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UNBELIEVABLE: 2 - Caught on Camera

Paul Mescal headlines National Theatre’s bold new season as Stormzy debuts for ground-breaking collaboration

The theatre unveils ambitious global vision with 16 new productions, including Mescal’s double debuts and a Stormzy-powered musical

Evening Standard

John Proctor Is the Villain review – smart and snappy high school comedy

Stranger Things star Sadie Sink takes the lead in a wonderfully written new Broadway show about high schoolers grappling with hot potato issues in 2018

The Guardian - US

Big Stars take over the West End again as Bryan Cranston and Marianne Jean-Baptiste lead Arthur Miller classic

Breaking Bad star and Oscar winner jo9in powerhouse cast for revival of All My Sons - tickets set to sell-out fast

Evening Standard

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The Glass Menagerie: the haunting beauty of Tennessee Wiliams’ play endures in this Sydney revival

Tennessee Williams (1911-1983) is widely regarded as one of America’s greatest playwrights. A prolific and unabashedly autobiographical writer, Williams’ career spanned four decades of the 20th century.

The Conversation

Death of a Salesman review – Arthur Miller’s timeless tale of a small man crushed by big dreams

A fine cast capture the emotional damage and inarticulate anger at the lie they have all been sold in this taut no-nonsense production

The Guardian - UK

A View from the Bridge review – thrilling update pulls no punches

Jemima Levick’s superb production sets Arthur Miller’s tale of family, immigration, poverty and passion in the modern-day Brooklyn docks

The Guardian - UK

Jeremy Piven has 200k of jewllery stolen

Jeremy Piven had $200,000 worth of jewellery stolen from his house last week.

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Touring stage show 'wonderful opportunity' for Scottish talent, says David Hayman

ONE of the greatest plays of the twentieth century is set to tour the UK with a full Scottish production team as leading actor David Hayman says it…

The National (Scotland)

Jeremy Piven's mother Joyce has died

Jeremy Piven is mourning the death of his mother Joyce Piven.

BANG Premier

The Daring Young Man on the Flying Trapeze by William Saroyan review – vividly crafted Depression-era tales

The US author’s debut collection from 1934 focuses on impoverished individuals in precarious times using language that is punchy and full of compassion

The Guardian - UK

Too much theatre memorabilia is being lost to private collectors, says David Hare

As hundreds of personal effects belonging to playwright John Osborne go up for sale, Hare laments that the V&A is not bidding

The Guardian - UK

Here in America review – Miller and Kazan test the bonds of friendship in McCarthy-era witch-hunt drama

Orange Tree theatre, LondonDavid Edgar’s play on the anti-communist Hollywood witch-hunts of the 1950s is clunky in its set-up, but offers a lively take on the personal politics of art and ideology

The Guardian - UK

David Edgar: ‘If you can only think yourself into the shoes you’re wearing it makes creating fiction impossible’

With two new plays opening this autumn, the veteran playwright talks about the risks of writing about real events and the threats to leftwing drama and politics

The Guardian - UK

Gareth Malone: ‘You need a rock solid sense of purpose’

The choirmaster, 48, on teenagers, meeting Arthur Miller, and his most embarrassing moment

The Guardian - UK

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The Independent UK

11 wild stories behind Hollywood kissing scenes: ‘Would you two mind if I say cut?’

THE COUNTDOWN: From Tobey Maguire almost suffocating on the set of ‘Spider-Man’ to the actors who wouldn’t stop smooching when the director called ‘cut!’, Ellie Harrison looks back on some of the most intriguing backstories to onscreen kisses

The Guardian - UK

The week in theatre: Viola’s Room; A View from the Bridge – review

Punchdrunk immerse us in a gothic tale with clever lighting and Helena Bonham Carter’s whispers; while Dominic West is terrific as Arthur Miller’s doomed docker

The Independent UK

A View from the Bridge review: Dominic West gently reinvents Arthur Miller’s tragic hero

‘The Crown’ star is a man in freefall in a Miller revival that works its magic by being that rare thing: a really decent production of a really great play

Evening Standard

A View From The Bridge at Theatre Royal Haymarket review: Dominic West delivers in an old-fashioned revival

This solid take on the classic Arthur Miller play has contemporary resonance though the production feels staid

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The Guardian - UK

A View from the Bridge review – Dominic West leads 50s drama into the present

Arthur Miller’s story of family, masculinity and immigrant struggles could seem dated but a brilliant cast bring out uncomfortably modern resonances

The Guardian - AU

Anthony LaPaglia: ‘Acting is part therapy. You get to work out your demons sometimes’

The Los Angeles-based Australian actor talks fame, failure and his father’s last words

The Guardian - AU

Into the Shimmering World review – Colin Friels and Kerry Armstrong star in a future Australian classic

Wharf 1, Sydney Theatre CompanyThe third part in Angus Cerini’s Australian gothic trilogy deftly explores Australian male insecurity, postcolonial soul-searching and global heating

The Guardian - UK

The Crucible review – a deeply affecting take on Arthur Miller’s American classic

Director Anthony Lau brings his fiercely rigorous intellect to bear on this intensely felt love story, with standout performances from Simon Manyonda and Anoushka Lucas

The Guardian - UK

Tears, joy, yoga – and dreaded games: stage actors share their secrets of the rehearsal room

Preparation for a play is notoriously private affair. Here five acclaimed actors and the director Richard Eyre share their experiences

Evening Standard

Callum Scott Howells on BBC drama The Way, coming to the West End, and how he wants to 'do a Ryan Reynolds'

The beloved Welsh actor is following up It’s a Sin with a triumvirate of must-watches, but all he really wants is his own football club

Evening Standard

A View from the Bridge: revival with Dominic West and Callum Scott Howells will transfer to the West End

The Theatre Royal Bath production of Arthur Miller's celebrated 1955 play will be heading to London this spring

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