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EXPLAINED: Katie mitchell | Vintage Vibes

‘Like turning your soul inside out’: Barbara Hannigan and Laura Bowler on their devastating composition The White Book

These breathtaking songs of loss left the soprano and the composer feeling shellshocked after the world premiere in Gothenburg. We meet them backstage as they prepare for the British debut

The Guardian - UK

The Makropulos Case review: Ausrine Stundyte is magnetic in exhilarating – and funny – Janáček staging

Katie Mitchell’s production wittily reinvigorates Janáček’s story of an immortal woman, via toxic masculinity and dating apps. Jakub Hrůša’s conducting draws out the music’s colours and the cast are uniformly strong

The Guardian - UK

The Makropulos Case at Royal Opera: A retort to 'endemic misogyny' in opera

3/5 Katie Mitchell exits opera production with a feminist telling of Janáček’s work which has plenty of attitude but flaws too

Evening Standard

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‘I’m good at doing pain’: soprano Ausrine Stundyte on trauma, adrenaline and playing a 300-year-old woman

As she prepares to star in Janáček’s The Makropulos Case for the Royal Opera, the great singer explains that she does not play ‘the happy, jumping, sexy lady’

The Guardian - UK

Woman, 53, becomes UK’s longest survivor of heart and lung transplant

Katie Mitchell had procedure at 15 after being diagnosed with Eisenmenger syndrome, a rare congenital disease

The Guardian - UK

Woman inspires others after becoming longest survivor of heart and lung transplant

The 53-year-old has inspired other transplant recipients, who may think they have only a few years to live

The Independent UK

Woman becomes longest survivor of heart and lung transplant

Katie Mitchell had a combined heart and lung transplant 38 years ago.

Evening Standard

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Hit and myth: Bacchae brings into view the National’s history of revamping Greek tragedies

Following in the footsteps of Peter Hall and Katie Mitchell, Indhu Rubasingham directs an ancient epic at the National Theatre. Bacchae reveals the virtues and vices of creating a new play from old

The Guardian - UK

Is this London's weirdest show? Prepare to enter world of a cow

3/5 This unique show features sound work by Foley artists which encourages audiences to close their eyes and be plunged into the world of a cow and a deer

Evening Standard

Cow | Deer review – extraordinary sound journey into the lives of animals

Katie Mitchell, Nina Segal and Melanie Wilson’s ‘experiment in performance’ uses expressive performance and inventive sonic effects to bring a wordless world to life

The Guardian - UK

‘We spent a week on the cow birth!’ The eye-opening play about animals with sound effects instead of words

Cow | Deer gets ‘between the ears’ of animals, creating mouse noises with polystyrene balls and comparing wild creatures with industrialised ones. So if there’s no dialogue, what did its writer do? Director Katie Mitchell reveals all

The Guardian - UK

‘We can hear their saliva’: why are so many actors suddenly using microphones?

From Greek tragedy to Chekhov to Rosamund Pike in Inter Alia, handheld mics are everywhere on stage right now. Is this a thrilling innovation – or a pointless fad?

The Guardian - UK

Diaries at the ready: Samuel West lined up to star in Beckett play... in 2036

In a world first, the actor will feature with a recording of his younger self in the time-lapse drama Krapp’s Last Tape

The Guardian - UK

The week in theatre: Bluets; People, Places & Things – review

Katie Mitchell directs and Ben Whishaw stars, while David Byrne’s new reign at the Royal Court gets off to a cool start. And Denise Gough is unmissable in a blazing revival of Duncan Macmillan’s addiction drama

The Guardian - UK

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Evening Standard

Bluets at the Royal Court Review: A complex fusion of technology and technique, flawlessly done

The superb Ben Whishaw, Emma D’Arcy and Kayla Meikle shine in this clever, culturally aware, technologically adventurous and discombobulating show

The Independent UK

Bluets review: Ben Whishaw and Emma D’Arcy lead slow, demanding production

Alienating production of Maggie Nelson’s 2009 philosophical memoir, is not a good showcase for the lead actors’ talents

The Guardian - UK

Bluets review – Maggie Nelson’s blue riffs become left-field cine-theatre

Emma D’Arcy, Ben Whishaw and Kayla Meikle narrate and act out Nelson’s dark meditations from their own film-making booths in Katie Mitchell’s intriguing experiment

The Guardian - UK

The week in classical: Lucia di Lammermoor; Nash Ensemble; Anthony McGill and Kaleidoscope Chamber Collective – review

A fearless central performance anchors Katie Mitchell’s busy yet insightful Donizetti revival. And two chamber concerts serve as a vibrant prelude to this year’s BBC Proms…

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The Guardian - UK

Lucia di Lammermoor review – a vocally breathtaking, disturbing to witness descent into madness

Nadine Sierra is sensationally good as Lucia in this revival of Katie Mitchell’s production of Donizetti’s romantic tragedy – a dark, thoughtful and sometimes shocking interpretation for the post-#MeToo era

Evening Standard

John Lithgow to star as Roald Dahl in play about author's antisemitism

Giant, based on real events in 1983, is one of nine new plays in David Byrne’s first season as artistic director at the Royal Court Theatre

The Guardian - UK

Who comes first – playwright or director? It depends which country you’re in

Katie Mitchell has compared her experiences of hierarchies in British and German theatre. Our strength has always lain in honouring the text

The Guardian - UK

Ibsen’s Ghosts: a resounding flop that still returns to haunt us

Despite being panned as ‘a dirty act done publicly’ on its London premiere, the tragedy is now regarded as a classic – here are three productions that radically shifted our perspective

The Independent UK

Our weekend arts and culture picks, from The Flaming Lips to Polite Society

All the best things to read, watch and listen to over the Bank Holiday weekend

Evening Standard

A Play for the Living in a Time of Extinction review - climate change show is provocative but preachy

It’s a Sin’s Lydia West brings vulnerability and likeability to her stage debut

The Guardian - UK

Boldly not going: zero-travel ‘touring’ play paves the way for eco theatre

Using local creatives and actors, director Katie Mitchell’s A Play for the Living in a Time of Extinction is a narrative response to the climate crisis and an experiment in sustainability

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