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DARK SECRETS: 87 | Rare Historical Photos

“This was an instant yes”: John Mayer provides live soundtrack for Matthew McConaughey’s book reading in this year’s most unexpected artist crossover

The guitarist accompanied readings of the actor’s poems for a one-of-a-kind event

Guitar World

“He was born 10 years too late, because he’d be competing with Eddie Van Halen”: Justin Hawkins names the guitar virtuoso who could have been EVH’s equal in the 1980s

The Darkness guitarist believes this shredder would have been better appreciated in the ’80s

Guitar World

“I’m seeing players compose something crazy-hard and pretend they can play it when they can’t. It’s dishonest”: How Hedras became one of today’s leading virtuosos by fusing shred smarts and boomer sensibilities

The Cort signature artist on why it’s worth the long climb up Shred Mountain, teaching Tosin Abasi tapping tricks and standing by an effect that many of his contemporaries have abandoned

Guitar World

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“It’s a vintage Les Paul with a different shape. I wanted to have my own recipe”: Meet the Tributo, the Italian super-guitar that turns the ’59 Les Paul formula on its head

Based on the home of Italian supercars comes a super-electric with serious boutique pedigree. The inspiration is obvious. The upgrades less so, and it could be the acme of vintage-inspired design. Luthier Nicolas Giordano explains his process

Guitar World

“Andy Summers is one hell of a jazz guitarist, but it was Sting who volunteered him for the session”: How jazz bass legend Christian McBride reunited The Police duo for his latest album

Sting and Andy Summers joined McBride for a jazz-tinged version of a Synchronicity-era Police classic

Guitar World

“I took lessons from Joe Satriani. I felt like he was trying to build an army of shredders with finger exercises. He hated me because I didn’t practice his stuff enough”: The iconic alt-rock guitarist who quit taking lessons from Satch

The Satriani curriculum failed to move Cake's Xan McCurdy

Guitar World

“I went back to Joe and I said, ‘It’s my dream guitar but I don’t have $5,000’”: Joanne Shaw Taylor on how Joe Bonamassa’s haggling skills helped her land a signed signature model of her favorite player

Taylor recalls how Bonamassa put his negotiation skills to good use to help her acquire her dream guitar… before keeping it for himself

Guitar World

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“We are saddened that he can only leave dear memories with his family, but we are eternally grateful for the legacy of extraordinarily moving music he leaves behind”: D’Angelo, legendary, boundary-pushing R&B singer/songwriter, dies at 51

The multi-instrumentalist released only three albums over the course of his three-decade career, but each proved hugely influential

Guitar World

“He will just sit down and do a warm-up, no matter what. Even if you’re talking to him, he’s going to keep on”: Steve Morse on why warming up before a show is crucial – and the one guitarist who does it right

Morse names the prog maestro with a fool-proof warm-up routine...

Guitar World

“If my tone or phrasing sounded awkward my teacher would make me do push-ups!”: David Immerman on moving from pure shredding to playing with American Idol stars and Avril Lavigne – and why he never wanted to start his own band

The session and production specialist reveals how indulging his ‘90s dreams evolved into touring gigs with A-list pop-rockers, and what he does to match the studio sounds of Lavigne’s timeless hits

Guitar World

“They’re awful, ‘never should have occurred in nature’ kind of things… It was unplayable”: Ron ‘Bumblefoot’ Thal remembers his radical mad scientist fretless guitar experiments

The virtuoso once wanted a fretless guitar, so he took matters into his own hands

Guitar World

“It’s the first time I’ve ever used a Floyd Rose. It felt very scary for me”: Wet Leg are one of indie rock’s hottest acts – but their guitarist has been accidentally channeling Bon Jovi with her axe of choice

Lead guitarist Hester Chambers is taking a cue from vocalist and rhythm guitarist Rhian Teasdale by opting for an off-kilter guitar for the genre

Guitar World

“While it doesn’t reinvent Fender’s decades-old designs, this Stratocaster is not only crisply made but really hard to put down”: Fender American Professional Classic Stratocaster review

Replacing the out-going Performer model, is Fender’s American Professional Classic Stratocaster the perfect vintage/modern hybrid?

Guitar World

“The entry point into the whole USA Fender offering”: Fender unveils the newest gateway to its American-made collection, the American Professional Classic series

New Coastline pickups, a successor to the Nashville Telecaster, and a double dose of streamlined offsets head up the newest starting point to Fender's most affordable USA-made instruments

Guitar World

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Guitar World

“It’s likein Harry Potter when the wand chooses the wizard. It’s the same thing with guitars, right?” Ally Venable on why the guitar is not a one-size-fits-all instrument – there’s a bit of magic to it

The blues-rocker recalls the gift of a precious pedal from an old friend and a recent Hendrix-inspired guitar purchase that has blown her mind

Guitar World

“I never had the inclination to completely go up against my dad – writing blues never came naturally up until this point”: How Jack Moore is expressing his own sonic identity with Marshall amps, wah pedal extremity – and his father's signature Les Paul

Jack Moore, the son of legendary player Gary Moore, steps into a musical world shaped by folk and pop, but a gift for the blues runs in the family

Guitar World

“I really like the look of Parker Flys, but I don't think I could find one to try in Australia”: Plini on the origins of his passion for Strandberg and headless guitars – and the models he might have otherwise played

Plini explains how Misha Mansoor and Tosin Abasi shaped his decision in trying out the brand's futuristic guitars

Guitar World

“He our admiration for his music and our respect for his talent for recognizing guitar genius”: The life and times of Ozzy Osbourne – metal’s godfather and Prince of Darkness

Remembering John “Ozzy” Osbourne, the frontman who breathed life into heavy metal and found some of its greatest guitar players

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Guitar World

“He was my favorite guitarist I played with, besides Slash, and was the one I felt most unified with”: Richard Fortus on how he’s held down the Guns N’ Roses gig – and his other favorite GNR guitarist

Fortus reveals who his favorite co-guitarists have been, and the man whose parts he'll never change

Guitar World

“A true artifact of musical genius”: Frank Zappa’s ‘Baby Snakes’ SG is heading to auction for the first time – and expected to sell for half a million dollars

The heavily modified SG copy was bought for $500 and became one of his most well-known guitars

Guitar World

“It’s perfect for playing Chuck’s classic songs, like Johnny B. Goode and Maybellene”: Joe Bonamassa on his love for the Gibson ES-350 – and why it's a blues powerhouse

The ES-350 was a big favorite of Chuck Berry's. Well, well, well, it's no surprise that Joe Bonamassa loves it too. And here he puts it through is paces, and takes us to the B.B. Box in the process

Guitar World

“Over the span of several years of wrestling with that dynamic, I had an epiphany”: JHS Pedals’ Josh Scott on how IKEA inspired him to create a DIY Klon clone that took the internet by storm

Last year, the budget-friendly Notaklön turned heads – and made fans (and foes) along the way...

Guitar World

“You’ll laugh, but I thought he used to play too loud”: Buddy Guy remembers the first time he saw Jimi Hendrix play – and the warning he used to give him before gigs

Guy also remembers how Hendrix won the guitar amp “dogfight”

Guitar World

“It’s totally his fault. I just couldn’t take my eyes off his guitar”: John 5 on the unlikely player who started his life-long love affair with the Telecaster

John 5 has played with David Lee Roth, Rob Zombie, and Mötley Crüe, but the player that inspired his guitar choice is from a whole other world

Guitar World

“When I was younger I avoided acoustic because of the ‘female singer-songwriter’ trope. But now I don’t feel like I have anything to prove”: Flock Of Dimes on how turning to ‘70s and ‘80s Yamaha acoustics helped her capture the pain of generational trauma

Wye Oak frontwoman and Bon Iver touring guitarist Jenn Wasner turned to her Yamaha FG75 collection for an album that she wanted to be “something people could sit inside, even if the feelings were uncomfortable”

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