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MYSTERIOUS: 3 - You Need To See This

“The focus is on products that completely replicate the exact body design”: Fender is finally speaking out on its cease-and-desist strategy. We reveal the company’s endgame, how it plans to work with rivals and who it’s really going after

Fender might not be declaring war after all – but if its legal campaign succeeds, the guitar market will change forever

Guitar World

“He called and said, ‘I don’t like what’s going on with Ritchie Blackmore. I’m looking for an escape’”: That time Ronnie James Dio offered to front ’70s glam-rock outfit The Sweet

Internal disagreements led Dio to very different gig as he sought an escape from Blackmore’s Rainbow, while The Sweet were grappling with their frontman's drinking problems

Guitar World

6 reasons why Fender won’t win its Stratocaster legal campaign – according to the lawyer who beat them before

Ron Bienstock, the attorney who defeated Fender's previous attempt to trademark the Strat, has been hired to defend a firm hit by recent cease-and-desist letters – and Guitar World has seen a redacted response

Guitar World

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“In my older age, I’m thinking, ‘Maybe I shouldn’t have been playing Marshalls for 35 years…’” Why Graham Coxon is questioning his classic Blur guitar rig

The Britpop icon is reassessing his gear choices

Guitar World

“There was a big commotion – alarms going off and fire engines circling – so I went straight to the closet, looked at my four Les Pauls…” The time Billy Squier had to pick one guitar to save from a burning building

Squier had an almighty decision to make when he had to evacuate his building with just one guitar under his arm

Guitar World

“Kirk Hammett gave me one of his Greenies. I’ve been having fun with that”: Alex Lifeson is taking a Metallica signature guitar on the road with him for Rush’s reunion

The gift from Kirk Hammett is about to make prog history

Guitar World

“I couldn’t tell who it was. When he turned around, I went, ’Oh my God! That’s Jimmy Page!’” The words of encouragement a Led Zeppelin legend gave Gus G after he joined Ozzy Osbourne’s band

One minute you're getting your makeup on for a photo shoot with your new boss, the next your sitting down with Jimmy Page

Guitar World

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“They had already gone through a lot of guitar players, but there were only a few they liked. One of them was this kid, Zakk Wylde”: The guitarist who lost the coveted role to Zakk Wylde on what it was like to audition for Ozzy Osbourne

Guitar-synth master Amir Derakh was already well established in the industry when he got the once-in-a-lifetime call to become Ozzy's next guitarist...

Guitar World

“This guy kept calling saying, ‘I’ve never been in a band before, but I’m the best guitarist ever.’ When I heard him play it was like a fire from heaven”: The life and times of Killing Joke visionary Geordie Walker – the guitar hero’s guitar hero

He influenced Kurt Cobain, Metallica, Tool, Nine Inch Nails and counted Jimmy Page as a fan. We pay tribute to a true guitar original

Guitar World

“You go into a forest and you're like, ‘What am I going to see? What will be out here?’ That’s the same thing I try to put into the music”: Plini answers the call of the wild in search of instrumental guitar’s new frontier

The Australian virtuoso on dream collabs with John Mayer, high-BPM workouts, and what happened when he imagined “a cello player in a huge, empty concert hall playing this difficult arpeggio”

Guitar World

“It’s comic book level villainy”: Your reactions to Fender’s cease and desist strategy – and how it could transform the S-style market

Fender’s decision to issue cease and desists to builders of Stratocaster-inspired electric guitars has been widely panned – but some argue it is their right to do so

Guitar World

“He fired a shotgun out of a window. We said to our tour manager, ‘You need to take that gun off him! If we go in there, he might shoot us’”: The moment glam-rock icons The Sweet knew they had to part ways with their singer

Guitarist Andy Scott reveals why the satin-jumpsuit-clad four-piece was forced to transform into a three-piece – or disband altogether...

Guitar World

“The graphic was designed by artist John Taylor Dismukes, who did a lot of famous album-cover artwork for the Grateful Dead and other big bands”: George Lynch on his custom ESP that’s too valuable to leave the house

Mr Scary on how his heart melts for the 1990 ESP Custom Haji/Wicked Sensation from the cover of Guitar World's November 1990 issue

Guitar World

“Many drummers reached out to me in the aftermath of Neil’s passing. That was most distasteful to me”: Geddy Lee and Alex Lifeson on the drummers that tried to force a Rush reunion on them

The band was still in mourning when they started getting offers to replace Neil Peart

Guitar World

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Guitar World

“Ozzy and Sharon were skeptical about my guitar shape. They felt it looked too weird”: When Ozzy Osbourne tried to convince Gus G to change his guitar of choice

Gus G rocked up to the Ozzy gig with his Star guitar – a distinct stylistic departure from the guitars wielded by his predecessors

Guitar World

“I played that on just about every Eagles record”: Don Felder names the most important guitar in his 300-strong collection

Every guitar is painstakingly ordered in his vault, but there's one he finds himself grabbing more than most

MusicRadar

“It was the record that changed our lives. The record that won us freedom of creative expression”: Rush frontman Geddy Lee recalls how the band's 1976 prog classic 2112 transformed their fortunes

No one at the record company was happy to hear that Rush had another concept record. But this time the prog trio stuck the landing on a sci-fi epic that changed everything

Guitar World

“I think it’s hard for blues artists to get endorsement deals… but hey, if someone at Guild is reading this, give me a call!” Larry McCray on his Albert King-inspired Flying V, touring with Gary Moore and his life in three guitars

The blues comeback king tells his life story via the medium of three guitars that he can’t live without

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Guitar World

“It was just in my closet, and one day I pulled it out, turned it on, and thought, ‘Wow… this is a sound that I’ve been missing’”: How Mike Campbell ended up reconnecting with a classic piece of Heartbreakers gear

Turns out, the missing piece of his ideal tone was closer than he thought...

Guitar World

“None of it sat well with him. The further we went into rock, the less he liked it”: When the Eagles’ founding guitarist knew it was time to leave

Bernie Leadon left the band amid a changing lineup and creative differences

Guitar World

“As it was going up in the air, I thought, ‘Wow, that looks so cool.’ On the way down, I was thinking, ‘What did I do?!’ Joe Perry on his customized ‘50s Gibson Les Paul Junior that refused to die

The Aerosmith guitarist on the iconic Junior with the custom mother-of-pearl inlay, his desert island guitar – and why he reads Guitar World every month

Guitar World

“I met this guy who worked at Peavey. He offered me some stuff, and I was broke…” The blue-collar amp that Tyler Bates used on all his albums with Marilyn Manson

Since the prolific player was gifted the amp, he’s never looked back

Guitar World

“I did 40 tours with it, and never had a problem. It’s my favorite guitar on the planet”: The underrated metal guitar that Nervosa’s Prika Amaral swears by

The pointed axe solves her biggest issues with Flying Vs, and it’s been her trusted globetrotting companion for years

Guitar World

“I like classical, gospel, Bruno Mars, the Killers and the Weeknd. And I always go back to David Gilmour! If it doesn’t suck, I probably listen to it”: Why P-Funk legend Michael Hampton is keeping an open mind in search of his solo sound

The P-Funk veteran takes us inside his latest life stage, a much more mellow place than the frenzied funk days of his past

Guitar World

“I was a kid with very little experience and a huge amount to prove. Critics had written us off before it came out – no-one took me seriously”: The making of Suede’s 1996 Britpop classic Coming Up

Guitarist Richard Oakes arrived in the band as Bernard Butler's replacement – a relative rookie. Suede were supposedly cooked. And yet in songs like Trash and Beautiful Ones, they had something special indeed

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