Vivid Sydney’s future seems bright if it can balance spectacle with subtlety – but challenges abound
It’s the year 2008, and some members of the International Association of Lighting Designers are gathered in a boardroom in North Sydney, myself included. My colleagues Mary-Anne Kyriakou (who would later be Vivid’s inaugural festival director) and Michael Day are sharing a vision of what’s almost unthinkable at the time.
The Conversation ·
The Week
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The Conversation
