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MYSTERIOUS: 21 - You Need To See This

“Whenever we weren’t playing, Neil would call up and say, ‘Are you guys playing a gig next weekend? Can we borrow the amplifier?’” When Randy Bachman and Neil Young used to share guitar amps

Bachman’s combo amp caught Young’s eye, and he would take every chance he could to get his hands on it

Guitar World

“It’s like a Jazzmaster on steroids, but you still have that Strat essence”: Fender’s limited-edition Ariel Posen signature is a conceptual hybrid that blends two of the slide master’s favorite guitars together

The Jazzmaster/Stratocaster mash-up debuts custom pickups designed by Tim Shaw and a spec sheet that blurs the boundaries between the two classic Fender designs

Guitar World

“He gave the guitar back to me after the set and said, ‘Oh man, it’s such a good one’”: Marcus King takes Rory Gallagher’s legendary Isle of Wight Fender Telecaster for a spin on stage

King previously played Jeff Beck’s iconic YardBurst Les Paul thanks to French vintage guitar dealer, Matt’s Guitar Shop

Guitar World

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“He goes, ‘You know, Joe, you’d be my favorite guitar player if you’d just divide by two’”: The playing advice Joe Bonamassa got from Leslie West – and why it’s finally paying off

Three decades later, Bonamassa is taking West’s pointers on board – and they’re making a difference

Guitar World

“It’s official. The age of touchscreen guitar amps is here”: This is all the new guitar gear that has caught my eye this week – and we might have a winner for the best new sub-$1k electric guitar of 2025

From next-gen desktop amps to a signature bass that celebrates a low-end legend, here are the essential gear launches you might have missed

Guitar World

“The ultimate companion to Tone Master Pro and the ideal solution for players who use modellers at home or on stage”: EVH Gear drops the Hypersonic FR-12 FRFR speaker – 1000-watts to get the most out of your modeller

The Hypersonic FR-12 is equipped with an active 3-band EQ plus high-frequency cut dial, and is available in Ivory or Black

MusicRadar

“These guitars really come across as a very boutique, artisan pair of instruments… Above all, they’re not just another copycat design”: Eastman Fullertone SC ’52 and DC ’62 review

Last year’s D’Ambrosio series guitars signified numerous firsts for Eastman, not least that they were US-made with boutique prices to match. These new FullerTones capture the magic at a fraction of the price

Guitar World

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“People shied away from its political edge – they didn’t get their love songs. But for us it was a lot of fun”: Junior Marvin on Bob Marley and the Wailers’ Survival – and the influence Hendrix’s guitar pedal guru had on its sound

After the success of Exodus and Kaya, Bob Marley took the Wailers into a more politically charged direction to deliver a slept-on classic in the Wailers’ discography

Guitar World

“That was also where Mitch Mitchell brought Jimi’s white Woodstock Strat for me to set up, prior to him selling it”: My afternoon interviewing Hank Marvin over beans on toast and chickening out of a Paul McCartney 'audition'

Neville Marten's first assignment for Guitarist was one for the ages, at a venue that is now sadly lost but for a time was the place for the biggest bands to rehearse

Guitar World

“If you think PRS just makes guitars for well-heeled doctors and dentists, you might have to change your opinion”: PRS SE NF 53 review

A new month, a new PRS. This time the USA NF 53 gets the affordable SE treatment

Guitar World

“That one’s a ’62. It’s also been shot. There’s a mark on the bottom where the bullet went in”: From his legendary Franken-Les Paul, Old Black, to his Hank Williams-owned Martin, and a pedalboard “ugly button,” Neil Young's rig is like no other

“When it comes to equipment, the idea with Neil is that you don’t change anything,” Young's guitar tech, Larry Cragg, told GW in 2009. “You don’t even think about it”

Guitar World

“The original blue Strat that I bought in ’88 became the ‘Bob guitar’… that was when I started reinventing the way I looked at guitar”: From Hüsker Dü’s “fighter jets” to Sugar’s “sheets” of guitar, how Bob Mould built his wall of sound

With his trusty Fender Strat in hand and at a young 64, Bob Mould is an evergreen icon of alt and indie guitar – and he’s back with a new solo album

Guitar World

$“An ultra-flexible way into the Tone King sound for a quarter of the price, and a fraction of the size and weight of the amp it’s based on”: Tone King Imperial Tri Tube Preamp review$

“An ultra-flexible way into the Tone King sound for a quarter of the price, and a fraction of the size and weight of the amp it’s based on”: Tone King Imperial Tri Tube Preamp review

Tone King's latest arrival miniaturises the celebrated Imperial amp, for the fly-rig crowd

Guitar World

“Doing this makes me feel like he's always going to be here with me”: Metal guitarist commemorates late father by incorporating his ashes into his Fender Telecaster's neck

Mark Wood chose to honor his dad through something they were both passionate about: guitars

Guitar World

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Guitar World

“Steve Vai goes, ‘I’ve been thinking about this a long time. He’s a really good guitar player.’ That’s unusual’”: Paul Reed Smith on the time John Mayer was hailed by a shred hero – and why he found it strange

Smith recalls Vai singling out Mayer for praise – and reveals what Mayer’s songwriting background means for his overall guitar style

Guitar World

Glastonbury 2025: the iconic guitar moments that stole the show at one of the world's biggest music festivals

Pop icons with pointy metal guitars, oddball Masterbuilt Fenders, historic Martins and more – Glastonbury was a dream weekend for players, and here are the pictures to prove it

Guitar World

“One heck of a rock ’n’ roll vision that sounds glorious and has huge tonal flexibility. Oh, and it doesn’t look like a Fender!” Newman Honeycomb Senior review

It started with a five-string, now the UK-made Newman range has a fully formed six-string with dual swappable pickups and oh-so-’70s credentials

Guitar World

“PRS' most daring signature guitar to date? Without a shadow of a doubt”: Here is all the new gear that has caught my eye this week – including an affordable replica of a $1 million Les Paul

PRS ushers in a new era of shred with its Herman Li signature model and Epiphone honors a great

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Guitar World

“Greater tonal clarity and definition”: Fender’s Blues Junior is one the most iconic workhorse gigging combos ever made – and now it’s been upgraded for its 30th anniversary

With new-and-improved circuitry, a smoother spring reverb, and some tasty aesthetic touches, the Blues Junior is celebrating its birthday in style

Windows Central

After 14 years, Monster Hunter Wilds is bringing back underwater combat alongside "Lagiacrus" and another familiar monster — which are available to hunt right now

Monster Hunter Wilds' second free title update has two returning monsters, layered weapons, a seasonal festival, a new Arch-Tempered monster, and more.

Guitar World

“Gibson had lost the recipe, not only for guitar building but for pickup making based on their original designs. What I was after was making a rock ’n’ roll pickup”: How Larry DiMarzio changed the sound of rock guitar – and redesigned the Strat bridge

The master pickup maker tells us how his problem-solving mindset took him from repair shop to working with the biggest names in the biz and changing the face of rock guitar

Guitar World

“Captures the spirit of 1960s flower power”: Fender Japan taps into the Summer of Love and revives an unconventional classic with new Blue Flower Series

Three Fender models are dressed in the floral design, which emerged in the 1960s alongside the revered Paisley finish

Guitar World

“You can do anything with a Stratocaster”: Joe Bonamassa explains how to make any Fender Strat the “Swiss army knife of guitars” – and unlock Gibson-like Angus Young tones in the process

The guitarist has detailed how to mimic infamous Les Paul and SG tones from the instrument, believing its versatility is unmatched

Guitar World

“We had a room full of Nashville session players, and they said, ‘Paul, if we don't use your guitars on the tracks, we get fired’”: Why Paul Reed Smith isn't interested in chasing Fender or Gibson – but is focused on cementing PRS in history

Smith reflects on his decades-long involvement in the guitar making space

Guitar World

“I never felt comfortable in standard. In some ways I felt more pressure because the world was so full of great players in standard – I had no interest in competing with them”: Thurston Moore on Sonic Youth’s Sister, and moving from junk guitars to Fender

The NYC noise-rock pioneer looks back to 1987, a time when Sonic Youth were growing up in public and expanding their vocabulary of alternate tunings

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