Belvoir’s Orlando is a love letter to the contemporary queer community that doesn’t quite come together
The production opens on skates. We are flung into an Elizabethan world articulated with the beautiful simplicity of a circle motif. A circle is dusted on the stage, the queen is dressed with an enormous circular petticoat reminiscent of crocheted toilet roll holders from the 1970s. Courtiers fly through on…
The Conversation ·
The Conversation
The Guardian - AU
