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HISTORICAL FACTS: 5 - Caught on Camera

“Own a piece of grunge history”: Could your next amp be Kurt Cobain’s stage-played Fender Twin? Nirvana’s Bleach-era touring backline goes up for sale

Black and silver panel Fender Twins loaded with JBL speakers – bring yer own Boss DS-1 and you're good to go...

MusicRadar

“It’s an honor to enter this journey”: Mateus Asato confirms he’s joining Fender – and might have given us the first look at his signature guitar

It’s the announcement we’ve all been expecting since Asato left Suhr at the start of the year

Guitar World

“I was a little uncomfortable, to be honest. I gradually convinced myself that it was okay”: Myles Kennedy on what it was like to play Jeff Buckley’s Telecaster – and how he felt unworthy to play it

Kennedy saluted one of his all-time heroes in 2019 when he performed Hallelujah live in Paris, and it was the first time Buckley's Tele had been played in public since his death in '97

MusicRadar

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“On our earlier recordings, we experimented with low tones that only dogs can hear”: Sunn O))) on the challenge of working with 130 guitar tracks and why their live shows are like jumping into a frozen lake

Stephen O'Malley and Greg Anderson on the drone pioneer's Sub Pop debut, the restorative but draining power of volume and the gear behind their sound

Guitar World

“I don’t have any favorite guitarists from the ’90s. I wasn’t following those trends”: He wrote some of the defining anthems of the decade with Smash Mouth. Now Greg Camp is focusing on his Nashville punk-rock supergroup

Camp started out as a drummer before EVH made him realize the advantages of guitar. The young Carson Daly helped make his band famous. Now he’s powering forward with supergroup The Defiant’s second album

Guitar World

“Ken, our producer said ‘Look up there lads, look at the stars’. He literally said ‘Look at the stars’”: The fateful circumstances that led to Coldplay’s biggest ever song

Coldplay’s first stab at a euphoric crowd-pleaser was a clear indication that a stadium-filling future awaited

MusicRadar

“Something you’ll hear a lot of is, ‘Oh, you didn’t earn that relicing.’ But people who like it aren't thinking of it like that”: The real reason why relicing is so popular, according to a Fender Custom Shop Masterbuilder

The pre-worn fad is sweeping the guitar community, but why do some deride the concept as ‘stolen valor’?

Guitar World

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Who is the most iconic Fender Telecaster player?

The Telecaster doesn’t get enough credit for its versatility – and in its 75 years of production, it’s found its way into every genre. Let us know who you think is the greatest Tele wrangler of them all

Guitar World

“The first time Sonic Youth went to England, people hated us: ‘Oh, you’re playing guitar? That’s so old-fashioned’”: Alt-rock icon Kim Gordon on the secret to making great music on bad guitars and why she never saw herself as a bassist

Returning with solo album Play Me – a stinging broadside against the modern age – the alt-rock talisman remembers the bad guitars andrenegade tunings of her ’80s breakout with Sonic Youth

Guitar World

“We would roll into, say, Portland, and go to the pawn shops. You could find a ’57 Les Paul for $200!” Melissa Etheridge learned more from a grouchy old man who’d lost his fingers than she did at Berklee

The veteran hitmaker charts her evolution from acoustic to electric and back again and explains how she went digital, how she keeps her classic songs fresh, and how her family deal with her incredible guitar collection

Guitar World

“I can't walk away, so I've come back to do the thing I know how to do best, which is play”: Eric Clapton's Crossroads Guitar Festival announces 2026 lineup

Now in its seventh edition, the festival is set to take place in Austin, Texas – and features Buddy Guy, Joe Bonamassa, and John Mayer, while Trey Anastasio, Tommy Emmanuel, Julian Lage and Pete Townshend are all making their Crossroads debut

Guitar World

“Bet you haven’t seen this before”: Prog maestro Josh De La Victoria shows off new multi-scale 7-string S-type – and Misha Mansoor wants one

The custom build gives the classic guitar design an ultra-modern makeover, and it’s hard not to marvel at the results

Guitar World

Fretting over a safe spot for your cash? Look to the unlikely world of rock ’n’ roll

As a guitar owned by David Gilmour sells for $14.5m, tripling its value in seven years, Chris Blackhurst looks at other memorabilia that could make your investment portfolio comfortably numb

Evening Standard

“It’s the same, loud, high headroom amp but with a more open-sounding clean tone that boasts a little extra life”: Fender Hot Rod Deluxe 30th Anniversary review

Fender celebrates 30 years of the ubiquitous Hot Rod Deluxe with an Anniversary edition that boasts a speaker change and a classy aesthetic

Guitar World

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Guitar World

“You had to know somebody that knew somebody that knew him to get a hold of him”: The amp wizards who shaped the technology we use today, and gave the world great guitar tone

The designs and innovations created by Reinhold Bogner, Paul Rivera, Michael Soldano, and Jose Arredondo have shaped the amps of today, and continue to shape the amps of tomorrow

Guitar World

The ultimate guide to guitar amps: from vintage vacuum tubes to modeling marvels

Everything you need to know about the tech, tones, and tools that define your sound

Guitar World

“It quietly became the working guitarist’s secret weapon”: 10 sleeper guitar amps that deserve legendary status

From overlooked British combos to U.S. workhorses, these may not have the Plexi's prestige, but they deliver world-class tone for players willing to look beyond the obvious

Guitar World

“The Mega channel has played a major role in heavy guitar tones since the early ’90s”: How the Diezel VH4 conquered metal, won fans in Metallica, Tool and Muse – and impressed John Fogerty too

Launched in ’92, the almighty four-channel beast completed a banner year for the high-gain tube amp

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Guitar World

“Some kid begged to get backstage. He had a guitar. He said it was his grandmother’s, and that she'd kept it under the bed…” Sheryl Crow was devastated when her favorite guitar was stolen – a year later, a fan gave her a life-changing gift

Its arrival coincided with Crow's breakout success and has remained at her side ever since

Guitar World

“They’re not just relics of the past. They are benchmarks”: The holy grail of tone – three amps that built the sound of recorded guitar

From shimmering cleans to full throttle roar, these three classic amplifiers helped shape the sound of modern music and still define what great guitar tone means today

Guitar World

“Some of the guys made fun of it, but it ended up giving us our second Number 1”: Back to the Future made them a household name, now they needed a followup – the making of Huey Lewis and the News’ last big rock ’n’ roll guitar record

By 1986, the heat was on. The success of the Power of Love required an artistic statement and fast. Guitarist Chris Hayes looks back on the making of Fore!, when Huey Lewis and co rose to the challenge

Guitar World

“It sounds way bigger than it is”: Joe Bonamassa names his go-to studio amp – which he bought from Steven Seagal

The 1950s combo “roars” in the studio despite its compact size

MusicRadar

“I knew that he liked me, and he would call me on the phone. ‘Robben, what you doing!?’” Robben Ford on how playing with Miles Davis made him feel untouchable

Ford wasn't a jazz player when he joined up with Davis in 1986 but he would soon learn – and it give him a sense of self-confidence that's with him to this day

Guitar World

“I spent so much time as a teenager just staring at this guitar”: Liquid Gold Teles, a $569 shred machine, bonkers synth pedals... here is all the gear that caught my eye this week – and the megabucks Flying V that changed Kirk Hammett's life

Fresh new drops from Charvel, Fender, Gibson, Gretsch and more...

Guitar World

“Those Fender Jazz basses sounded fantastic, but they scared the hell out of me”: Why bassist Paul Samwell-Smith chose a short-scale Epiphone for his “rave-ups” with the Yardbirds

The blues-rock opener from the band’s 1966 debut album showcases a standout example of Samwell-Smith’s fluid, freewheeling bass work

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