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YOU WONT BELIEVE: Euripides - You Need To See This

Quote of the day by Euripides: “For in other ways a woman is full of fear, defenseless, dreads the sight of cold steel; but, when once she…”

There are some quotes that feel ancient immediately. The language sounds heavy. Dramatic. Almost theatrical. Yet once the meaning settles in, the emotion underneath feels surprisingly familiar. This quote by Euripides is one of those lines. Even after centuries, it still sounds painfully human because it speaks about something people…

The Times of India

Thought of the Day by Euripides: ‘When a man's stomach is full, it makes no difference whether he is…’ Powerful reminder by Greek author that happiness has little to do with wealth

Thought of the Day: More than two millennia after his death, Euripides remains one of literature’s most influential voices. His works continue to be studied in schools, adapted for modern theater and praised for their emotional intelligence.

The Economic Times

Iphigenia review: A clumsy and unnecessary attempt to make Euripides relevant

2/5 This play at the Arcola Theatre by Turkish director Serdar Biliş has a contemporary and experimental approach to Greek tragedy that doesn’t quite pull together

Evening Standard

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Thrilling new versions of Greek myths pulse with queer desire and feminist fury

Stories from the ancient past are enjoying a literary renaissance. Classicist, broadcaster and comedian Natalie Haynes stands out for her ability to straddle scholarship and storytelling. The international success of her classical fiction and nonfiction speaks to readers’ fascination with examinations of myth and contemporary retellings that peel away centuries…

The Conversation

The Boy/The God and His Daughter review – Marina Carr’s majestic Theban double bill

Two new plays reimagine Sophocles and Euripides with lavish scale, mordant humour and a fresh interrogation of power, prophecy and desire

The Guardian - UK

Bacchae is bold first choice for National Theatre’s new director

Warning: this article contains spoilers.

The Conversation

Heartstopper star Nima Taleghani on his National Theatre debut: ‘I hadn’t even googled how to write a play’

The Heartstopper star’s exhilarating reboot of Euripides is the first debut play to grace the hallowed Olivier stage – but it nearly didn’t happen. ‘Its not in my bones,’ he says

The Guardian - UK

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The legend of Troy explained

The Trojan War is a legend that sprang from a distant memory of a real Greek incursion into the Bronze Age city of Troy (in modern day Türkiye). This may have taken the form of annual piracy raids and/or encounters based on control of the Aegean Sea.

The Conversation

OPINION - There was more freedom of speech 2,500 years ago than in Britain today

In recent years successive governments have sought to close down free speech. If we are to avoid the enslavement of our thoughts, it’s time to heed the wisdom of the ancients

Evening Standard

How theater can save democracy

Voting isn't nearly enough — we need a communal process for democratic decision-making. Just ask the Athenians

Salon

Micro-wineries in Cyprus hope to give the world's oldest named wine a comeback

Praised by the ancient Greek giants Homer and Euripides for its superb quality nearly 3,000 years ago, Cyprus’ Commandaria is the world’s oldest recorded and named wine

The Independent UK

Greek tragedy is child's play for eight-year-old actor

Starring in Medea, Edward Hill acknowledges that juggling two theatre roles with year ten maths isn't exactly normal for an eight-year-old.

AAP

The Frogs review – Spymonkey’s search for ancient comedy and catharsis

The Aristophanes play is interwoven with the theatre company’s personal quest in a ramshackle show that loses its way

The Guardian - UK

Glorious Exploits by Ferdia Lennon review – uproarious am-dram in ancient Sicily

This witty debut novel, set in 412BC, imagines a couple of locals drumming up a production of Medea with captured Athenian soldiers

The Guardian - UK

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The Guardian - UK

Glorious Exploits by Ferdia Lennon review – classical tragedy as a Celtic caper

This clever debut uses a modern Irish vernacular for the tale of mismatched buddies staging Medea with Athenian prisoners in ancient Syracuse

The Guardian - UK

Medea in mid-air: how Syracuse’s Greek theatre keeps the classics alive

Playing in the vast ancient amphitheatre, imaginative new productions of Euripides and Aeschylus find fresh nuance even in this huge space

The Guardian - UK

Euripides persuades us that love is what makes us human

Letter: We ruin, waste and trivialise human life by ignoring that, writes Michael Bulley

The Conversation

National Theatre’s Phaedra review: suicide tragedy leaves a bad taste

Suicide is an act so shocking and violent that it undoes not only sensation, memory and feeling, but meaning. Poet and novelist Ocean Vuong describes how it unpicks even the connective tissue of language.

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The Conversation

What Greek myth tells us about modern witchcraft

Living on the North Shore in Boston in the fall brings the gorgeous turning of the leaves and pumpkin patches. It is also a time for people to head to nearby Salem, Massachusetts, home of the 17th century infamous witch trials, and visit its popular museum.

The Guardian - UK

Irene Papas obituary

Greek stage and screen actor who appeared in The Guns of Navarone, Zorba the Greek and Captain Corelli’s Mandolin

The Guardian - UK

Batting for Godot: the play about Beckett and Pinter teaming up for a game of cricket

The two titans of modern drama were both cricket obsessives. What if they had faced the fast bowlers together? Playwright Shomit Dutta explains why he made it happen – with darkly comic drama Stumped

The Conversation

Cassidy Hutchinson and Greek tragedy show that courage is rare and cowardice more common

Ever since former White House aide Cassidy Hutchinson’s remarkable testimony in the recent January 6 committee hearing, I’ve been thinking – as I’m sure many people have – about courage. Seeking analogies in literature, I think of two women from Greek mythology: Antigone and Iphigenia.

The National (Scotland)

Nicole Cooper's Medea eloquently speaks language of vengeance

EURIPIDES – author of the great play Medea – is a foundational figure in European tragic theatre. Without him, and fellow Ancient Greek…

The National (Scotland)

Bard in the Botanics sparkles with take on classic Greek tragedy

HERE in Scotland, we can tend to be too modest about our local talent. Glasgow-based actor Nicole Cooper is a case in point.

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