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BIZARRE: Beetronics - You Need To See This

"A great chorus pedal that treads its own path": Beetronics Seabee Lite review

Beetronics's chorus pedal might have half the features of the full version, but it's still capable of delivering some seriously out-there modulation tones

MusicRadar

“Not your average digital delay by any means”: Beetronics Pollinator Hazee Delay review

Beetronics cross-pollinates delay and modulation to create textural sounds that blur the boundaries between them

Guitar World

Jack White’s Third Man Hardware has launched a fuzz pedal with Beetronics that looks like a can of tuna

The Old Zoo Lion Meat is a limited-edition fuzz that keeps things simple and decidedly old-school

Guitar World

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“It feels more like a DIY creator building something weird for themselves”: Beetronics Pollinator Hazee Delay

A modern throwback to the 'try anything' experimental days of the boutique pedal boom

MusicRadar

“Lo-Fi and Pitch modes take you well beyond the usual analog delay paradigm”: Beetronics Bee Bee Dee review

The first delay pedal from Beetronics offers analog sound with digital control for some time-warped creativity

Guitar World

“It offers the holy grail amp sounds beloved by John Mayer, SRV, and more for just $150. A must-try for Dumble fans”: All the new guitar gear that has caught my eye this week – including the angriest fuzz pedal you will ever come across

Plenty of new pedals, amps and more from the likes of Epiphone, IK Multimedia, Fender, Laney, Mesa/Boogie and beyond...

Guitar World

“With this pedal, you’re practically getting a Gilmour tone cheat-code”: From totally unique synth pedals to signature collabs and game-changing takes on the classics, here are our 30 favorite guitar pedals from the past 5 years

We break the glass on the pedal cabinet to dig out a long-list of some of the coolest effects from the new Golden Era of stompboxes

Guitar World

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“A flexible vintage-flavoured asset for your signal chain”: Beetronics Larva Morphing Phaser review

Beetronics’ latest offers a pair of different phaser/vibrato settings with footswitchable morphing between the two

Guitar World

“A tasty fuzz that’s worth making a tuna-can-shaped space on your pedalboard for”: Beetronics Tuna Fuzz pedal review

Beetronics eschews its ornate pedal casings and gets back to basics with a fuzz built into a tuna can. Seriously!

Guitar World

“At full bore, it’s brilliant fun for doomy metal riffs and speaker-blowing Stooges-style punk”: Beetronics Tuna Can Fuzz Pedal review

Vintage fuzz tones from an actual tuna can that will leave you hungry for more

MusicRadar

“Stinking good sounds inspired by our favorite vintage fuzz boxes”: There’s nothing fishy about Beetronics’ Tuna Fuzz – it’s a $99 can of high-protein tone

Beetronics' latest is a fuzz housed in a tuna can. It's got a simple single-knob setup, is the stompbox company's most affordable yet, and is sure to be popular with your cat

MusicRadar

“It's by far the most affordable pedal we’ve ever made”: Beetronics introduces the Tuna Fuzz – a vintage-style fuzz pedal in a tuna can

The new pedal pays homage to company founder Filipe Pampuri's early days, when limited funds led him to repurpose tuna cans as pedal enclosures

Guitar World

“These are two of the most popular drive flavors out there, tweaked and combined into something greater than the sum of their parts”: Beetronics Wannabee Beelateral Buzz review

Beetronics moves away from its usual original circuit designs and delivers double drive with Klon and Bluesbreaker flavours

Guitar World

“An excellent fuzz with wide-ranging tonal variation and performance tricks that set it apart from the crowd”: Beetronics Abelha Tropical Fuzz review

It’s designed for Brazilian tropicália music, but this fuzzbox from Beetronics could create a buzz in any musical genre

Guitar World

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MusicRadar

“It unlocks a world of possibilities by blending both circuits in the most unique ways”: Beetronics’ Wannabee packs customisable Klon and Bluesbreaker-inspired circuits into one versatile drive

Here we have two classic overdrive circuits, three switchable voicings for each, and the capability to switch up their order, blend them and run them in parallel

Guitar World

“The ultimate dual overdrive”: Beetronics combines Bluesbreaker and Klon tones in its latest pedal – but there’s a clever twist

Through some choice electronics and switching, the new Wannabee Beelateral Buzz looks to help players unlock “a world of tonal possibilities”

Guitar World

“This is a great utility pedal to have on your ’board, something that could really increase your sound’s scope”: Beetronics Nectar Tone Sweetener review

Beetronics’ latest will expand your pedalboard dirt options with drive and fuzz in one small pedal

MusicRadar

NAMM 2024: “Brazil in the ‘70s had some genuinely unique fuzz tones, and that's what we've aimed to capture with this pedal”: Beetronics packs three classic flavours into the Abelha Tropical Fuzz

Here's a vintage-inspired fuzzbox to help you nail the sounds of Os Mutantes and their fellow travellers in the Brazilian Tropicália movement, but it does a whole lot more besides

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Guitar World

NAMM 2024: “It's a Beetronics masterpiece, showcasing what we do best”: Beetronics’ new Abelha isn’t your ordinary fuzz pedal – it aims to capture the unique sounds of the Brazilian Tropicália movement from the 1970s

“Our goal was to embrace a classic nostalgic vibe while looking ahead to create a futuristic fuzz tone – and I bee-lieve we nailed it,” says the brand's founder

Guitar World

Beetronics Seabee Harmochorus review

Has Beetronics invented a new sub-genre in effects pedals with this endlessly creative pitch-shifting chorus?

Guitar World

Classic ’70s octave fuzz tones in a smart-switching, pedalboard-friendly design: Beetronics debuts the Octahive V2

Based on the Tycobrahe Octavia, the firm’s reboot of its high-octave fuzz pedal now features a reduced form and some clever switching options

MusicRadar

There's going to be a lot of buzz about the new Beetronics Octahive V2 High-Octave Fuzz pedal

See what we did there? Sorry.

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