FOUND: John patton ford - What They Never Told You

How to Make a Killing review – Glen Powell disappoints in this limp ‘eat the rich’ comedy

2/5 A stealth remake of the Alec Guinness classic ‘Kind Hearts and Coronets’, yet devoid of any of its frosty charm

The Independent UK · Mar 12

How to Make a Killing: Jessica Henwick Teases Behind-the-Scenes Script Shaping With the Cast [INTERVIEW]

'How to Make a Killing' is in theaters on February 20

The Mary Sue · Feb 19

Topher Grace Thinks Eminem Should Roast the Cast of ‘How to Make a Killing’. But Glen Powell Is Staying Far, Far Away [EXCLUSIVE]

Eminem, you know what to do

The Mary Sue · Feb 18

Indie film is at a crossroads. And Sundance is full of ‘canaries in the coal mine’

When the Sundance Film Festival last came to Park City, it was the Before Times. Before COVID-19 drastically altered billions of lives, yes. But also before the carefully cultivated entertainment industry ecosystem of which the festival is a part was wildly upended.

Los Angeles Times · Jan 19, 2023

Paul Schrader hilariously mixes up Emily in Paris with Aubrey Plaza’s Emily the Criminal

Schrader eventually ‘sobered up enough to realise they were two different films’

The Independent UK · Dec 30, 2022

Richard Roeper’s best movies of 2022

Some of the most enjoyable viewing time this year was spent with a horse rancher, a fledgling director, a symphony conductor and The Grabber.

Chicago Sun-Times · Dec 23, 2022

Producers Aubrey Plaza, Tyler Davidson talk about new thriller 'Emily the Criminal'

At first, Aubrey Plaza is a little defensive when it's suggested that "Emily the Criminal" seems like a bit of a departure for her.

Tribune News Service · Aug 17, 2022

‘Emily the Criminal’ review: In a tough, lean LA crime story, Aubrey Plaza charges it all the way

There is no less specific, more generic phrase in film criticism than “documentary realism.” It assumes all nonfiction filmmakers work in the same style, toward the same intentions, while suggesting realism means, what, exactly? “Gritty” instead of “stylish?” Hand-held camerawork instead of fixed?

Chicago Tribune · Aug 11, 2022

Emily the Criminal review – Aubrey Plaza charges taut thriller

A gig worker turns to credit card fraud in a tense debut feature with an electrifying central performance

The Guardian - US · Jan 25, 2022