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UNBELIEVABLE: English national opera | History Defined

‘When I heard it, I nearly fell off my chair’: behind the scenes at Angel’s Bone, ENO’s audacious Manchester debut

After years of upheaval, English National Opera is staging its first new opera in its northern base: the Pulitzer-winning Angel’s Bone, about two angels brutally exploited by human traffickers. We talk to its creators

The Guardian - UK

‘Opera needs to attract good writers and tell better stories’: four experts on how opera can survive, thrive and reach new audiences

Earlier this month, former English National Opera artistic director John Berry said opera in the UK needed to “attract good writers and tell better stories” that could tap into the zeitgeist, making the art form more contemporary and accessible. But is this kind of approach enough to capture the attention…

The Conversation

Così fan tutte at ENO: Has a broad humour that Mozart might have enjoyed

4/5 English National Opera’s production of Mozart’s classic transports the tale to 1950’s Coney Island with dazzling mayhem the result

Evening Standard

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Dead Man Walking at London Coliseum: 'worth the 25-year wait to see this opera finally staged in London'

4/5 English National Opera gives popular show based on Death Row memoir its first full staging in London

Evening Standard

Albert Herring review – ENO heralds new era with witty staging of Britten’s story of a mummy’s boy

English National Opera’s first shared production between London and Salford is a fluent and finely sung take on Britten’s 1947 comic opera. Antony McDonald’s lively staging gives the slender tale a sitcom feel

The Guardian - UK

Albert Herring at English National Opera: 'Small scale but packs a punch'

4/5 Small but perfectly formed Albert Herring from an ENO entering its ‘twin city’ era

Evening Standard

Cinderella review – fun-forward fairytale kicks off ENO makeover

Julia Burbach’s energetic staging of Rossini sets the tone for English National Opera’s new split-site era, bringing lashings of chorus comedy and a pacy conductor’s debut by Yi-Chen Lin

The Guardian - UK

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David Rendall obituary

Tenor who sang at La Scala and Glyndebourne and although dogged by misfortune lived life to the full

The Guardian - UK

Mary, Queen of Scots review – trouser suits and relentless tension in Musgrave’s bleak opera

Thea Musgrave’s 1977 account of the persecuted queen has been reimagined in terms of 20th century sectarianism in Stewart Laing’s production. It is sung and acted with blazing conviction by English National Opera

The Guardian - UK

New heights, fond farewells and daring acrobatics – the year in classical music

It was a thrilling year with glittering new works, an electrifying Proms season, Puccini in a laundry and Britten on a trapeze

The Guardian - UK

Five-hour avant garde Philip Glass opera among ENO’s Manchester plans

Programme for company’s move north includes Glass’s Einstein on the Beach, Britten and a new youth company

The Guardian - UK

The Turn of the Screw review – creepy and challenging, ENO’s new Britten staging is an ambiguous triumph

Isabella Bywater’s intelligent and demanding production injects fresh menace into Henry James’s tale of a ghosts and dark histories

The Guardian - UK

La bohème review – ENO celebrate Puccini centenary with compelling new talent

Jonathan Miller’s 2009 staging opens English National Opera’s season with Nadine Benjamin an affecting Mimì and conductor Clelia Cafiero, making an impressive UK debut

The Guardian - UK

Benjamin Luxon obituary

Versatile baritone who appeared on television in Britten’s opera for the medium, Owen Wingrave, and in The Good Old Days

The Guardian - UK

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The Guardian - UK

The Guardian view on discord in the arts world: a distraction from the real crisis

Editorial: Scrapping over the way money is distributed is no answer to the problems created by a decade of underfunding

The Guardian - UK

Duke Bluebeard’s Castle review – erotic, unsettling and beautifully staged

A last-minute cast substitution added a remarkable gender twist to Bartók’s opera about marital disintegration

The Guardian - UK

Jenůfa review – Alden’s harrowing staging remains a formidable piece of theatre

Jennifer Davis in the title role and Susan Bullock as Kostelnička are both outstanding in Janáček’s unremittingly intense tale relocated to a drab industrial town in post-communist Europe

The Guardian - UK

The Magic Flute review – ENO’s revival is a peach of wit, wisdom and laughs

There’s never a dull moment in Simon McBurney’s ingenious production, with Sarah Tynan and the ENO orchestra in fine fettle and a demented dalek-like Queen of the Night

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The Guardian - UK

English National Opera employees to strike over cuts

Underfunding of Manchester move blamed as Musicians’ Union announces first full strike in 44 years

The Guardian - UK

English National Opera members to vote on strike action over pay dispute

Equity union says chorus members will vote in early January on whether to act over plans to cut salaries by 40%

The Guardian - UK

Bittersweet symphonies: UK classical music 2023 in review

Amid the funding woes there were still bright spots this year, from Bach to Byrd, and the Rite to Rachmaninov, while the streaming world continued to evolve and expand

The Independent UK

English National Opera announces Manchester as its new home

Opera company was told by Arts Council England last year that it would lose its £12m of its funding unless it moved out of London

The Guardian - UK

‘This could be really interesting’: Manchester and English National Opera may yet suit each other

London’s loss will be Manchester’s gain as the opera company announces it is to create a base in the thriving cultural centre

The Guardian - UK

English National Opera announces Greater Manchester will be its new home

The company, which had a shortlist of five cities, had been told funding was dependent on leaving London

The Guardian - UK

The Guardian view on touring opera: thwarted in its mission to bring music to the people

Editorial: It would be a tragedy if funding cuts reinforced the myth that a varied and vital art form is simply a pastime for the metropolitan elite

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