FORGOTTEN HISTORY: Alexander soddy - Caught on Camera

Fidelio review – Kratzer’s iconoclastic take turns Beethoven into something it’s not

Directorial tweaks weaken the opera’s fervour and idealism, but Jennifer Davis’s Leonore and Chrstina Gansch’s Marzelline both impressed and in the pit, Alexander Soddy keeps things brisk

The Guardian - UK · Oct 10, 2024

Philharmonia/Soddy review – Strauss’s Nazi-tainted last opera ends Edinburgh international festival

Soprano Malin Byström stole the show in Capriccio, programmed as a celebration of EIF partnership with the late Sir Andrew Davis

The Guardian - UK · Aug 26, 2024

Salome review – lethal desires and emotional extremism

Alexander Soddy made an auspicious Royal Opera debut with his wonderful conducting of this revival of David McVicar’s staging: a tragedy of horrifying power

The Guardian - UK · Sep 11, 2022