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INSANE: 71 - The Real Truth

“It doesn't seem to have affected my piano playing - I still seem to be very capable of hitting the odd wrong note here and there”: Rick Wakeman shares positive health update after brain surgery

He’s confident his rescheduled US tour will go ahead in March

MusicRadar

“It’s bittersweet, of course”: Soundgarden’s final album is “pretty close” to completion

But Morello says don’t expect unreleased Audioslave music any time soon

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“We weren’t getting paid that much, so our only solace was whupping his ass on stage”: Jellybean Johnson, drummer with Prince associates The Time, has died, aged 69

“Bean was a consummate musician,” said The Time frontman Morris Day. “All he ever wanted to do was play and talk music”

MusicRadar

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“You can shake your head and say, ‘This isn’t real rock ‘n’ roll.’ Or you can look at it another way”: Joe Perry says that when Aerosmith recorded with Yungblud, "there wasn’t a single song that we did where we actually all played together”

“Music has changed so much,” Perry says

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"With a DI box and some time to learn the layout, it's a robust, reliable and ridiculously well-equipped powerhouse for the stage and studio": IK Multimedia TONEX Pedal Bass Edition review

The sonic power of TONEX, ported to a bass-friendly version of the TONEX Pedal

MusicRadar

“I don’t want to talk about it anymore, if that’s all right. I feel like the dust hasn’t settled”: The devastating personal pain behind one of Radiohead’s most affecting songs

The melancholy masterpiece was a highlight of the group’s last album to date, and was accompanied by a surreal Paul Thomas Anderson-directed video

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“Everybody used to say how great Clapton was, but I remember saying to Eric, ‘You try playing that one riff for eight minutes!’”: How rock legends Status Quo stole a riff from The Doors and built an entire career out of it

"That song is where the Quo twelve-bar boogie shuffle came from"

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“People would say, ‘OMG, if this guy is in the back of a guitar store, teaching, what does it say about the music business?’ But, of course, within a few years, everybody would know his name”: Testament’s Alex Skolnick on what he learned from Joe Satriani

When a teenage Skolnick studied under Satch, he found a man who was “like the equivalent of studying with a classical piano or classical violin teacher” – except this guy could rock

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“I got woken up at 3 AM by a fan spamming my DMs. I looked at the stream and was like, ‘no way!’ I’m still in disbelief”: UKG phenom MPH on featuring in Thomas Bangalter’s comeback DJ set

MPH is at the forefront of a new wave of producers reshaping UK bass. He joins us to talk about the making of third album Substance, his stripped-back studio set-up and how it feels to get a cosign from one half of Daft Punk

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“John called us and said he thought that we were the best stuff that he had heard since the Beatles… To hear that from John Lennon was like, ‘What?’ It was a wonderful compliment”: Davey Johnstone on Elton John’s smash-hit Beatles collab with John Lennon

How a visit from John Lennon during the sessions for Elton John’s 1975 masterpiece Captain Fantastic And The Brown Dirt Cowboy yielded an impromptu Beatles cover and another number one hit

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“I’m still disappointed when people hear the chorus line as ‘got to’ rather than ‘get to’“: How One rescued Achtung Baby and saved U2

Track was written in just 15 minutes

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“If we had stuck together we could have been as big as Led Zeppelin – or at the very least, Deep Purple. We had the stuff!”: The heavy rock innovators whose hard-hitting drummer was a star before John Bonham

“There was always friction – but it all worked for the creation of what we had"

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"When it comes to sound, I'm convinced there isn’t a bad tone in this pedal": Crazy Tube Circuits Mirage JR reverb pedal review

With a clutch of reverbs from standard to experimental, this could be your one-stop shop for all your spatial requirements

MusicRadar

I went to the Kraftwerk auction to buy their chairs, but came back with loads of gear from Florian Schneider’s studio and a massive bill instead

To say I got a little overexcited is an understatement - here are the hard lessons I learned so you don't have to

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“If the studio fits on a desktop, iLoud Sub fits right in”: IK Multimedia’s new sub is designed for small setups and includes ARC X room correction

IK boasts that its new sub has the smallest footprint on the market and offers a “tight, accurate, and musical response that can be relied on for every mix”

MusicRadar

“We had to use a little bit of latex so I wouldn’t get arrested, because if you’re fully naked on the street anywhere in America... jail:” How Alanis Morissette followed the mega-hit Jagged Little Pill – with a spiritual anthem and its high-risk video

“I thought that fame and success would solve your problems"

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“I hated it. Absolutely hated it. And I still do. Trip-hop had nothing to do with me”: Portishead’s Geoff Barrow on pigeonholing, production and beating imposter syndrome to become a film soundtrack composer

“I sat back and thought, 'What are you playing at? You can’t write a movie score! You’re not even a real musician'"

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How Burial used a "rubbish, dying computer” and primitive audio editing software to make one of the most influential electronic albums of all time

A prime example of how the less-is-more philosophy can fuel creativity, Burial’s extraordinary 2007 masterpiece Untrue was created entirely within Sony’s antiquated Sound Forge

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“I’ve rocked my roll. It’s a boring dead end. The last thing I want to be is some useless rock singer”: How a disillusioned and drug-addicted David Bowie reinvented his music with a groundbreaking song he could barely remember recording

A dazzling epic that ushered in Bowie’s new persona, the Thin White Duke

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Gary ‘Mani’ Mounfield, Stone Roses and Primal Scream bassist, dies, aged 63

The music world pays tribute to "the perfect example of how a bassist can be the beating heart of a band”

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“Prince was always scared that we were going to give The Time’s sound away”: Prince’s close association with the LM-1 drum machine influenced Jam and Lewis’s decision to switch to the Roland TR-808 on one of their early ‘80s hits, says Jimmy Jam

“We were like, ‘no, no, we're going to do something totally different, you know'"

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"It just shows the power of community skills and generosity and the value of repairing rather than replacing": Local repair cafe saves hip-hop legends' gig

The band’s sampler had packed up

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“If you already own an Apollo or Volt interface and want to upgrade your inputs, then the Volt 876 is a no-brainer”: Universal Audio Volt 876 review

UA's biggest Volt interface makes recording drums or full bands a breeze with some neat workflow-enhancing touches

MusicRadar

“No complicated setups. No software. No cables. Just play”: Popumusic’s PartyStudio is “the world’s first wireless MIDI synthesizer speaker”, and lets up to four people jam simultaneously

Come on in, take your coat off, have a drink and pull up a MIDI keyboard

MusicRadar

"Your golden pipes remain this guy’s all-time favourite rock voice to ever grace the planet": Steve Vai salutes Whitesnake legend David Coverdale

“David has shaken the earth for over half a century with a voice that could level a mountain”

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