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THE TRUTH ABOUT: Olivia fuchs - Caught on Camera

Amadigi di Gaula review – inflatables and appoggiaturas as Handel takes a trip to Love Island

Olivia Fuchs’ delirious spin on the baroque opera comes with TV trickery, more hearts than a cardiologist convention and absolutely gorgeous singing

The Guardian - UK · Jul 17

The week in classical: The Makropulos Affair; Uprising – review

Orla Boylan captivates in Olivia Fuchs’s masterly Scottish Opera Janáček. And Jonathan Dove’s rousing new community opera puts down firm roots

The Guardian - UK · Mar 8, 2025

The Makropulos Affair review – immaculately paced and gripping opera storytelling

Olivia Fuchs’ production of Janáček’s opera is a remarkable achievement, with Orla Boylan’s riveting performance at its heart. In the pit, Martyn Brabbins is superb

The Guardian - UK · Feb 21, 2025

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The week in classical: Death in Venice; Giant; Angela Hewitt review – five-star Britten and more

Britten’s yearning swansong blazes and beguiles in Welsh National Opera’s new production. Elsewhere, the sad tale of ‘Irish Giant’ Charles Byrne, and an enterprising orchestra for all

The Guardian - UK · Mar 16, 2024

Death in Venice review – Britten’s final opera soars in WNO’s captivating staging

Olivia Fuchs’ new production casts aerialists as the Polish family to stunning effect. Mark Le Brocq is a sympathetic Aschenbach and Leo Hussain conducts with a sure hand

The Guardian - UK · Mar 8, 2024

L’Orfeo review – ether, electric guitars and a deus ex machina

Vividly sung by an ensemble of 12 and exquisitely played by period group La Serenissima, Olivia Fuchs’s lively production of Monterverdi’s opera is full of contemporary references

The Guardian - UK · Jul 12, 2023

The week in classical: The Makropulos Affair; Elisabeth Leonskaja & Staatskapelle Streichquartett

Janáček’s knotty study of immortality soars at Welsh National Opera; the great pianist radiates grace and power. Plus a word on Weir and MacMillan

The Guardian - UK · Sep 24, 2022

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