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THE TRUTH ABOUT: Bert jansch - The Untold Story

Various artists: Asili ya Mama review – Tanzanian field recordings tell women’s stories with an energetic trill

These stories of family bonds capture traditional music that’s equal parts rhythmic, melodic and harmonic, and rarely heard outside Indigenous communities

The Guardian - UK

Terry Cox obituary

Drummer with Pentangle, the folk-rock group who found fame in the 1960s with their fusion of jazz, blues and traditional songs

The Guardian - UK

“Somebody said I was the ice queen, because I just didn’t move on stage – I was terrified!” The woman who became a prog star after being asked to lead the singing at anti-nuke marches

She’d had no plans for a life in music, but wound up working with some of the biggest names of the 60s folk resurgence

Louder

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Pentangle drummer Terry Cox, who also played on David Bowie's Space Oddity, has died, aged 89

Drummer Terry Cox was part of the classic Pentangle line-up alongside Jacqui McShee, Bert Jansch, John Renbourn and Danny Thompson

Louder

“I had letters threatening me with death for getting Bert Jansch to play through an amp”: The life and wild times of Danny Thompson, the legend of upright bass who “brought greatness to everything he played”

The fabled upright acoustic bassist leaves us with a thousand tales of misadventure and an extraordinary body of music that weaves through the rock ’n’ roll era

Guitar World

“The edges were bound to fray – we were bound to take from each other. David Gilmour openly accused Roger Waters of copying me”: The influential folk singer-songwriter who never quite gained stardom, but gained massive respect instead

Acclaimed by Pink Floyd, Kate Bush, Led Zeppelin and Peter Gabriel, he recalls feeling insulted by the way his best-known album was treated, his short stint in a US prison, and his decision to stop writing long notes to fans on their record sleeves

Louder

“The Goldtop Les Paul was the first guitar I bought leading into the Harry rehearsals. I played SNL with it – and every night since”: Mitch Rowland on treading the line between pop superstars and sublime folk fingerstyle – and why touring doesn’t add-up

The Grammy award-winning songwriter and guitarist talks about collaborating with Harry Styles, preferring to “move some air” with real amps on stage, and gets candid about the reality of touring as a solo artist in 2025

Guitar World

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“You cannot visit the scene. The scene is now in the bedroom. There isn’t a group of people forcing each other to improve”: Roy Harper wants to hear new ambitious music, but knows why he’s struggling

The folk rock hero reflects on what the world lost when groups of hopeful artists stopped forming their own schools, like he did in the 60s with Bert Jansch, Paul Simon, Alexis Korner, John Martyn, Al Stewart and others

Louder

“It’s weird when I look at the list. If you go folk or blues or jazz or rock, I’ve actually been there”: Danny Thompson covered more ground than even he thought possible in a career spanning seven decades

The revered double bassist worked with Peter Gabriel, Kate Bush, John Martyn, Bert Jansch and countless others. On 2012 album Connected he assembled some of his proudest moments

Louder

“The scrutiny we were under lent itself to the atmosphere of the record. We really had to come out swinging”: Jake Kiszka and Chris Turpin on conjuring old-school guitar magic for Mirador’s debut – and the difference between US and UK guitar players

The Greta Van Fleet x Ida Mae collab is a 21st-century exercise in rock classicism, bringing the ancient and the modern together, using high volume to bind, and to relieve some of the pressure, too

Guitar World

“Once the show became a hit, people started going down the rabbit hole – ‘Oh my God! He really was in the Grass Roots!’” The life and times of Creed Bratton, from AM rock stardom to taking an Office job

From living it up in the Summer of Love to starring inNBC’s The Office, the former Grass Roots guitarist has had a career like no other

Guitar World

He played a guitar held together by a belt, was admired by Keith Richards, covered by Springsteen and described by Bert Jansch as “the most underrated guitarist ever” – the life and times of a beatnik folk pioneer

Wizz Jones may not be a household name but he came out of the same scene as Eric Clapton and influenced everyone from Keith Richards to Thurston Moore

Guitar World

“I had no idea you could get a sound like that”: The player that almost convinced The Office star Creed Bratton to give up guitar altogether

Away from his starring role in The Office, Bratton is an accomplished guitarist – but one blues icon almost made him rethink his relationship with the instrument

Guitar World

“Acts of daring support the contention that their label set them free to do whatever they pleased”: Pentangle’s exhaustive The Albums: 1968-1972 is a lavish celebration of folk’s first supergroup

Box set featuring their first six records is enhanced with out-takes, live tracks and solo material by Bert Jansch and John Renbourn

Louder

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The Guardian - UK

Wizz Jones obituary

Guitarist, singer and songwriter who performed with John Renbourn, Bert Jansch and Ralph McTell

Guitar World

“I’ve got a friend in a well-known band, and he says Martins have unnecessary bottom-end. My retort was always: ‘Well, you need to learn to play properly’”: Johnny Marr on the magic of his 7-string signature Martin – and his fight with capo addiction

Since he rose to glory in the mid-’80s with The Smiths, Marr has been the king of crystalline chime. Now, he reveals how his new M-7 Martin – complete with octave Gstring – puts that shimmer at your fingertips

Guitar World

“I wrote loads of the Smiths stuff on my first Martin. It was from some hire company – I just refused to give it back!” Johnny Marr on creating his 7-string Martin acoustic, his disdain for satin necks, and why the Smiths were really a folk band

Tearing up the blueprint with an octave G string, Johnny Marr’s new seven-string Martin signature model is a distillation of all the British icon’s most rebellious opinions on acoustic

Louder

“Sometimes his lyrics are so indistinct they may as well be wordless. Sometimes they are actually wordless”: Jonathan Hultén’s Eyes Of the Living Night is briliant and beautiful

After channeling Nick Drake and Bert Jansch on his first record, the Swedish guitarist’s pivot from extreme metal brings him to a Kate Bush-like world

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Louder

A beginner's guide to progressive folk in 10 acts - it's not all 'hey nonny nonny', y'know

Folk and folk rock bands are responsible for some of the most progressive music ever made. Not only that, but they influenced the rock world as we know it

Guitar World

“At the end of a tour Bert said to his roadie, ‘Do you want a guitar? Take your pick.’ And the guy said, ‘Well, I’d like that Fylde...” Gordon Giltrap on why Bert Jansch changed his life – and how he ended up with the folk icon’s ’70s acoustic

It's no exaggeration to say that hearing Jansch forever changed Gordon Giltrap. Now that he owns Jansch's guitar, it has offered him a unique perspective on his hero...

MusicRadar

“All of these things that I do on record using a few guitars, I've all got it in the one guitar that I can carry around with me”: Martin unveils 7-string Johnny Marr signature acoustic with an octave G string for added jangle

The M7 Johnny Marr is one seriously cool Grand Auditorium with an East Indian rosewood back and sides, solid spruce on top, and there is a six-string version available too

The National (Scotland)

10 things that changed my life with festival director Kresanna Aigner

THE Sunday National spoke with festival director Kresanna Aigner on the 10 things that changed her life ...

Louder

“It shows how the founding five’s skills that first bewitched in the early 1970s didn’t fade in the slightest”: Pentangle’s Reunions clamshell box

Four-disc collection spans live appearances from 1982 to 2011

The Guardian - UK

An 80th Birthday Concert for Bert Jansch review – moving homage to 60s folk guitar hero

Pentangle’s Jacqui McShee as well as Robert Plant, Bernard Butler and Sam Lee were among stellar acts celebrating the late musician in impressive style

Louder

Pentangle got a bit of stick and still does... but music is about putting ideas together and understanding them, not making sounds you think are trendy”: Why John Renbourn always stood up to the purists

Kicked out of art school, he embarked on an accidental career in baroque prog and folk jazz - and regarded himself as a lucky winner

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