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INSANE: Pino palladino | Vintage Vibes

“Pino Palladino and yours truly here at the Grammys”: Marcus Miller and Pino Palladino share the stage alongside Lauryn Hill at the 2026 Grammy Awards

The two bass legends took to the biggest stage in music for a tribute to D’Angelo and Roberta Flack

Guitar World

“I’ve worked with Lee Sklar. I got to see Anthony Jackson play. I had Pino Palladino on my first album. I’ve been able to absorb that bass-playing mojo”: How the bass guitar became a crucial part of Sheryl Crow’s songwriting process

Already a Grammy-winning, global pop star, Sheryl Crow geeks out on bass for all the right reasons

Guitar World

"The building blocks of ’60s-style rock and roll, R&B and funk/soul": Ernie Ball Pino Palladino Smoothies flatwound bass strings review

Inject some vintage flavour without becoming entirely throwback with the bass legend's new signature flatwound string set

Guitar World

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“Jeff Beck would pick up my fretless and play the craziest licks. I was in awe”: Pino Palladino’s adventures with The Who, John Mayer, Eric Clapton and his Music Man fretless bass

One of the most identifiable bass players on the planet on why he shifted back to fretted, embracing flatwounds even though they were unfashionable, and how he’s still topping the charts with the likes of Miley Cyrus, Beyoncé and Ed Sheeran

Guitar World

“We hit it off right away. He saw me playing my '63 P-Bass and said, ‘That's a Bootsy bass, right?’” How a chance meeting between Pino Palladino and D’Angelo helped create the sound of the late neo-soul legend's Voodoo album

The A-list bassist sheds some light on the late R&B legend's beguiling behind-the-beat hip-hop grooves

Guitar World

“In the hands of lesser musicians, this would simply sound sloppy. In D'Angelo's hands, it’s perfectly imperfect – the precise right amount of wrong”: A music professor breaks down the genius of D'Angelo

"He only recorded three albums and a handful of guest vocals, but those recordings possess extraordinary musical depth"

MusicRadar

“I didn't recognise him, because he had really short hair. I just thought he was some friend of Pete's. I found out later this was Dave Gilmour!”: Drummer Simon Phillips recalls the chaos of his favourite recorded performance – on a Pete Townshend song

"It was hilarious – this whole scenario”

MusicRadar

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“He’s on all of the songs, including one that’s 13 minutes - we just didn’t want Pino to ever stop playing": Miley Cyrus pays tribute to legendary bassist Pino Palladino as he’s honoured with the Welsh Music Inspiration award

“If I only had one person to choose to play bass with for the rest of my days, I would choose Pino Palladino,” says Questlove

MusicRadar

“I said, ‘Oh, when did you get Eric Clapton to play on that?’ He said, ‘He’s not playing on it. That’s me’”: Paul McCartney guitarist Robbie McIntosh on the time he mistook John Mayer’s guitar playing for Slowhand’s

McIntosh joined Mayer’s band and played a starring role on his acclaimed live album, Where the Light Is

Guitar World

“He came in, and just on the first take, I was like, ‘Oh my God. I didn't know that a person playing eighth notes could do that much”: How Pino Palladino transformed the simple bassline in Miley Cyrus’s End of the World into something "so much better"

"I just thought it would sound the same, but my God," says awestruck producer Shawn Everett

MusicRadar

“Playing Dean Town forces me to keep my chops up. Vulfpeck fans can sing every note of that bassline”: Joe Dart breaks down his lightning-quick studio approach – and how he tackles his hardest bassline to play live

Joe Dart continues to make a lasting impression on the world of retro-funk bass guitar

Guitar World

“It’s official. The age of touchscreen guitar amps is here”: This is all the new guitar gear that has caught my eye this week – and we might have a winner for the best new sub-$1k electric guitar of 2025

From next-gen desktop amps to a signature bass that celebrates a low-end legend, here are the essential gear launches you might have missed

Guitar World

“Since I bought that bass, that just really changed my career”: He’s worked with the Who, Jeff Beck, Beyoncé, NIN… Now Pino Palladino teams up with Ernie Ball Music Man for a signature StingRay inspired by the fretless bass that started it all

Available fretted or fretless, the Pino Palladino StingRay is resplendent in 79 Burst – and there's a super limited edition Icon Series model that replicates all the wear of his original

MusicRadar

“I said to my tour manager, ‘I need 350 bucks,’ which he wasn’t happy about. That bass changed my career”: In 1981, Pino Palladino bought a fretless StingRay that altered the course of his musical life – now it’s been recreated as a signature model

In 1981, Pino Palladino bought a fretless StingRay that altered the course of his musical life – now it’s been recreated as a signature model

Guitar World

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Guitar World

“That was also where Mitch Mitchell brought Jimi’s white Woodstock Strat for me to set up, prior to him selling it”: My afternoon interviewing Hank Marvin over beans on toast and chickening out of a Paul McCartney 'audition'

Neville Marten's first assignment for Guitarist was one for the ages, at a venue that is now sadly lost but for a time was the place for the biggest bands to rehearse

MusicRadar

“Warner Brothers wanted another Layla. I thought, 'well, if you sit down and write a song in a formatted way, it's not so hard’”: The Grammy-winning hit that Eric Clapton wrote to order, with a little help from Foreigner’s Mick Jones

With Phil Collins on drums and Pino Palladino on bass, it was pretty much a sure thing

Louder

“This has been far from a singular endeavour”: your guide to every player who’s ever passed through Nine Inch Nails, from Pretty Hate Machine to now

Ahead of Trent Reznor & co.’s UK tour next month, here’s your chance to swot up on the industrial-rock titans' evolving line-up over the years

Louder

"I was exhausted, I had a lot of doubt, and I was a nightmare": Elton John announces collaborative album with Brandi Carlile

Who Believes in Angels? features contributions from Chad Smith, Pino Palladino and Josh Klinghoffer

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MusicRadar

“So I met her, and her dad was from down the road from me in Penarth! As she sang, I remember just thinking, wow”: Bass legend Pino Palladino on getting an unexpected call from Rick Rubin to play on an album by a “young British artist”

“She’s a good laugh, Adele,” he says

Louder

"If someone tries to start a fight with you, put them down as fast and nastily as you possibly can": The wild life of The Who's combustion engine, John Entwistle

Delivering a deafening but dextrous bass-in-your-face assault, John Entwistle was a key part of The Who’s sound – and also their chemistry. This is his story

Guitar World

“Chrissie Hynde and Linda McCartney were friendly. She said that Paul was looking for a guitar player”: Robbie McIntosh on a playing career running from the Pretenders to John Mayer – and the knock-off Japanese Strat he used on tour with a Beatle

In a lifetime of great gear and credits from Norah Jones to Celine Dion and Paul McCartney, the guitarist says he remains in love with his yellow Strat copy

Guitar World

“Shania Twain got me into alternate tunings. I use them a lot on gigs now, and they’ve seeped into my solo stuff”: What session bass supremo Derek Frank learned from playing with pop’s A-listers – and how he brings it to his own music

Serving the songs of Shakira, Gwen Stefani and Orianthi doesn’t mean the bass journeyman can’t bring a bit of Rocco Prestia, James Jamerson and Pino Palladino to proceedings

The Guardian - UK

One to watch: Fabiana Palladino

The London singer-songwriter’s low-lit, funky songs wring drama out of minimal arrangements, evoking Janet Jackson and 00s R&B

The Guardian - UK

Fabiana Palladino: Fabiana Palladino review – sublime 80s pop innovation meets 21st-century chaos

The musician’s long-gestating debut album melds killer tunes to grimy distortion and the scuffed gloss of Jam and Lewis-era Janet Jackson, and marks the flowering of an original pop voice

Guitar World

“The higher up you wear your bass, the more it makes you think about what you’re playing. I don’t want to think that much”: Tim Lefebvre explains the belt-level placement of his low-slung P-Bass

From Tedeschi Trucks to Knower to Saturday Night Live, how Tim Lefebvre became the bass player everyone wants to work with

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