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HISTORICAL FACTS: Charlotte higgins - The Untold Story

When does rage help us, and when does it harm us? Ukraine has taught me the answers

Fury at Russia’s death and destruction has fuelled art, action and resistance. But eventually, rage’s fire is all-consuming, says the Guardian’s chief culture writer, Charlotte Higgins

The Guardian - UK

Espionage, true crime and war: Baillie Gifford longlist revealed

Patrick Radden Keefe, Ben Macintyre and the Guardian’s Charlotte Higgins are among the 13 authors selected for the nonfiction award

The Guardian - UK

From Ludwig to Ariana Grande: the week in rave reviews

David Mitchell’s quirky puzzle-maker is back with the low-stakes murder mystery, while the US pop superstar’s Eternal Sunshine tour continues its London residency

The Guardian - UK

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Ukrainian Lessons by Charlotte Higgins review – when art and war collide

A vivid and hopeful study of how culture endures in the midst of extreme violence

The Guardian - UK

It’s not just the Odyssey effect: poetry is booming because it’s the only language for these times of violence and chaos

From Homer’s epic to conflicts in Ukraine and Gaza, we can see how poetry fills the gap when ordinary ways of writing or speaking aren’t enough, says Guardian chief culture writer Charlotte Higgins

The Guardian - UK

Christopher Nolan has made an Odyssey for our times – by sacrificing the delicious darkness of Homer’s epic

There’s no denying the power of the film on the big screen. But how far should modern moral sensibilities influence adaptations of classics? asks the Guardian’s chief culture writer Charlotte Higgins

The Guardian - UK

A voyage of discovery: an idiot’s guide to reading The Odyssey

Christopher Nolan’s film adaptation of the ancient Greek epic has sparked a new appetite for an old classic. Here are the translations, podcasts and audiobooks that make the Homeric world more approachable

The Guardian - UK

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Amid war in Ukraine, the fleeting moments of despair and salvation I witness are what truly tell the story

There are images that flicker in the mind before sleep: the loss, the resilience and then the strange mundanity of it all, says the Guardian’s chief culture writer Charlotte Higgins

The Guardian - UK

It wasn’t exactly The Devil Wears Prada, but my time working at Vogue in the 90s was preposterous fun

The decline of the glossy magazine industry as depicted in the sequel made me cry – but I shed no tears for how it was back then, says Charlotte Higgins, the Guardian’s chief culture writer

The Guardian - UK

At the Venice Biennale I saw anger at Russia and Israel – and its leadership pretending everything was fine

The festival can often make you queasy, as geopolitics are played out through the proxy of art. This year it feels on the verge of collapsing in on itself, says Charlotte Higgins, the Guardian’s chief culture writer

The Guardian - UK

Reading opens up the world – with all its pleasures and pains

Letters: Readers respond to Charlotte Higgins’s article on the National Year of Reading

The Guardian - UK

The National Year of Reading celebrates the ‘joy’ of books. But let’s not forget they can also be deeply troubling, too

Encounters with great art can be absorbing, unsettling and even painful. How has this been tamed into ‘reading for pleasure’, asks Charlotte Higgins, the Guardian’s chief culture writer

The Guardian - UK

The Trump-Kennedy Center is another front in the battle for the soul of America

Under Trump, the world-class centre for performing arts is one of many US cultural institutions changing beyond recognition. Will others buckle, asks the Guardian’s chief culture writer, Charlotte Higgins

The Guardian - UK

5 new podcasts to listen to this week

These are our top podcast picks.

The Independent UK

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The Guardian - UK

Trump’s takeover of the Kennedy Center should serve as a warning to UK arts institutions

Art is not immune from the advances of the hard right – but it isn’t too late for resistance, says the Guardian’s chief culture writer, Charlotte Higgins

The Guardian - UK

Literature offers insights into the rise of extremism

Letters: Readers respond to an article by Charlotte Higgins in which she reflects on Sally Carson’s Crooked Cross and its lessons about fascism

The Guardian - UK

A prophetic 1934 novel has found a surprising second life – it holds lessons for us all

Sally Carson’s Crooked Cross was written and set during the rise of nazism. It shows both how extremism takes hold, and the moral certainty needed to resist it, says the Guardian’s chief culture writer, Charlotte Higgins

The Independent UK

Mary Beard: ‘I’m having the time of my life’

Classicist Mary Beard discusses co-hosting a new podcast on ancient Greece and Rome, ageing, and how you sustain a 40-year marriage.

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The Guardian - UK

As Trump rewrites even America’s history, institutions have two choices – submit or find ways to resist

The Smithsonian’s museums have been ordered to root out ‘divisive narratives’. It’s part of a pattern: the battle lines are now clear, says the Guardian’s chief culture writer Charlotte Higgins

The Guardian - UK

Trump’s weird obsession with the arts is part of the authoritarian playbook

His focus on the Kennedy Center fits a pattern. From Augustus to Stalin, strongmen have sought cultural control for their own ends, says the Guardian’s chief culture writer Charlotte Higgins

The Guardian - UK

Friday briefing: Will Labour’s £270m package make a difference to an ailing arts industry?

More importantly, how can we afford to pay for this initiative as well as the increased money Kier Starmer has pledged for defence?

The Guardian - UK

Trump chairing a major arts institution would be laughable if it weren’t so deeply troubling

Jokes about the president’s power grab at the Kennedy Center in Washington soon pale. This is a nakedly authoritarian move, says the Guardian’s chief culture writer Charlotte Higgins

The Guardian - UK

Time to commit to culture and the arts

Letters: Antony Barlow recalls an earlier Labour government’s policy and Linda Karlsen says education is the key, while Sue Jackson is concerned by humanities cuts at universities

The Guardian - UK

‘Worse than the 1980s’ – that’s the arts sector now. It’s not a good look for a Labour government

So many pre-election promises: but still a cultural malaise spreads from our schools to museums, galleries and theatres, says the Guardian’s chief culture writer Charlotte Higgins

The Guardian - UK

Why is Sophocles storming the West End? Because in our extreme times, his plays say the unsayable

The Greek tragedies ask unpalatable questions. That is why they’re enjoying a revival in 2025, says Charlotte Higgins, the Guardian’s chief culture writer

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