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SHOCKING: Sergei loznitsa - What They Never Told You

Doomed lovers, high heels and The Odyssey: films to get excited about in 2026

Margot Robbie busts her corset in Wuthering Heights, the Devil Wears Prada sequel goes fashionably to war, and Christopher Nolan brings us a Greek epic. Plus much more in our pick of the best films coming to UK cinemas this year

The Guardian - UK

Falling palm trees and a faltering Palme d’Or director: how Cannes 2025 went – and who will win

In a Cannes film festival where the greatest movies were about dictatorships and political cruelty, our chief critic shares his picks for the prix

The Guardian - UK

Ukrainian director Sergei Loznitsa decries ‘nightmare’ of Putin-Trump alliance

In Cannes to promote his Stalinist drama Two Prosecutors, the film-maker said he feared the US and Russia would soon ‘become equal’

The Guardian - UK

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Two Prosecutors review – a petrifying portrait of Stalinist insurrection

Drawn from a suppressed story by gulag survivor Georgy Demidov, Sergei Loznitsa’s haunting film unravels a terrifying parable of bureaucratic evil

The Guardian - UK

At Cannes Film Festival, too, Ukraine battles on

More than two years into Russia’s invasion, Ukraine’s strong presence at the Cannes Film Festival bears witness to its stubborn defence and the resilience of its film industry. The war’s pervasive impact on civilian life is the subject of “The Invasion”, whose director Sergei Loznitsa spoke to FRANCE 24 in…

France 24

On my radar: Slavoj Žižek’s cultural highlights

The Slovenian cultural theorist on enjoying books that contradict him, Boots Riley’s hilarious TV series, and his ‘terrifying’ taste in food

The Guardian - UK

Venice film festival 2022 week two roundup – discomfort and joy

A mood of theatricality prevailed at this year’s edition – a bleak but furiously cinematic Marilyn Monroe biopic and a forbiddingly austere French courtroom drama being the most distinctive offerings

The Guardian - UK

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Ukrainian director calls for trials of Soviet-era ‘war crimes’

Speaking in Venice, Sergei Loznitsa said situation in Ukraine shows that ‘history repeats itself when we don’t learn from’ it

The Guardian - UK

War films, protests and Russia boycotts: How Ukraine’s plight shaped Cannes 2022

The devastating physical and psychological toll of war in Ukraine was laid bare on Wednesday in Maksym Nakonechny’s “Butterfly Vision”, the latest work to focus on Ukraine’s plight at the Cannes Film Festival, where talk of war and calls for a boycott of all things Russian have dominated discussions from…

France 24

Cannes Film Festival, born out of war, grapples with Ukraine

The war in Ukraine took a starring role on the opening night of the 75th Cannes Film Festival and it has rarely been far out of frame since

The Independent UK

The Natural History of Destruction review – a harrowing account of aerial warfare

Ukrainian director Sergei Loznitsa’s strikes a moral equivalence between the British and Germans in a second world war documentary that offers no clear conclusion

The Guardian - UK

Ukrainian filmmaker Loznitsa plans documentary on Russia invasion

Ukrainian filmmaker Sergei Loznitsa plans to make a documentary about the war in his country, he said on Monday at the Cannes Film Festival, where he showed his film "The Natural History of Destruction."

Reuters

Russian Cannes contender defends Roman Abramovich as a ‘patron of the arts’

Dissident Russian film-maker Kirill Serebrennikov, whose film Tchaikovsky’s Wife received backing from the oligarch, has called for sanctions to be lifted

The Guardian - UK

Final documentary by director killed in Ukraine to screen at Cannes

"Mariupolis 2", a documentary about the conflict in the southeastern Donbass region of Ukraine, will be screened at the Cannes Film Festival next week, in a last minute addition to the line-up. It is the second installment of a project by Lithuanian director Mantas Kvedaravicius, who was tragically killed in…

Radio France Internationale

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Los Angeles Times

Movie review: ‘Bad Roads,’ Ukraine’s Oscar entry, is a grim dispatch from Russian-occupied Donbas region

The four tales told in “Bad Roads,” Natalya Volorzhbit’s bleak and unnerving first feature, add up to a startlingly grim panorama of life during wartime. We are in the battle-scarred Donbas region of eastern Ukraine, sometime after the spring of 2014, when tensions between Ukrainian government forces and Russian-backed separatists…

Radio France Internationale

From Elvis to zombies, the 2022 Cannes line-up promises to pack a punch

The excitement of the 75th Cannes Film festival was palpable as journalists gathered on the Champs-Elysées in Paris on Thursday for the annual press conference announcing the films both in and out of competition. With a special nod to Ukraine, this year’s selection is an eclectic mix of familiar faces,…

The Guardian - UK

Streaming: the best Ukrainian films past and present

The embattled nation’s cinema is rich and distinctive, from 1929’s milestone Man With a Movie Camera to Sergei Loznitsa’s pitch-black comedy Donbass

The Guardian - UK

European Film Academy denounces Ukraine invasion after Sergei Loznitsa protest

The EFA has released a statement criticising Putin’s actions, after the Ukrainian director resigned from the organisation

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