Opera star Danielle de Niese: I will not push my children into the arts She is well aware of the difficulties of making a full-time career in the arts and said ‘you have to really want it’. Evening Standard · Oct 27
The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun A touring show was quite a challenge for the opera star’s first directorial gig, but dynamic singing, charismatic orchestral play and clever stage jokes pull it off brilliantly The Guardian - UK · Jun 7
Rise and Fall of the City of Mahagonny review – big and brash staging for Brecht and Weill’s whisky-soaked dystopia Jamie Manton’s new production for English National Opera is sparky and substantial. Danielle de Niese brings star quality to tarty Jenny, and the chorus are consistently superb The Guardian - UK · Feb 17
Rise and Fall of the City of Mahagonny: A Trumpian 'hellhole' opera 4/5 The ENO bring Kurt Weill and Bertolt Brecht’s opera to the Coliseum as a dystopia for our times Evening Standard · Feb 17
‘It’s a high-wire act. Every choice matters’: Danielle de Niese takes on opera’s most notorious femme fatale The Australian-born soprano’s version of Carmen is contemporary and emotionally complex: a factory worker in present-day Spain, entangled in a toxic relationship The Guardian - AU · Jul 12, 2025
Carmen review - feminist take on opera’s notorious femme fatale has swagger and style Maximalist design, gorgeous music and grim reality come together in a smart, seductive and spectacular production from Opera Australia The Guardian - AU · Jul 11, 2025
BBCNOW/Martín/De Niese review – from Ravel’s masterful orchestration to Poulenc’s anguished monologue This French double bill made for bold and effective programming. Danielle de Niese avoided too obvious histrionics and was heart-stopping as the rejected lover The Guardian - UK · Jan 31, 2025
Danielle de Niese on starring in The Merry Widow: ‘It's opera’s Love Actually... a Christmas cracker’ The superstar soprano on Franz Lehár’s giddy opera, the art form’s superpower and singing in venues from Glyndebourne to Davos Evening Standard · Dec 20, 2024
The week in classical: The Merry Widow; Aldeburgh festival – review Thomas Allen steals a witty, sparkling new production of Léhar’s masterpiece, and a cosmic world premiere from Judith Weir lives up to her star billing The Guardian - UK · Jun 15, 2024
The Merry Widow review – De Niese and Olvera are compelling, but camp fun stifles subtlety Double entendres, extra dialogue and sight gags ensure that Cal McCrystal’s new staging entertains, but it’s at the expense of emotional power. In the pit, John Wilson is superlative, likewise Germán Olvera’s charismatic Danilo The Guardian - UK · Jun 10, 2024
The Seven Deadly Sins review – LPO play Brecht and Weill with bite and swing Danielle de Niese took on twinned roles of dancer and singer Anna with great style, the evening introduced by João Barradas’s fiery accordion The Guardian - UK · Mar 15, 2024
Classical music: Fiona Maddocks’s 10 best concerts and operas of 2023 Two tragic new operas, Mussorgsky with bells on and rousing community endeavours inspired and moved, while ENO hit highs despite a year of turmoil The Guardian - UK · Dec 24, 2023
The week in classical: Cumnock Tryst; LSO: A Dance to the Music of Time James MacMillan’s inspiring four-day festival brings together top-class professionals and local performers, and Antonio Pappano gives the Barbican a tantalising taster The Guardian - UK · Oct 14, 2023
The week in theatre: Aspects of Love; Rose; The Shape of Things – review A superb cast, including opera star Danielle de Niese, elevates Andrew Lloyd Webber’s plodding 80s musical; Maureen Lipman gives a one-woman masterclass; and Neil LaBute’s romcom gets a sharp, funny revival The Guardian - UK · Jun 4, 2023
The Guardian - UK · Nov 27, 2022 It’s a Wonderful Life review – operatic adaptation is on the side of the angels Jake Heggie’s take on the heartwarming Christmas classic has a glittering, melodic score with a gift of a role for soprano Danielle de Niese as goofy guardian angel Clara
Evening Standard · Nov 15, 2022 ENO’s It’s a Wonderful Life star Danielle de Niese: ‘We need opera, we can’t just do Instagram and Tiktok’ The soprano on starring in an opera adaptation of the much-loved film, being at the ENO when its funding was cut and what it feels like on stage when audiences boo
The Guardian - UK · Oct 16, 2022 La Bohème review – Christmas comes early to the Royal Opera House Juan Diego Flórez delivers a winning performance as Puccini’s least mature leading man, while Danielle de Niese’s Musetta is merciless