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HISTORICAL FACTS: 5 | History Defined

"There are so many elements I never expected to see or hear!" New Van der Graaf Generator film shines light on only US gig from the 1970s

Van der Graaf Generator - NYC '76 captures prog legends Van der Graaf Generator at their only US live show prior to 2009

Louder

“I’m not a massive fan of all things prog. But I must have listened to the Tarkus album a million times down the years”: Twisted Sister’s Jay Jay French wants Emerson, Lake and Palmer to be remembered for ever

Glam metal guitar slinger had been a fan of The Nice but hadn’t even heard of Carl Palmer when the super-talented supergroup blew him away live

Louder

“I hoped we could go somewhere, with all of us making a living. I don’t have that hope any more”: Stubbornness, repurposed Kansas songs and letting a long-held ambition go helped Spock’s Beard make Noise Floor

By the time they delivered their 13th album in 2018, they’d already outlived many of their expectations. With line-up issues returning and the market having changed, they decided to focus on artistic achievement

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“Roger Waters’ Amused To Death is something you have to pay attention to. If it had Pink Floyd on the cover, it would have sold millions”: BBC chief football writer Phil McNulty’s prog record collection

The pundit, who met John Wetton and Geoff Downes through their mutual love of the sport, recommends albums by Asia, Supertramp, Marillion and others

Louder

The silencing of The Lamb... Genesis are on the cover of the new issue of Prog, which is on sale now

Plus Roy Harper, Hawkwind, Jeff Wayne, Jakko Jakszyk, Green Carnation, Ihlo, Discipline, Chimpan A, Kindred Spirit and loads more...

Louder

“I felt the stage fright because the band just wasn’t good enough. I said, ‘This will be our last record.’ Then things began to take off”: Even lockdown couldn’t dampen The Pineapple Thief’s spirits when they released Versions Of The Truth

It may have been the 13th album by Bruce Soord’s band, but he regarded is as their third, after drummer Gavin Harrison’s arrival changed everything

Louder

“We were virtually given free rein. In fact, they spent so much money on studio time, there was very little left for promotion”: How Caravan’s In The Land Of Grey And Pink became an unheralded prog classic

The leading lights of the Canterbury Scene’s third album is a genuine masterpiece – but pitifully few people heard about it on its arrival

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“Mr Blue Sky is the song I always go back to. It’s such a feelgood track and it’s never aged”: The ELO classic led Crobot’s Brandon Yeagley to Frank Zappa, Protest The Hero and a whole world of prog

From a box of his parents’ cassettes to voracious filesharing, the vocalist always wanted to be the one bringing strange new music to his friends

Louder

New Peter Hammill biography to be published in November

The 500 plus page ROCK and ROLE: The Visionary Songs of Peter Hammill and Van der Graaf Generator features many rare and previously unseen photographs

Louder

“When we get together it opens up a portal. It’s mapping out the architecture of another dimension!” Steve Davis staged a theft to help The Utopia Strong make second album International Treasure

Prog’s unlikeliest trio, featuring Kabus Torabi and Michael J York alongside the snooker star, raised their game with the 2022 release. By then they were certain more would follow, even though they couldn’t explain what they actually do

Louder

“We didn’t really talk to them. I don't think they liked us, and we didn't really like them that much either”: The time the Eagles opened for a legendary British prog rock band – and hated it

When country rock met prog, it was never going to end well

Louder

“I’ve got 30 years of albums and awards – but they say, ‘He’s just a one-trick pony making money off the back of Mike Oldfield’”: Robert Reed’s struggle to keep a form of music alive

Magenta, Cyan and Chimpan A mastermind went to the effort and expense of bringing three key Oldfield collaborators into his Sanctuary projects. That proves his commitment to creating something genuine, although many people don’t realise it

Louder

Awesome new proggy sounds from Leprous, Iamthemorning, Jo Quail and more in Prog's brand new Tracks Of The Week

Great new prog sounds from Ring Van Möbius, Our Oceans and more in this week's Tracks Of The Week

Louder

“It’s pretty progressive, but it’s not Rush, is it? It’s not Dream Theater. The virtuosity comes in the details and subtlety”: When TesseracT introduced themselves and explained the djent movement

At a time when online musicianship was still regarded as a bit geeky, the quintet were preparing to launch debut album One and embark on their first US tour – and they had plenty to say about filesharing, stats and haircuts

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“Was air-drumming even a thing before Tom Sawyer?”: Neil Peart’s greatest moments with Rush

It wasn’t easy, but we’ve boiled the professor of prog’s most powerful percussive performances down to 10 key tracks

Louder

“Jeff Lynne and Yes are in the music of Radiohead, Sigur Rós and Muse. It’s overlooked in theirs but not in mine. I don’t have the self-validation I’d like”: Steven Wilson is grateful for prog fans’ support, but he wishes others liked him too

Arguing that pop isn’t as all-embracing as it used to be, he examines the nature of being a nerd with an ego, and wonders if the flawed musical gear his dad built him meant he was always going to make prog sounds

Louder

“The way he plays drums without overplaying is extraordinary. He never takes over the music”: Tool’s Danny Carey managed to distract Mick Pointer from Rush

The Marillion and Arena co-founder explains how the American prog metal band astonished him with a track from 1996 album Ænima

Louder

Great new prog you must hear from Arjen Lucassen, IO Earth Amorphis, Auri and more in Prog's brand new Tracks Of The Week

Cool new proggy sounds from Sometime In February, Royal Sorrow, Connor Kaminski and more in this week's Tracks Of The Week

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“The telegram read, ‘You’ve got to come back – your record is in the Top 20.’ I thought, ‘What Top 20?’ We couldn’t understand”: Why Peter Baumann thought Tangerine Dream were weird...

With new solo album Nightfall and a new edition of Phaedra both on sale, the synth maestro says limited ability, cutting-edge gear and raw luck led to success in the 70s, and regrets running out of time to reunite with Edgar Froese

Louder

“I never thought his music would be my bag. But he never plays the same thing twice and your mind is blown”: The Pretenders’ James Walbourne on discovering Richard Thompson (who happens to be his father-in-law)

Walbourne details the folk-prog veteran’s Robert Johnson-like magic, and draws a comparison with Chrissie Hynde

Louder

“There was a very unpleasant atmosphere between all of us. George Martin said he’d do another album… Instead we drove the band off the cliff”: How Stackridge conspired to swerve the success they deserved

The quirky West Country prog group started to get somewhere with 1973’s The Man In The Bowler Hat. Guitarist/vocalist James Warren – later of The Korgis – accepts youth and inexperience caused their implosion at exactly the wrong moment

Louder

“I had a nightmare 15 years ago and I still remember being so frightened… I decided to finally let it guide me in a musical realm”: Jonas Renske steers the new-look Kakatonia towards a different darkness

Nightmares As Extensions Of The Waking State, their first album without Anders Nyström, embraces first takes, shelved ideas and outside influences – and hints at how they might use more electronic elements in the future

Louder

“Even the seemingly straight-ahead rockers feature those clever fills and time changes that make the band so unique": Hydra may not be Toto’s best selling album, but it remains their proggiest

The seasoned American session stars changed tack after the success of their self-titled debut, inserting splashes of musical colour that became part of their unique style

Louder

"Everyone who’s been in Hawkwind is a Hawklord." The current line-up of Hawklords state their case with Time...

Now officially in their third decade, the Hawklords collective continue their purple patch with latest album Time.

Louder

“He opened possibilities for all future post-rock”: How Editors’ Russ Leetch discovered the deep, detailed world-building of Klaus Schulze, via Vangelis and an independent record store

When the British band wanted to create their own dystopia, a passionate shop owner led him to the German electronic composer’s prog masterpieces

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