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DARK SECRETS: Deborah findlay - The Real Truth

Director Eline Arbo: ‘Theatre is very fake. You have grown up people pretending to die in front of you’

The Norwegian theatre director on bringing Annie Ernaux’s memoir The Years to the West End, standing on Ivo van Hove’s shoulders, and why live experiences still matter

The Guardian - UK

BBC's The Split: Barcelona – from Nicola Walker to Toby Stephens, who’s who in the cast?

The Sterns are back, and divorce is on the menu once more

Evening Standard

The week in theatre: The Years; Pericles – review

Extraordinary performances from five actors all playing the writer Annie Ernaux add up to a five-star adaptation of her Nobel prize-winning book. And a fairytale take on Pericles

The Guardian - UK

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The Years review – Annie Ernaux’s faint-inducing masterpiece roars into devastating life

Eline Arbo’s profound but playful adaptation celebrates the multitudes contained within a single life, as big history is embodied by womanhood – including Romola Garai’s shatteringly raw abortion scene

The Guardian - UK

The Years at the Almeida Theatre review: there's so much to love in this startling and enthralling show

This stage adaptation of Annie Ernaux’s novel offers much that’s still unusual in theatre

Evening Standard

The Years review: This Annie Ernaux adaptation is a unique, profoundly moving experience

A stage version of the Nobel Prize-winning author’s masterpiece, in which five women play the author throughout her life, manages the extraordinary feat of intricately telling the story of a whole life in less than two hours

The Independent UK

‘Each time I read one of her books, I wanted to read more’: five actors on bringing Annie Ernaux’s memoir to the stage

As a play of the Nobel prize-winner’s memoir The Years opens in the UK, the actors playing her at different ages – including Deborah Findlay, Gina McKee and Romola Garai – talk about what the work means to them

The Guardian - UK

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The Inquiry review – drama about a Whitehall cover-up hints at deeper stories left untold

Despite fine acting, Harry Davies’ political thriller about a contaminated water scandal fails to plumb the depths of its characters

The Guardian - UK

The week in theatre: Orlando; Hex review – an elemental Emma Corrin, and a bit of a beast at the National

Corrin shape-shifts to perfection in Neil Bartlett’s zestful take on Virginia Woolf, while a bad fairy casts a spell on Rufus Norris

The Guardian - UK

Orlando at the Garrick Theatre review – Emma Corrin is captivating in this bold, tricksy experiment

Corrin anchors the show but it never feels like the emotional stakes are very high

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