully rendered, bodies have weight, and small details invite a closer look. Spend a little longer with them, though, and things often become less straightforward. Perspectives stretch, reflections complicate the scene, compositions behave unexpectedly, and familiar subjects begin to feel slightly uncanny. Devanakis is a contemporary figurative painter born in Douala, Cameroon, to Greek parents. He studied Graphic Arts and Advertising in France before spending more than two decades working as a graphic designer and illustrator, an experience that still influences how he constructs his images. In 2013, he shifted his focus fully toward painting and is now based in Marathon, Greece.
A recurring idea throughout his work is the notion of a “threshold”, the unstable space between two states. His paintings explore boundaries between reality and symbolism, private identity and outside perception, belief and authority, or the visible and something less easily defined. Rather than offering viewers a single interpretation, Devanakis keeps an image suspended long enough for its meaning to remain open. His process similarly moves between different worlds. Devanakis often develops compositions digitally first, using collage and visual experimentation to test ideas before translating them into oil paint. He then works with an alla prima approach, applying wet paint over wet paint and allowing the physical qualities of the medium to remain part of the finished piece. He also deliberately pushes perspective beyond what viewers may find comfortable. Writing about his painting “Tootsies,” Devanakis explained how extreme foreshortening can make perfectly intentional anatomy appear “wrong” when viewed through our usual expectations. For him, that moment of uncertainty is part of the point: rather than instantly decoding an image, the viewer may have to spend a little more time actually looking at it.
Below, you can explore a selection of his paintings for yourself. Take a closer look, see which details or unusual perspectives catch your attention, and let us know which piece was your favorite.
#2 “On The Way To Pindaya”

Oil on canvas
Artist statement: “Landscape from a trip to Myanmar. Although I have travelled a lot around the globe (including Asia) , I have never been to Myanmar. The source picture was sent to me by a very good friend who went there 4 or 5 years ago. I did not like some elements in the picture so I removed them and did about the 1/3 by imagination trying to be truthful to my own experience of Asia.”
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12points
#3 “Traveller”

Oil on canvas
Artist statement: “Inspired by a photograph of Mr. Aaron Draper.“
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12points
#4 “Genesis”

Series: Beyond
Oil on canvas
Oil on canvas
Artist statement: “Some works arrive like lightning. Others unfold slowly, as if waiting to be born. Genesis is my take on creation. Not as chaos or command, but as harmony, rhythm, and breath.
At its center, Vishnu holds a golden thread that passes through every gesture, binding thought and form together. It’s a reflection on how everything begins.”
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11points
#5 “The Edge”

Oil and acrylic on canvas
Artist statement: “I was in the middle of creating a new painting when this idea popped into my head, claiming that it was more significant and should be completed right away. I gave it a fight, but the idea proved to be persistent, reminding me that lately I am not so reliable in keeping promises...
So here we are...
This work has many readings. Mine involves the choices and decisions we have to make in our lives, never knowing which one is the best. More broadly, it also reflects the dangerous paths humanity seems to have taken in recent years, from pandemics to threats of war, natural disasters and social unrest. Your interpretation may be different.
While writing this text, I actually stumbled upon another -perhaps more religious- reading.
One of the Hindu Upanishads says “Stepping on the razor’s edge is as difficult as crossing the path that leads to Salvation” . The Upanishads are the philosophical-religious texts of Hinduism (also known as Sanatan Dharma meaning “Eternal Order” or “Eternal Path”). While this particular thought didn’t cross my mind during the creation process, I think it adds an additional dimension to the whole concept, After all, this painting imposed itself out of nowhere. Therefore the Hinduist text that suddenly appeared to me at the very end may not be just a coincidence. ”
So here we are...
This work has many readings. Mine involves the choices and decisions we have to make in our lives, never knowing which one is the best. More broadly, it also reflects the dangerous paths humanity seems to have taken in recent years, from pandemics to threats of war, natural disasters and social unrest. Your interpretation may be different.
While writing this text, I actually stumbled upon another -perhaps more religious- reading.
One of the Hindu Upanishads says “Stepping on the razor’s edge is as difficult as crossing the path that leads to Salvation” . The Upanishads are the philosophical-religious texts of Hinduism (also known as Sanatan Dharma meaning “Eternal Order” or “Eternal Path”). While this particular thought didn’t cross my mind during the creation process, I think it adds an additional dimension to the whole concept, After all, this painting imposed itself out of nowhere. Therefore the Hinduist text that suddenly appeared to me at the very end may not be just a coincidence. ”
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11points
#7 “Kyrios Georgos”

Oil on canvas
Artist statement: “Portrait of a regular customer at the coffee shop where I go.”
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10points
#8 “Everland”

Series: Beyond
Oil on canvas
Artist statement: “What if Michael Jackson belonged to another realm.
Not Neverland.
Everland.
Everland.
A place beyond time, judgment, and noise.
A space where innocence and sensitivity are allowed to exist.
A space where innocence and sensitivity are allowed to exist.
This painting is my interpretation of Michael as a tragically misunderstood being.
Not the icon. Not the controversy.
But the soul.”
Not the icon. Not the controversy.
But the soul.”
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10points
#9 “Libertas”

Series: Beyond
Oil on canvas
Artist statement: “A work inspired by history and mythology, exploring freedom, resilience, and rebirth. This painting is part of my new series Beyond, where I revisit symbols and stories that transcend time. With Libertas, I leaned into the origins of the Roman goddess and the echoes of liberty through history - from ancient ideals to their reimagining in modern monuments.”
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10points
#10 “Leave Your Prayer After The Tone”

Oil and acrylic on canvas
Artist statement: “Although this -satirical- painting is quite different from the previous one (“Freedom”) it is also a sort of continuity. In a world of chaos and technological advancement where cheap distractions, “fast-food prophets” and uneducated influencers have replaced common sense and values. It is not intended as a critic on any religion but rather as a humorous statement on how many people view faith today. Technology is the new God. So... download the prayer app (don’t laugh, there are actually many out there) and leave your prayer. If you are lucky they may also have a discount where you can leave 2 prayers for the price of one.
The idea for this painting came when I was scrolling through various apps for my phone and stumbled upon a few 'Prayer apps.'”
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10points
#11 “Ephemeral Self-Portrait”

Oil and acrylic on canvas
Artist statement: “I am not the same today as I was yesterday or will be tomorrow. 20 or 50 years from now, who will remember this portrait and where will it be? everything is ephemeral...”
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10points
#12 “Freedom”

Oil on canvas
Artist statement: “I firmly believe that Reality is what YOU make of it. You can create your own or choose for instance to read all the trash and ugly news that are fed to you every day. I have always wondered how would be the world if all the news globally spoke exclusively about good and positive news and choose to ignore the rest. Not a single word about wars or crimes anywhere. Since terror feeds on terror, the same rule should apply for the opposite side. Just imagine for a minute how it would be... I guess we will never know, but the good news is that we can choose to ignore it on a personal level and mediate on positive, optimistic and creative things. I am a dreamer, I am an artist, this is my reality. Let’s set ourselves free.”
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9points
#13 “The Last Walk”

Oil on canvas
Artist statement: “This is probably the most personal and emotional painting that I have ever created. My father passed away when I was eleven. About a month later, I had this dream. We were walking on a desert dirt road and he was holding my hand. On the right side of that road there was just a single tree and a bench. When we arrived at that spot, he looked at me and asked me to stay there since he had to continue the road alone. I begged him to take me with him. He replied “you have a long journey ahead of you, your time has not come, one day we will meet again”. I woke up crying. That was the first and last time I ever saw my father in a dream. This year I will turn 60. I managed to live 7 more years than he did and this dream is still alive in me almost 50 years later. I can’t remember his voice, I am not so sure if it was a rock or a bench... that is why I had the need and the urge to do this piece, afraid that some other bits of memory will fade away. Needless to say, this painting is not for sale. At least until I go and meet him again...”
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9points
#15 “Ascension”

Series: Beyond
Oil on canvas
Oil on canvas
Artist statement: “Not every rise is a release.
The wings open. The body hesitates.
The shadow remains.
The wings open. The body hesitates.
The shadow remains.
A moment held at the threshold.
Between weight and something that cannot yet be controlled.”
Between weight and something that cannot yet be controlled.”
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8points
#17 “Bold Nude”

Oil on canvas
Artist statement: “Inspired by a beautiful photograph of Mr. Vadim Stein.”
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8points
#18 “Rebirth”

Oil on canvas
Artist statement: “The old world is going away and a new beginning arises. From the ashes, a gate to a whole new world, liberated from the burdens of the past.
This painting is the fourth and last part of a series that started with my painting “The Calm Before the Storm.” I wanted it to end with an optimistic note (and my assistant who is on the last picture, agreed!).”
This painting is the fourth and last part of a series that started with my painting “The Calm Before the Storm.” I wanted it to end with an optimistic note (and my assistant who is on the last picture, agreed!).”
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7points
#20 “Medusa Rising”

Series: Beyond
Oil on canvas
Oil on canvas
Artist statement: “Medusa Rising reimagines the myth as a cosmic transformation. Not curse, but emergence. A powerful symbol of resilience, rebirth, and the eternal feminine.”
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6points







