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UNCOVERED: Peter green - The Untold Story

“It’s surprising to discover how much we rely on patterns and shapes – and this can be at the expense of thinking melodically or rhythmically”: Why four notes and the truth are all you need for a great slow blues solo

In this lesson, we are using just four notes to construct four blues examples that put expression first

Guitar World

“I bought a tiger-stripe Les Paul and started playing it on stage. I broke the neck, got it back and it sounded better. Then I was even more attached to it!” Kirk Hammett on Gibsons, the magic of Greeny and why he thinks the age of active pickups is over

The Metallica lead guitarist discusses Peter Green's influence, the magic of a Gibson P.A.F. pickup, and how owning Greeny has been a life-changing experience

Guitar World

“Listening to him had an effect on me similar to what I might feel if I were to meet an alien from outer space”: How Eric Clapton’s mission to spread the blues gospel was the making of the first guitar ‘god’

The discovery of Freddie King was the Eureka! moment in the origin story of Slowhand's ascent as the British blues scene's greatest player

MusicRadar

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"We were playing to capacity crowds, six or seven nights a week, everywhere we went. So we figured something was about to happen." The story of 1966, the year that built rock

Before 1966, the blues was tired, worn out and unsexy. But then Jimmy Page, Jeff Beck, Eric Clapton, Peter Green and Jimi Hendrix created the modern guitar hero too

Louder

"People used to say to me, 'Oh, you're better than Eric Clapton.' I didn’t know where to put myself." The triumph and tragedy of Peter Green, the man who founded Fleetwood Mac

Peter Green was one of the greatest guitarists of the late 60s British blues boom – but he never truly conquered his demons

Louder

“Clapton in Crossroads, Gilmour in Comfortably Numb and Peter Green in Black Magic Woman… all have their own take on how they approach rhythms in the phrasing”: The secret to great guitar solos isn’t technique – it’s rhythm

All the greats put themselves into their phrasing, and that identity was not only note choice but rhythm. Here are four ways you can add rhythmic interest to great effect

Guitar World

“I knew I was good. But they wanted Lindsey. They wanted somebody to play like Peter Green. They did not need another woman in the band”: Stevie Nicks on Fleetwood Mac, Lindsey Buckingham and a whole lot of drama

“You can be in love on stage and that’s fine – but when the affair comes off the stage, that screws up the band more than anything”

MusicRadar

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“Nobody had ever made that kind of noise on record before”: The life and times of Mike Vernon, the British blues legend who got Eric Clapton his Bluesbreakers tone

The producer of vintage Fleetwood Mac and Bluesbreakers was one of British blues’ towering figures

Guitar World

"Business people think anyone who doesn't want to be rich is a nutcase." In 1970, Fleetwood Mac leader Peter Green walked away from his band, saying that he wanted to give all his money away, and make music that would bring people closer to God

"Fleetwood Mac has become a business, and I don't want to be a part of a business"

Louder

“Peter had such a glorious touch thanks to his wonderful simplicity. But then he went off the rails and became a gravedigger”: How 10cc’s Rick Fenn ended up working with David Gilmour, Peter Green, Mike Oldfield, and almost all of his other heroes

The underrated guitar great looks back on the “improbable serendipities” that punctuate his 50-year career, hails the guitar he’s been playing for almost all of it, and reveals the favorite solos in his catalog

Guitar World

The New Fleetwood Mac Documentary Sounds Like It Could Be Great, But One Thing Disappoints Me

I fear there will be little love for Peter Green.

Cinemablend

My mom, the cult leader: ‘She told us what to wear, when to pray, how we would have sex. We were prisoners’

Deborah Green was a charismatic woman who established a ‘free love ministry’ in California, claiming to be a vessel for God. She was also a controlling, cruel sadist. Her daughter Sarah talks about her terrifying upbringing – and dramatic escape

The Guardian - UK

“I just wasn’t ready to spend $250,000 on a guitar at that stage in my life and my career”: Butch Walker turned down the opportunity to buy the Greeny Les Paul before Kirk Hammett bought it

The singer-songwriter has since come to regret the decision, even if his bank balance thanks him for it

Guitar World

Mike Vernon obituary

Producer, musician and record label executive who worked with artists such as John Mayall, Eric Clapton and Fleetwood Mac

The Guardian - UK

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Guitar World

“I got a call from a manager who was trying to drag him out of obscurity. We jammed daily, but he was away with the fairies”: Rick Fenn on the time he tried to help bring Peter Green back into the limelight

The late Fleetwood Mac guitarist was a hero of Fenn's, so when the call came in to help Green out, there was only one answer. But whatever happened to the music?

Guitar World

“Scott Gorham and Phil Lynott were taken aback that I wouldn’t party with them. I stayed in my room at the hotel. I got to the studio on time. I was trying to make a point”: Brian Robertson knows what Thin Lizzy lost when he left

Half of the classic-era twin guitar attack discusses how the iconic sound was built, his relationships with his bandmates after he left, his forensic approach to modding Kirk Hammett Les Pauls to look like Peter Green’s Greeny, and why he couldn’t play the real thing

Guitar World

“Albert King once advised Gary Moore to ‘play every other note’”: Why keeping it simple can improve your blues solos

Peter Green, George Harrison, Gary Moore, David Gilmour... These are just some of the players inspiring this lesson in stylistic restraint, all in the pursuit of the blues

Guitar World

“They stole our name, which means Jon Bon Jovi and Richie Sambora were listening to our records. But the main reason people know us is Gary Moore, and that doesn’t bother me at all”: The tale of the original Irish Skid Row

Bassist Brush Shiels looks back on his lifelong friendship with Moore, why he won’t sue the American hair metal band, and how Peter Green was responsible for their first album sounding so bad

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Guitar World

“I wasn’t credited with any songwriting. That was a pity. But I didn’t make a fuss. I figured Peter was still pretty fragile”: Snowy White on his uncredited role on Peter Green’s comeback LP and how David Gilmour introduced him to the Whammy pedal

The ex-Thin Lizzy guitarist toured the world with Roger Waters, played with Gary Moore, but now he’s retired from the stage, he admits he was never entirely comfortable with pop status

The Guardian - UK

Peter Greene obituary

Actor who gave memorable, sometimes unnerving, performances in films such as Pulp Fiction, The Mask and The Usual Suspects

MusicRadar

“If you really like something, you should take the first lines and make up another song from them. So that’s what I did with Black Magic Woman”: The legendary song that passed from Peter Green to Carlos Santana

"The original Fleetwood Mac used to knock me out,” Santana said

The Guardian - AU

Skyhooks guitarist Bob ‘Bongo’ Starkie dies aged 73

Starkie has died of leukaemia surrounded by friends and family and ‘listening to Chuck Berry’, his daughter says

Guitar World

“I’ve picked up others… they were like a piece of plywood. But not this one”: Gary Moore’s iconic red Stratocaster sells at auction for more than $330,000

This was the Strat that Moore played during his legendary 2004 performance of Red House – when people dared say it was better than Hendrix

Guitar World

“Initially, Gary was very frosty. I said, ‘On this track, you used the “Greeny” Les Paul, didn’t you?’ And his eyes lit up”: Inside the final Gary Moore gear auction – from the amps behind his sound to the red Strat that unleashed his blues power

With the last of Moore’s guitars going under the hammer, we join Claire Tole-Moir of Bonhams and Neville Marten, former Guitarist editor and friend to Gary, to examine his extraordinary collection

Guitar World

David Gilmour is a master of melodic bluesy phrasing – here are 3 ways to cop his style in your own playing

Whether you call these solo ideas minor blues or embellished pentatonic/blues scale, the effect is the same, freeing you up from established patterns to hold your audience's attention

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