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HISTORICAL FACTS: 5 - Caught on Camera

Johnny Marr to auction iconic guitars he played with The Smiths and solo work

Marr will donate 100 per cent of the hammer price from 10 lots to two charities

The Independent UK

Guitars used by Johnny Marr in The Smiths to go to auction in London

A Rickenbacker 330 Jetglo which was featured on the cover of Oasis’s debut single Supersonic is included in the sale

Evening Standard

“What an amazing gift. Only years later did I realize he'd dropped my SG and put a crack in the neck”: Why Death Cab for Cutie's Ben Gibbard played an obscure Fender model early in his career – and the reason he's picked it up again after two decades

The alt-rock statesman's relationship with the Bullet, a beginner-friendly model, began with a gift that he thought at the time was an act of pure, unprompted generosity. He didn't quite know the whole story...

Guitar World

From analysis to the latest developments in health,
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Fender just announced its biggest mid-year gear drop yet – here’s everything you need to know

A complete pedal range overhaul, the return of the Nocaster, a new Silent System for Strats and Teles, plus some – dare we say – awfully Silver Sky-looking finishes

Guitar World

My pick of the best new guitar gear launched this week – and the new drops you might have missed

My personal highlights from a week filled with Fenders, Epiphones, pedals and more. Have a highlight of your own? Let us know in the comments

Guitar World

Fender's limited edition Player Fusion range has taken its entry level electrics in a radical hard rock direction

High-output pickups, Floyd Rose bridges, baritone Jaguars – the Player Fusion range might be the final piece in the Player puzzle

Guitar World

The Fender legal furore is a damn shame, because Squier just launched its coolest guitars in years

The Paranormal range is back, and it’s bringing baritones, Bigsbys and a 6-string that thinks it’s a 12-string

Guitar World

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“I have no idea what the first song I learned was. My memory has been worn down by copious LSD experiments”: Billy Squier on saving his ’59 Les Paul from a fire, the world’s greatest Marshall and why he stopped practicing

The man behind The Stroke and Lonely Is the Night checks in to talk all things guitar, imposter syndrome and the enduring appeal of his 1960 Tele Custom

Guitar World

“I didn’t like it, but Tom said, ‘No, it’s great. Now you’ve got to double it’”: Mike Campbell on the riff he wanted to ditch – but Tom Petty made him double down

Campbell was forced to get creative to make a Heartbreakers classic

Guitar World

“Sensitive enough to cater to those who demand the utmost accuracy, simple enough to use that the gigging player will appreciate it”: Fender Strobo-Sonic Pro Tuner Pedal review

Fender's new utility pedal looks to bridge the gap between speedy tuning and precision set-up work

Guitar World

“It’s like the wind is at your back when you’re playing it”: The difference between a PRS Silver Sky and Fender Stratocaster, according to a blues hero who plays both

The guitars have their own unique qualities in Philip Sayce's eyes – and both are welcome in his rig

Guitar World

“The most important and influential bass guitarist in the 66-year history of the Precision”: Fender honors legendary Motown bass great with recreation of James Jamerson’s workhorse bass

Jamerson’s beloved Precision Bass has been recreated in all its vintage, warm-voiced glory

Guitar World

“First and foremost, Fender is not suing anybody”: CEO Edward ‘Bud’ Cole pushes back on the cease-and-desist controversy

“We’re talking specifically about the Stratocaster”

MusicRadar

“We are not going to let the legacy be erased, nor are we going to let it be diluted”: Fender CEO addresses Strat cease-and-desist backlash

Edward 'Bud' Cole discussed the company's controversial legal campaign at a recent dealer event in the US

Guitar World

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“I want three Telecasters, rather than just one, because they’re sufficiently different to justify it!” Everything you need to know about 1950s Telecaster pickups – and how to build your own replicas

Not all Blackguard Tele pickups are alike. Here's what you need to know to keep that twang in your sound

Guitar World

“I showed up, plugged in, and it was over. Then I saw a video and thought, ‘I’m glad I didn’t dream it’”: When two of the world’s finest guitar players joined forces – Julian Lage on his jam with Derek Trucks

They traded licks for 15 minutes, but it was all over too soon

Guitar World

"The uncomfortable truth is that valves are not going to be around forever. But if this is the future of guitar amplification, I’m okay with it": EVH 5150 III Hypersonic 6L6 2x12 review

Following in the steps of parent company Fender's Tone Master range, EVH releases a digital combo version of the coveted 5150 amp, combining digital modeling and a real guitar cabinet

Guitar World

“I just don't like chords – I don't like playing them. Music is much more interesting when everybody plays a harmonic line that creates a wider picture”: How Death Cab for Cutie found their second act – by embracing the weird, and guitars from their past

Ben Gibbard developed the songs for their sharp and confident new album I Built You a Tower like he did in the indie icons' earliest days, power trio style – but he and guitarist Dave Depper have never been more in lockstep

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Guitar World

“The guitar is based on a Strat I have, as well as my Jazzmaster. I’m biased, of course, but it sounds really good!” Guitar tone gourmand Ariel Posen spills the secrets to his sound

The sonic adventurist’s latest album used a treasure trove of guitar, amp and pedal exotica, resulting in his best recording yet

MusicRadar

Dweezil Zappa shredding in a skate park? That must be Charvel’s all-new American Neo-Classic Series – doublecuts loaded with Seymour Duncans, built for speed, and made in the USA

Charvel goes back to Cali with US-made range of hot-rodded S-styles with pro specs and classic finishes

Guitar World

“So common that it is depicted as a generic electric guitar in a dictionary”: When Fender went to court and lost – the 2009 court ruling that failed to trademark the Stratocaster

In 2009, the Trademark Trial and Appeal Board denied trademark protections to the Strat, Tele and P-Bass. How did it arrive at its judgement? And what’s different this time?

Guitar World

The $330,200 Fender Telecaster that connects Danny Gatton to Lou Reed

Lou Reed's ‘Goldie’ Tele is an early ’90s gem that went under the hammer at the record-breaking Jim Irsay auction

Guitar World

“I’ve been playing B-benders since 1999, so I was eager to get my mitts on this guitar”: Fender John Osborne Telecaster review

The country-rock star’s Tele tears up the template – and could be your fastest ticket to B-bender tone

MusicRadar

“AI isn’t the destination. Making music is”: Fender looks forward as its Studio Pro DAW integrates Moises stem separation and a smart studio assistant

This latest evolution of the DAW formerly known as Studio One brings a wealth of AI-powered new additions

Guitar World

“I found myself sitting next to Keith Richards – just two guys playing the guitar. Doesn’t get much better than that!” From Eric Clapton to Daft Punk and Avenged Sevenfold, Greg Leisz has played with everyone. But don’t call him a session guitarist

He says finding himself working with Matthew Sweet, k.d. lang, and Lucinda Williams has been a dream. But he still wants his stolen ’64 Strat back

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