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INSANE: Moog | Vintage Vibes

"He started trying to play chords on it and he said ‘Malcolm! Bob! What’s wrong with this instrument? It only plays one note at a time!’": Dissecting the musical magic of Superstition, the song Stevie Wonder just couldn’t let go

“He played it to Motown, and they said, 'No way is Jeff Beck getting this song, it's too good’”

MusicRadar

"There's something about it that you just don't get with soft synths": Jasper Tygner on why he loves his Moog Grandmother

We visited the rising producer and multi-instrumentalist in his South London studio to find out more about the making of debut album Blue

MusicRadar

“He played it to Motown, and they said, 'No way is Beck getting this song, it's too good’”: Dissecting the musical magic of Superstition, the song Stevie Wonder just couldn’t let go

Exploring the mechanics of the song which was taken to mega-success by Stevie Wonder - much to Jeff Beck's frustration

MusicRadar

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"Boy, do people hate it": 10 of the most divisive products in music tech history, from iLok to the Akai Timbre Wolf

Some products take off, some land with a thud, and some stir up so much controversy they become their own memes. These are the synths, drum machines, and grooveboxes you love to hate

MusicRadar

“One day in Berlin, Eno came running in and said, ‘I have heard the sound of the future’”: How to replicate the trailblazing pulse of I Feel Love

I Feel Love’s innovative electronic rhythm section set the stage for pretty much everything that followed, and here’s how you can recreate its bewitching energy in your DAW

MusicRadar

“He feels it should be in the hands of people who will put it to good use”: John Paul Jones’ studio gear goes up for auction – including a rare £24,000 Moog Model 15

John Paul Jones’ studio gear goes up for auction – including a rare £24,000 Moog Model 15

MusicRadar

“I had a No 1 single with a song about a robot prostitute and no one knew”: You’ll never listen to this Gary Numan classic in the same way again

The true meaning and dense theory of one of Gary Numan’s most beloved tracks

MusicRadar

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“Gibson wasn’t the only company to lose its mind in thrall to technology”: The 21st century gear trends that never caught on

Because not all innovations stand the test of time

Guitar World

“There's a tendency to misremember as ‘John Lennon was a rock ‘n’ roll badass and Paul was kind of like happy poppy guy,’ but Paul made the weirdest music”: Mark Ronson says that Paul McCartney was just as experimental as any of the Beatles, and still is

“I went to his studio one time and he was literally like step sequencing a Moog keyboard to make the weirdest sounds I've ever heard," he recalls

MusicRadar

From Nazi rockets to drone motors, the secret military history behind the studio gear we use today

How military conflict has fuelled the development of technology that’s now essential in modern music production

MusicRadar

“The groove was a kind of blues groove, and I think I drank a beer, because I wanted to have a kind of slurring sound in my voice”: Stevie Wonder reveals how he recorded the classic Moog synth bassline and “laidback” vocals on Boogie On Reggae Woman

Stevie also says that he’s working on a new “project”, Through The Eyes Of Wonder

MusicRadar

"The Queen Mother asked us to play something on the Moog. She was really cute": PFM on brushes with royalty, spaghetti with Aerosmith, and how to annoy America

Premiata Forneria Marconi, aka PFM, remain one of the great trailblazers of European prog rock

Louder

"The choices are endless - on every laptop you have access to every sound you could ever want. That can make creativity really hard": Sean and Isom of Foster The People on their duo Peel

Forging a close bond as two-thirds of international superstars, Foster the People, Sean Cimino and Isom Innis have embarked on a parallel life as Peel.

MusicRadar

"It’s just $50, and it’s the best reverb for the buck": Video game soundtrack composer Jason Graves reveals his go-to reverb plugin behind the sounds of Still Wakes the Deep

After scoring Dead Space and Call of Duty, Graves' most recent video game project takes him offshore to a monster-infested oil rig

MusicRadar

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MusicRadar

The beginners guide to virtual instruments: What are 'VIs', 'plugins' and 'VSTs' anyway? And how can you make the best use of them in your music?

Because there's never been a better, easier, more affordable time to make great music on your computer

Guitar World

“Weirdly wonderful”: Behringer’s back with another on-the-nose clone – this time of a cult Moog filter pedal from the 2000s

It’s the latest entry into Behringer’s catalog of vintage-inspired pedals, following the controversial Centara overdrive Klon copy

MusicRadar

“Okay, there’s not really an easy way to describe what this thing does”: Behringer launches the BM-15M Murf Box, a $129 animated filter pedal inspired by a Moog classic from the ‘00s

No prizes for guessing which pedal the Murf Box is inspired by, but with originals changing hands for big money online, this could be an affordable option for guitar and synth players

MusicRadar

"There's too much new gear!": The 12 best instruments, effects and innovations you need to know about from Superbooth 2025

New synths, drum machines, effects and oddities from the Berlin synth expo

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MusicRadar

Moog teases new Messenger synth with freaky Severance-inspired video

Superbooth 25 is set to bring us a new instrument from Moog - but what could it be?

MusicRadar

“I pulled this Moog bass forward… we were like, ‘OK, that feels kind of trashy’”: Lorde says that she needed to find “just the right amount of dirt” to finish her new single, What Was That

She was working on it with producer Jim-E Stack for almost a year

MusicRadar

“I got to jam with Stevie Wonder. Just me and him, one afternoon. We each had a keyboard and we were just trading riffs and jamming together and it was like, ‘Wow’”: Howard Jones talks vintage gear, his new piano album and that 1985 Grammys synth medley

“I think things absolutely turned around that night. People stopped putting things on their record saying ‘No synthesizers were used in the making of this record’”

MusicRadar

"It was ugly, like watching a divorce between four people. After a while, I had to get out": Beatles engineer Geoff Emerick on the recording of Abbey Road, track-by-track

A classic interview with the band's late chief engineer – "You could really see the joy in their faces as they played; it was like they were teenagers again"

MusicRadar

“I didn’t even realise it had synthesizer on it for decades”: This deep dive into The Beatles' Here Comes The Sun reveals 4 Moog Modular parts that we’d never even noticed before

Anthony Marinelli’s video might change the way you listen to George Harrison’s ode to sunny positivity

MusicRadar

“Ozzy drove us all nuts with that Moog thing. But the song was great”: How Black Sabbath took a surprise left turn on the classic album Sabotage

And how Ozzy ‘played’ a cider jug like a tuba!

MusicRadar

"They said, ‘Thank you, but no thank you - it’s not a Monkees song.’ He said, ‘Wait a minute, I am one of the Monkees! What are you talking about?’": Micky Dolenz explains Mike Nesmith's "frustration" at being in The Monkees

“I knew what he was going through. He was frustrated because he was misled"

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