Jonathan Anderson leans into Dior’s dramatic backstory for couture show Designer spins the historic house off on a tangent in Paris, with his reading of its history being that shock value can sell The Guardian - UK · Jan 26
‘Beautiful pots enhance humanity’: Magdalene Odundo on her quest to make the perfect pot Her vessels are often inspired by people’s gestures in the supermarket – and have sold for six-figure sums. She talks about childhood bereavement, why she hated making ads – and the spiritual significance of cooking pots The Guardian - UK · Nov 11, 2024
Magdalene Odundo review – quietly devastating defiance in an English stately home Ceramics by Odundo at this Palladian mansion sit seamlessly yet purposefully alongside existing pieces, symbols of remembrance and the venue’s legacy of slavery The Guardian - UK · May 13, 2024
Simon Olding obituary Other lives: Director of the Crafts Study Centre at the University of the Creative Arts in Farnham, Surrey The Guardian - UK · Feb 8, 2023
Strange Clay review – dynamic ceramic Twenty-three artists explore the potential of this ancient material in works that tackle issues from Post-it note wars to feudalism and porn The Guardian - UK · Oct 30, 2022
Strange Clay: Ceramics in Contemporary Art at the Hayward Gallery review - weird and wonderful A show about this extraordinary, humble material that can say so much Evening Standard · Oct 24, 2022
Pot heads: why everyone’s fired up about ceramics Seth Rogen and Serena Williams have joined the growing ranks of amateur potters, and fashion designers are being drawn to the wheel too. We get our hands dirty with the new ceramicists The Guardian - UK · May 2, 2022
Throwing muses: the Black female artists who create with clay Exploring 70 years of ceramics in Black culture, Body Vessel Clay shatters the western myths of the potter’s wheel The Guardian - UK · Jan 31, 2022
Body Vessel Clay at Two Temple Place review: a revelatory show of ceramics by black women Artists from Ladi Kwali to Magdalene Odundo show the thrilling evolution and comforting continuity of ceramic traditions Evening Standard · Jan 28, 2022