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THE TRUTH ABOUT: Hugh padgham | History Defined

Carlos Alomar’s hazy first encounter with Paul McCartney: “Paul turned his back to me to get something. What emerged was a perfectly rolled ganja joint”

The session veteran provided some finishing tracks on Press to Play after a rather indulgent first encounter bonding with the Beatle

"How would anyone feel when one is the principal songwriter in the band and along comes this upstart and spoils everything?" What happens when your bass player accidentally writes your first big hit

"How would anyone feel when one is the principal songwriter in the band and along comes this upstart and spoils everything?" What happens when your bass player accidentally writes your first big hit

Making Plans for Nigel established XTC as the intelligent arm of the post-punk movement – and it's still being directed at current Nigels

‘A nasty little song, really rather evil’: how Every Breath You Take tore Sting and the Police apart

‘A nasty little song, really rather evil’: how Every Breath You Take tore Sting and the Police apart

Sting and his former bandmates go to the high court over a royalties dispute this week – the latest chapter in the song’s remarkably fractious story

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"Tony Banks got wind of it. From then on, we knew that Pete could leave at any time, but we had a 150-show tour to do": Phil Collins discusses his legendary career in far-reaching documentary

Phil Collins: Drummer First revealed the secrets of his sound, his career highs and lows, and the story of that drum fill…

“The whole essence of why the sound was so interesting is because it is going from all to nothing in milliseconds”: The classic hit that defined the sound of the ’80s — and features the most famous drum break in rock

How Phil Collins created In The Air Tonight

"Tony Banks got wind of it. From then on, we knew that Pete could leave at any time, but we had a 150-show tour to do": Phil Collins opens up in epic new career retrospective documentary

Phil Collins: Drummer First reveals the secrets of his sound, his career highs and lows, and the story of that drum fill…

"I did it in one take. They all stood up and clapped. And, of course, the f-ing thing went right round the world, straight to No 1 in America": The fractious story behind Every Breath You Take

"Come on, do you have to kick the shit out of one another?" - The making of one of the biggest hit songs ever made, in the words of The Police and producer Hugh Padgham

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"That song was going to be thrown out. Sting and Stewart could not agree on how the bass and drums were going to go... It was crap until I played on it": The story behind Every Breath You Take

"That song was going to be thrown out. Sting and Stewart could not agree on how the bass and drums were going to go... It was crap until I played on it": The story behind Every Breath You Take

"Come on, do you have to kick the shit out of one another?" - The making of one of the biggest hit songs ever made, in the words of The Police and producer Hugh Padgham

"I didn't sit down and think, 'What would be the best drum fill?' I just did it. It could have been anything" : Phil Collins reveals how his iconic In the Air Tonight drum fill was created, and how it became the genesis of '80s gated reverb

"I didn't sit down and think, 'What would be the best drum fill?' I just did it. It could have been anything" : Phil Collins reveals how his iconic In the Air Tonight drum fill was created, and how it became the genesis of '80s gated reverb

A 1985 interview reveals how Phil played 'that' fill, and how the recording created the gated drum sound that defined the '80s and beyond

So wrong, it's right: 5 musical errors that turned out to be great

So wrong, it's right: 5 musical errors that turned out to be great

Getting out of a creative rut the wrong way

Every Breath You Take at 40: the story behind the song - "It was crap until I played on it"

Every Breath You Take at 40: the story behind the song - "It was crap until I played on it"

"Come on, do you have to kick the shit out of one another?" - The making of one of the biggest hit songs ever made, in the words of The Police and producer Hugh Padgham

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