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EXPLAINED: 2 - The Real Truth

“People talk, a couple of hundred quid changes hands – and you’re in the charts. That got us going”: The Yes Album was very nearly Yes’ final release. But fate intervened three times

The then-unknown band lost their management, got hurt in a serious road crash and cut a dodgy deal – and that’s why they’re still around today

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"I could have said a few words if Rick Wakeman would have shut up": Bill Bruford on the "civil war" at the heart of Yes's tumultuous induction into the Rock & Roll Hall Of Fame

Bill Bruford looks back on a famously fractious evening

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"Chris Squire asked me to join Yes. I was extremely flattered." Astonishing revelations from Steve Hackett when we interviewed him about 2019's At The Edge Of Light

There were revelations galore about Steve Hackett's twenty-fifth studio album At The Edge Of Light

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“Chris Squire was super fun. I love it when musicians retain their childlike qualities; that’s where music comes from”: Tal Wilkenfeld’s prog connections include David Gilmour, Todd Rundgren and Trevor Rabin

Inspired by Tool, the Australian bassist got her big break from Jeff Beck and went on to play with Prince, The Who and Brian Wilson – and her solo work is equally impressive

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“We were pot-smoking hippies and Rick Wakeman was a pub guy. The angle twisted and we went off in a new direction”: The epic story of Yes and the three albums that changed the course of music

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“He soars, swoops and divebombs his bandmates… two of whom quit shortly after”: 10 of Chris Squire’s mightiest musical moments

The Yes powerhouse bassist had a unique talent for knowing where to be among a relentless band of virtuosos

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"I've got my new band together now. I've got the Yes that I wanted": After half a century of Yes music, Jon Anderson talks about everything, from football to fairies

Fronting Yes he was one of the architects of prog rock, and now he fronts his own band. But that’s only part of his wondrous story

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“Carol Kaye taught me real hard, telling me, ‘No, no, you’re playing the notes but you’re not playing the feel’”: Gene Simmons names 6 bass players who shaped his sound

The Kiss icon explains how Ronnie Wood is a better bassist than guitarist, why he can’t recall anything John Paul Jones played, and what makes him the Burger King Whopper of bass players

Guitar World

“We don’t write as proggy as we used to; we’re older and lazier, but you hear a lot on those early albums”: Doug Pinnick, who stole his sound from Chris Squire, would do everything differently if King’s X went round again

Bassist/vocalist reflects on his band being called the next big thing – but also the most unsellable product of all time

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“I played it to Jon Anderson and his son. They were both crying – which was either a huge compliment or a disaster!” Trevor Rabin and Jon Anderson unlock the secrets of Yes's overlooked Talk

30 years on, band members reflect on their last LP with Rabin and Tony Kaye, giving the overlooked masterpiece the re-evaluation it deserves.

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“We booked a studio and said, ‘Whoever’s here on Monday morning is in Yes’”: How the band regenerated to make Drama, in their own words

Rick Wakeman recalls quitting with Jon Anderson, Steve Howe recalls hoping they’d return, and Trevor Horn recalls being dragged into the line-up that bounced back in 1980

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“It’s the silliest name since Genesis did a track called Squonk. But The Beatles is a silly name, if you think about it”: The world according to Squackett, prog’s great forgotten supergroup

Late Yes bassist Chris Squire, ex-Genesis guitarist Steve Hackett, some old Led Zeppelin and pints of vodka – this was one-off prog supergroup Squackett

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“It’s like Richard Burton and Elizabeth Taylor. We can’t live with each other and we can’t live without each other”: the tangled history of Rick Wakeman and Yes

Keyboard wizard Rick Wakeman’s history with Yes goes back to the early 70s – but there have been plenty of bumps along the way

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“When the mood took them, the prog legends of the 70s could write simple but catchy music with aplomb”: The 40 greatest Yes songs ever

When 50,000 Prog magazine readers voted on the band’s catalogue, the resulting chart contained a few surprises

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"My girlfriend had to leave the room when I played the album": The 10 records that changed Fish's life

Former Marillion frontman Fish takes a trip to the past to explore the records that shaped his path through music

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“I used to wake the engineer up to try again; he went home because it was driving him crazy. And I was angry because I didn’t know how to stop trying”: Jon Anderson recalls the “state of madness” that gave us Olias Of Sunhillow

Yes singer pushed far beyond his comfort zone for 1976 debut solo record, and when it was finished the world – and his bandmates – seemed underwhelmed. Was it worth the effort?

Guitar World

“When I first visited the Rickenbacker factory, I thought I was going to get a hero's welcome. But they were like, ‘Come take a look at our repair room’”: Why Chris Squire’s relationship with Rickenbacker got off to a rocky start

Chris Squire's Rickenbacker underwent several changes over the years, the most radical coming when he rewired the single-output bass with stereo outputs

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“Superbly-executed powerful songs with enjoyable instrumental showboating… it’s a shame they never toured”: Squackett’s A Life Within A Day reissue

The 2012 prog titans’ collab re-emerges with 5.1 Blu-ray surround mix included

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“Perpetually overlooked… the right album at the wrong time. It’s fascinating to hear Jon Anderson’s voice sounding rather throaty and, well, dirty”: Yes’ Talk 30th Anniversary edition

An untitled Trevor Rabin instrumental and an incredible 10-minute demo of Endless Dream crown the bonus elements of the 1994 ‘Yes West’ record

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“I wanted to be XTC or Talking Heads… the Haircut One Hundred album had Genesis at its heart, and Chris Squire got me into bass”: Nick Heyward’s passion for prog

Singer-songwriter recalls feeling like he was reading a book when he discovered A Trick Of The Tail, and that’s why his solo work has become more progressive over the years

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“Possibly the nearest Tillison has ever come to prog metal, with a punchy bass riff that could be a Drama-era Chris Squire outtake”: The Tangent’s To Follow Polaris

A completely solo work from beginning to end, 13th outing is an experiment that’s resulted in astounding triumph

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“When the line-ups changed I thought it was getting a bit stale. But they reinvented themselves… what an incredible thing”: Steve Stevens has loved Yes since he was 14, and always will

Billy Idol’s guitarist discovered his mood for a lifetime when he saw the British icons at Madison Square Garden in 1974

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“The fans understood I was the price they had to pay to hear the band they loved, so they put up with me. It’s not like you’re joining the Sex Pistols”: Trevor Horn on fronting Yes – and how it later made 90125 possible

Producer recalls making his colleagues feel “embarrassed and amused at the same time” as he begged them not to give up on Owner Of A Lonely Heart

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"We get halfway through, just before the solo, and all the power goes off on stage": The night a furious Ray Davies cut a Yes set short before aiming blows and kicks at Rick Wakeman

In late 1971, Yes and The Kinks hooked up for a short run of shows in New York, but brotherly love between the bands was in short supply

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“I just knew Trevor Horn as a pop producer. When he turned up with a guitar, I said, ‘Is that a prop, or are you going to use it?’ We just didn’t hit it off”: How Yes’ 90125 became a triumph – despite starting with “the worst jam in history”

After Drama resulted in the band’s complete collapse, a massive revamp seemed the only hope for any kind of future. But that epic challenge resulted in an equally epic album

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