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INSANE: 9 - The Real Truth

“CBS ran an ad that said, ‘6 million people have heard the sound of his guitar. Let us introduce you to him…’ That made a huge rift”: Barry Goudreau was there from the beginning of Boston –but has regrets about how things ended with Tom Scholz

Gibson wielder, who always preferred Marshall to Scholz’s Rockman brand, recalls being edged out but not caring at first, until it led to an angry split and legal repercussions

Guitar World

“Listening to Yngwie Malmsteen, Steve Vai, Paul Gilbert… all kinds of crazy-fast players. And you tried to keep up with them”: Andy La Rocque on why he is no longer a 120mph soloist – and what we can expect from the long-awaited King Diamond album

La Rocque has been the King's six-string courtier for 40 years now. Here he tells us how it all began, how his style has evolved, and yes, the new stuff is coming...

Guitar World

“All the albums I did with Metallica were recorded on 24-track analogue tape. There’s not a computer in sight”: How Flemming Rasmussen produced Metallica’s classic Master Of Puppets

“I rate James as the best rhythm guitar player on the planet," the producer said

MusicRadar

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Mini POV camera captures groundbreaking onboard footage of off-road racing in extreme desert environments

Off-road racing team Terrible Herbst Motorsports has been using the Marshall CV574 POV camera to capture incredible onboard footage of its trophy trucks

Digital Camera World

“I feel like that song had everything we needed to come back with”: Bring Me The Horizon’s Lee Malia on Shadow Moses, its riff and the secrets behind its tone, and why it was the right anthem at the right time

How Terry Date, a killer riff and a videogame helped bring BMTH's major label debut into focus with a track that officially opened a new chapter – and the pit – for the Sheffield metal frontiersmen

MusicRadar

My doctor banned me from earbuds so I got these Marshall headphones instead — and I’m surprised I didn’t do it sooner

Wearing earbuds non-stop gave me a skin infection — thank goodness for the Marshall Monitor III for saving them.

Tom’s Guide

Orange Amps' new noise-cancelling headphones suggest it still hasn't learned Marshall's smartest lesson

Orange's new wireless headphones don't look very Orange, and not very rock and roll.

TechRadar

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“I can write anything... Just tell me what you want. You want death metal in C? Okay, here it is. A little country and western? Reggae, blues, whatever”: Yngwie Malmsteen on classical epiphanies, modern art and why he embraces the cliff edge

Having celebrated 40 years as a solo artist who planted the neoclassical flag atop rock's mountain, Mr Malmsteen reflects on his evolution, tastes in art, and encourages all to take a creative risk

MusicRadar

"It seemed to sum up the existential crisis I was having." Smashing Pumpkins' Billy Corgan on the Metallica song that saved his life

"It's like a movie unto itself. What a song!" Billy Corgan on the Metallica classic that meant everything to him as a teenager

Metal Hammer

“I started on guitar because I wanted to be in a band and meet girls. Richie wanted to be a guitar player, because he wanted to play guitar”: Adrian Smith and Richie Kotzen come from different worlds, but it all comes back to the blues

Returning with one of the hard-rock records of the year, the dynamic duo talk tone, collaboration, and the limits of technique and gear

Guitar World

“When I saw it, I couldn’t believe how cool it was”: Joe Satriani is selling one of his rarest guitars – an ultra-ambitious Ibanez Y2K Crystal Planet prototype

The elite shredder is selling off a bunch of pre-loved gear, including a stunning see-through version of his Ibanez signature guitar

Guitar World

"I believe I’ve got the last recording Jeff Beck ever did in the studios": Guitarist Mick Rogers thinks he's in possession of a piece of musical history

"Nothing came of it because Jeff was playing through his dodgy Marshall and didn’t like the sound,” he explains

MusicRadar

“It’s a whole new generation in sound. There’s nothing lacking”: Alex Lifeson reveals the gear that has finally converted him to digital modeling

The Rush guitarist used digital sounds on his new album with Envy of None

Guitar World

“The three of us plugged into my Marshall, passing the cord around. The one thing Eric said to me was, ‘Wow, there is so much gain!’” Joe Satriani on reuniting with Eric Johnson and Steve Vai and the devil in the detail of Eddie Van Halen's playing

He has the G3 tour, the Best of All Worlds Tour, an album with old friend Steve Vai and the Satch/Vai tour incoming, but somehow Satch found time to check in with GW to talk tone, Van Halen and the danger in Jeff Beck's performances

Guitar World

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Guitar World

“People had warned me how Ritchie chewed up and spat out musicians. Rainbow had already auditioned 40 bass players!” From Ritchie Blackmore to Ozzy Osbourne, Bob Daisley has worked with rock’s heaviest heroes

For more than 30 years, bassist Bob Daisley laid the foundations on which some of the greatest rock and roll ever was built

Guitar World

“The X100 is very good at what it does – some might say even too good”: MXR Rockman X100 Analog Tone Processor Pedal review

The legendary Tom Scholz headphone amp and signal processor gets reborn in pedal form

Guitar World

“A lot of Slayer riffs aren’t really for bass players – there’s just too many notes”: Slayer’s Tom Araya charts his incredible 4-string journey

From starting on a Paul McCartney Höfner ripoff to pioneering some of the heaviest metal ever committed to tape, Tom Araya admits he's no bass virtuoso… but he “can play fast sometimes”

Guitar World

“I’m about 85 or 90 percent there. But it’s that 10 percent that sets me off. I can’t knock out those old solos as smooth as I used to”: Ace Frehley is practicing more than ever as he keeps his demons behind him and returns to arenas

The Spaceman on his most recent solo album – which won’t be his last – his self-designed $200,000 studio, the state of play with his former Kiss colleagues, and his family connection to an object on the Moon

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Guitar World

“Whether you’re an AC/DC fan or not, there are some classic tones to be found within this little box of rock”: Crazy Tube Circuits Heatseeker review

A one-box recreation of Angus Young’s AC/DC guitar sound for those about to rock

Guitar World

“It must have been a big shock when little Peavey in Mississippi got the biggest guitar hero out there. But Ed just appreciated the quality of craftsmanship”: The story of Peavey and its era-defining Van Halen collaborations – and why they came to an end

Peavey CEO Courtland Gray looks back at the firm’s decades of boundary-pushing products, and what sets the company apart from Fender and Marshall

Guitar World

“Delivers uber-satisfying edge of breakup tube saturation that won’t annoy your neighbors”: Marshall DSL1CR review

Is there still a place for 1-watt tube amps in the modern age of modeling? I got hands-on with the DSL1CR to find out

Guitar World

“This combo could be a contender for the loudest, smallest amp… and it held its own against our loud rhythm section”: Orange O Tone 40 review

What’s loud, light and orange? The latest solid-state and affordable combo from Orange

Guitar World

“These $99 pedals are excellent not only for their price, but also their sounds”: Keeley x Sweetwater Soft Reverb, Super Bass Overdrive And Distortion and Suns Ultravoid Fuzz review

Three all-American boutique pedals, at under $100 a pop. Too good to be true?

Guitar World

“It was under my dad’s bed when I was a kid. When it slid out from underneath the bed… it was like the heavens were opening up”: How Zakk Wylde’s sparring partner Dario Lorina started a new chapter – with the help of a holy grail Les Paul

Dario Lorina – who has split Black Label Society’s guitar duties with Zakk Wylde since 2014 – delivers some serious fuel-injected moto-metal fury on Dark Chapel’s Spirit in the Glass

Guitar World

“Copying the people you admire is a healthy thing to do – it teaches you to get inside what they do, then you can take it from there”: Eric Johnson on his G3 reunion with Joe Satriani and Steve Vai – and why the limits of guitar have yet to be reached

We catch up with the maestro to talk all things G3, formative influences, hollow-body Strat designs, and what he has to learn from Wes Montgomery after all these years

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