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UNCOVERED: Peter buck - Caught on Camera

“Bill brought it in and it was a one-minute-long country and western song. It took us forever to figure out the arrangement and who was going to play what”: How REM turned a simple idea into a classic song of life-affirming power

Featuring a $20 drum machine and strings orchestrated by Led Zeppelin's John Paul Jones

MusicRadar

"I feel like shooting people!” In the run-up to 1988's US presidential election, R.E.M. guitarist Peter Buck had some outrageously dark and violent thoughts

“Americans are pigs! You can quote me on that"

Louder

"I don’t need the money and I’ve had enough applause to last 10 lifetimes." R.E.M. guitarist Peter Buck insists that the band will never, ever properly reform

"Everyone has their memories and they’re sacrosanct"

Louder

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“He said, ‘I hear you’re going to make a record. If there’s anything I can do to help you guys out, let me know’’’: They were alt-rock legends who had to follow up a classic debut – then R.E.M.’s Peter Buck offered to lend a hand

Feelies guitarist Glenn Mercer says the pressure was on to come up with a killer sophomore album – but having a little help from Buck certainly helped in making one

Guitar World

“Michael Stipe said, ‘Can I sing with you guys in Brooklyn?’ I’m like, ‘Are you serious?!’” How a Chicago alt-rock stalwart and Hollywood A-lister put together a supergroup to celebrate their favorite records

You might know Jason Narducy from playing bass with Bob Mould. You might recognize Michael Shannon, too. He’s in the movies. But they are also in band, and are celebrating R.E.M.’s Lifes Rich Pageant in concert. Narducy tells GW how it all went down

Guitar World

"There was no real sign that it was abig protest song, so most people listened to it and didn’t realise": The story of the anti-war commentary disguised as a four-minute pop song that set R.E.M. on the path to global success and stardom

R.E.M. countered accusations of selling out to a major by using their commercialclout to promote their political activism

Louder

“This is the kind of band all of us wanted to be in as we got older”: New supergroup bringing together members of R.E.M., Screaming Trees, QOTSA and more announce first UK shows

Alongside new material, the group will be playing some of their former bands' old classics too…

Louder

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“The band provided me with this ridiculous music and I had to, of course, kind of step up to it”: The enduring appeal of the REM radio smash that Michael Stipe hated

The song was inescapable in the early 1990s, yet the shifting dynamics and sunny lyrics of REM's upbeat smash continue to provoke questions about its true meaning

MusicRadar

“It’s just a little bit embarrassing that it became as big a hit as it did”: The joyful REM classic that many believe contains a darker meaning

The song was inescapable in the early 1990s, yet the shifting dynamics and sunny lyrics of REM's upbeat smash continue to provoke questions about its subtext

MusicRadar

“Nothing in this band does what it's supposed to do”: how R.E.M. showed the world they were the real deal on 1985’s Fables Of The Reconstruction

The story of Michael Stipe & co.’s strange and brilliant third album.

Louder

The ones we love: all 16 of REM’s albums – ranked!

As their album Fables of the Reconstruction turns 40, we assess REM’s hugely varied discography, from mysterious masterpieces to commercial failures

The Guardian - UK

“All you have to do is turn on the TV and you’re inundated by complete lies from people who are supposed to be running this country”: How distortion, chaos and a world gone mad shaped R.E.M.’s game-changing album Document album

On 1988’s Document album, ‘the thinking person’s rock band’ ditched the jangling guitars for distortion, power chords and arena rock singles

Louder

“I don’t believe he had any idea how rare it was before he bought it”: Kurt Cobain's $6m MTV Unplugged Martin was a historic guitar even before its Nirvana association, but a mod inspired by one of his guitar heroes made it one of a kind

According to Nirvana guitar tech Earnie Bailey, Cobain was far from a vintage guitar fiend, and had no qualms with making his already weird D-18E even more unusual

Guitar World

“Verboten played right across the street from Wrigley Field. Dave Grohl came with his sister when he was 13 and saw us play”: Jason Narducy on inspiring Dave Grohl, getting R.E.M. cover tips from Peter Buck – and being Bob Mould’s bassist

Starting his punk band Verboten at 11 with a “terrible” SG copy, the modest guitar hero (and Bob Mould bassist) remains in demand with his eternal passion, attention to detail and love of living room shows

Guitar World

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Guitar World

“Peter Buck came up to me and said, ‘You’re using different voicings than I do on the records, but it sounds good’”: How Jason Narducy went from playing bass in a cult punk band to covering R.E.M. with Hollywood veteran Michael Shannon

Narducy describes the “mind-blowing” moment of meeting Peter Buck and picking his brain about how he plays some key R.E.M. classics

Guitar World

“He was strumming this C chord and as he leaned over to get his beer on the amp, he moved his hand…” Peter Buck's stately guitar work defined R.E.M.'s Man on the Moon – and it all started when his bandmate fell off a chair

Michael Stipe's ode to the late comedian Andy Kaufman is driven by a riff of unusual origin, and some reluctant slide work

MusicRadar

R.E.M. perform acoustic version of Losing My Religion as original lineup reunites for first live performance in 17 years

The Athens, Georgia alt-rock trailblazers celebrated their induction into the Songwriters Hall Of Fame with a surprise live performance in NYC

Louder

"We're all sitting here friends again." Watch R.E.M. reunite for first performance with their full, original line-up since the mid '90s

R.E.M. surprise audience at the Songwriters Hall Of Fame with one-off performance

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The Independent UK

Original REM line-up perform together for first time in almost 30 years

Frontman Michael Stipe said the band had remained ‘dear friends’

Louder

R.E.M.'s Reckoning: raw, mysterious and strangely melodic, refracting their influences through a murky Southern prism

How the melodic sophistication of R.E.M.'s second album Reckoning served as a pre-echo of their 90s success

Louder

The Replacements intended to subvert the underground scene with Let It Be: Instead, they completely reinvented it

The Replacements' third album was written in thrall to the classic rock and pop canon, but filtered through the prism of their chaotic modus operandi

MusicRadar

“I'm kind of a formalist as far as songwriting and guitar parts go, and I'm a way better rhythm guitar player than I am a soloist:” 5 of Peter Buck's greatest R.E.M. guitar moments

To celebrate the reissue of the Athens, Georgia rock icons' debut single, we take a trip down memory lane in search of Peter Buck's best guitar moments

Guitar World

“Early on I discovered that the bass player decides the chord – not the guitar player”: R.E.M.’s Mike Mills on finding the perfect bass part and becoming a “one-bass guy”

From the Bass Player Archive: An interview with R.E.M. bassist Mike Mills

MusicRadar

"Where menace meets magic": 6 legendary albums recorded at the iconic Hansa Tonstudio in Berlin

Bowie, Iggy, Bono, Stipe, Depeche and Sylvian all recorded their master works there. Thankfully not all together.

The Independent UK

R.E.M. celebrates 'a very radical departure' 25 years ago with their album 'Up'

Twenty-five years ago, an R

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