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REVEALED: Prokofiev - The Real Truth

The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema

Editorial: Over more than 50 years and 30 films, the composer-director duo have created some of the most memorable movie experiences of all time

The Guardian - UK

Nemanja Radulović: Prokofiev album review – thrills and spills from a fearless violin virtuoso

Radulović brings irresistible swagger to selections from Romeo and Juliet and Cinderella, while a more restrained duet fosters a fine sense of dialogue

The Guardian - UK

Royal Concertgebouw / Mäkelä review – Proms showcase legendary orchestra and its star signing

The masterly Amsterdam ensemble were at the Proms for two concerts with their Chief Conductor Designate Klaus Mäkelä. In works by Berio, Mahler, Mozart, Prokofiev and Bartók there was dazzling playing and immaculate attention to detail

The Guardian - UK

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‘It will lift the spirits’: Kyiv to stage ‘most English of ballets’ after Russian repertoire boycott

Frederick Ashton’s La Fille mal gardée to be performed for first time, replacing classics by Tchaikovsky and Stravinsky after fundraising in London

The Guardian - UK

Prague Symphony Orchestra /Brauner/Montero review – tragic mood painting, emphatic force and disarming improvisation

A welcome return for this orchestra and their conductor saw a beautifully spooky Dvořák and a blazing Shostakovich, while soloist Montero imposed herself on Prokofiev and riffed on Beethoven

The Guardian - UK

Cinderella at the Royal Ballet review: an enchanting festive pleasure

4/5 This has one of the most glorious of all ballet scores: both magical and mysterious

Evening Standard

Prom 44 Rotterdam Philharmonic/Shani review – a tour de force of conducting and pianism

Lahav Shani played and conducted Prokofiev’s Third Piano Concerto with a devil-may-care brilliance while his finesse with the baton brought out the detailed beauty of the orchestra’s playing in works by Debussy and Ravel

The Guardian - UK

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“Listen to Romeo And Juliet by Prokofiev. It’s one of the heaviest pieces of music you’ll ever hear”: The magic and mystery – but not genius – of Muse’s first decade

With each of their first four albums Matt Bellamy and co injected more prog to their music, finding inspiration via classical composers, magic mushrooms and a Ouija board

Louder

LSO/Noseda review – Beamish’s Distans is virtuousic and exquisite

Given its UK premiere by Janine Jansen and Martin Fröst, Sally Beamish’s concerto for violin and clarinet was the centrepiece of a beautifully judged programme

The Guardian - UK

Romeo and Juliet Suite renewed at Sydney Opera House

Benjamin Millepied has brought fresh vision to the Shakespearean tragedy and Prokofiev's classical score, using dance, theatre and cinema.

AAP

Northern Ballet: Romeo & Juliet review – iconic love story told in all its full-blooded glory

Prokofiev’s score takes flight as the warring clans go at it, while the lovers display all the tortured passion of their teenage tragedy in this innovative and explosive staging

The Guardian - UK

LSO/Noseda review – Prokofiev’s curious Fourth alongside very fine Brahms

Gianandrea Noseda and the LSO made a strong case for the 1947 version of Prokofiev’s Fourth symphony, and Simon Trpčeski was an insightful and elegant soloist in Brahms’s second piano concerto

The Guardian - UK

LSO/Noseda/Trpčeski at Barbican Hall review: a dazzling rendition of Prokofiev's forgetten work

Rarely does this concerto get the outing it deserves, but Noseda coaxes magic from the music

Evening Standard

Yuri Temirkanov obituary

Russian conductor admired for his electrifying interpretations of his nation’s repertoire, especially Prokofiev and Tchaikovsky

The Guardian - UK

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The Guardian - AU

Sydney Opera House at 50: the stories behind the superstitions, sleepovers and scene-stealing moments

From Hugh Jackman’s black eye to ‘benevolent’ ghosts in the back seats, tour guides, security staff and stage managers guide us through five decades beneath the white sails

The Guardian - UK

Mahan Esfahani; Ibragimova/Osborne review – from electric dreams to muscular Prokofiev

Esfahani’s programme took the harpischord into the 21st century while the acclaimed partnership of Alina Ibragimova and Steven Osborne showcased the range of the festival and virtuosity of its performers

The Guardian - UK

Prom 52: Boston SO/ Nelsons review – weighty lyricism and ravishing reflection

The Boston Symphony showed signature depth in a grand Prokofiev Fifth, and splendidly contrasting textures in both Strauss and an emotionally driven premiere from US composer Julia Adolphe

The Guardian - UK

Matthew Bourne’s Romeo + Juliet review – more compelling than ever

Set in an asylum, the choreographer’s bleak yet passionate adaptation of Shakespeare’s tragic romance triumphs in a newly honed revival

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The Guardian - UK

The week in classical: Prom 19: SCO/ Emelyanychev; Prom 22: BBC NOW/ Bancroft; Prom 24: BSO/ Karabits – review

A Victorian warhorse springs into life under the baton of Maxim Emelyanychev; Isata Kanneh-Mason makes fiendish Prokofiev look easy; and German horn virtuoso Felix Klieser sets an example to all

The Guardian - UK

English National Ballet: Cinderella review – perfectly lovely romance

Erina Takahashi’s finely tuned grace is framed by visual and design flair in Christopher Wheeldon’s conventional show in-the-round

The Guardian - UK

Benjamin Grosvenor review – pianist’s virtuosity preferences power over pastel colours

An ambitious programme that ranged from Busoni’s Bach to Prokofiev confirmed why the pianist is a favourite here

Bangkok Post

No notes required

The huge audience at the Thailand Cultural Centre earlier this month certainly knew that they were in for the rarest of treats when the legendary Russian-born Israeli violinist Maxim Vengerov made his first ever appearance in the second half of an utterly unique concert, performing Prokofiev's ravishingly sublime Violin Concerto…

The Guardian - UK

Romanian National Philharmonic Orch/Smbatyan review – Vengerov’s virtuoisty raises the temperature

The contemporary works were unengaging, but the Romanian Orchestra’s Tchaikovsky enthralled, and Vengerov’s bravura reading of Prokofiev’s First Violin Concerto closed the concert in spectacular style

Bangkok Post

Maxim Vengerov to perform with Royal Bangkok Symphony Orchestra

Under the patronage of Her Royal Highness Princess Sirivannavari Nariratana Rajakanya, the Royal Bangkok Symphony Orchestra Foundation, in collaboration with B.Grimm and the Tourism Authority of Thailand, is thrilled to present the most exciting of concerts on Monday 12th December at 7:30 pm in the Main Hall of the Thailand…

The Guardian - UK

Prom 38: Philharmonia/Santtu-Matias Rouvali review – raucous but undemanding

Rouvali’s Proms debut as principal conductor of the Philharmonia could have been more challenging; while violinist Jennifer Koh was understated on Missy Mazzoli’s Procession

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