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The Truth at Apollo Theatre review: Manic Mangan excels in this polished French infidelity comedy

4/5 Stephen Mangan is the tachycardic heart of The Truth. A sleek, satisfying production, and a proper West End night out

Evening Standard · Jun 26

The Truth review – Florian Zeller’s knotty comedy of deceit is a real delight

Stephen Mangan, Sarah Hadland, Ardal O’Hanlon and Janie Dee are seat-shakingly funny in this study of adultery

The Guardian - UK · Jun 25

Equus review: A fine revival of a deeply odd but significant play

4/5 A forceful revival of Peter Shaffer’s strange play at the Menier Chocolate Factory with a standout lead performance

Evening Standard · May 19

A View From The Bridge at Theatre Royal Haymarket review: Dominic West delivers in an old-fashioned revival

This solid take on the classic Arthur Miller play has contemporary resonance though the production feels staid

Evening Standard · Jun 5, 2024

A View from the Bridge: revival with Dominic West and Callum Scott Howells will transfer to the West End

The Theatre Royal Bath production of Arthur Miller's celebrated 1955 play will be heading to London this spring

Evening Standard · Jan 30, 2024

Theatre: Clare Brennan’s five best shows of 2023

Our roving critic’s highlights include a bravura O’Casey trilogy, a Lionel Bart classic that delivered more, and a perfectly cast portrait of a marriage

The Guardian - UK · Dec 24, 2023

Dominic West, don’t be snooty about hit West End shows, they keep serious theatre alive

In dismissing such plays as the preserve of inattentive tourists, he ignores the fragile ecology of the industry

The Guardian - UK · Nov 25, 2023

Farewell Mr Haffmann review – Nazi drama has weirdly comic overtones

The English-language premiere of Jean-Philippe Daguerre’s award-winning play hampers its seasoned cast with a complicated plot – bordering on farcical – about a Jewish jeweller hiding in a cellar in Nazi-occupied France

The Guardian - UK · Sep 1, 2023

Noises Off: the farce masterclass that is truly revealing

Michael Frayn’s comedy is not just extremely funny but also acknowledges the fragile artifice of order – in theatre and the world beyond

The Guardian - UK · Sep 8, 2022