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DARK SECRETS: 9 | Rare Historical Photos

‘It’s been a shock’: Taylor Swift fans flock to see German museum’s Ophelia

Depiction of Shakespeare character by Friedrich Heyser believed to have inspired pop superstar’s new music video

The Guardian - UK

‘I need to do everything now’: the Ukrainian combat medic-turned playwright

Since Alina Sarnatska’s first play premiered a year ago, she has documented wartime Ukraine with unflinching frankness

The Guardian - UK

Actors trained during pandemic lack vocal power and range, says RSC leader

Daniel Evans says young drama graduates who learned voice work online missed out on the physical presence of theatre training

The Guardian - UK

From analysis to the latest developments in health,
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GPT-5 has a new informal writing style — can you spot the real text versus the AI?

ChatGPT-5 has become more conversational and personal, making it an ideal writing partner, but harder to detect

Tom’s Guide

Woody Allen pays lengthy tribute to Diane Keaton

Woody Allen has paid a heartfelt tribute to his late friend and former lover Diane Keaton following her death over the weekend.

BANG Premier

My Right Foot review – wryly humorous look at life with a terminal illness

Mixing childhood memories, songs and Shakespeare, Michael Patrick delivers a one-man show about the reality of being given four years to live

The Guardian - UK

Ian Judge obituary

Theatre and opera director whose work stretched from Gilbert and Sullivan to Shakespeare

The Guardian - UK

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Taylor Swift’s ode to Travis Kelce is cringe – but is it worse than these other terrible lyrics?

The singer-songwriter has proved herself a modern-day Shagspeare with Wood, a paean to the penis. When it comes to shocking lyrics, though, it faces strong competition, writes Arwa Mahdawi

The Guardian - UK

‘The lyrics were throwaway. I never intended keeping them!’ How Feeder made Buck Rogers

‘My wife finds the whole thing hilarious. She was the girlfriend who inspired it. We’ve now been together for 30 years’

The Guardian - UK

Taylor Swift's Lyrical Spark Fades as Fans Question Her Talent After Joe Alwyn Split

Taylor Swift's latest album The Life of a Showgirl is under fire from fans, who question her songwriting and wonder if ex-boyfriend Joe Alwyn was the hidden genius behind her lyrical peak.

International Business Times UK

The pre-Raphaelite muse who inspired Taylor Swift’s The Fate of Ophelia

As a professor of pre-Raphaelite studies, I was excited to see that the track list for Taylor Swift’s 12th album, The Life of a Showgirl includes a song called The Fate of Ophelia. Ahead of the album’s release, fans and art historians speculated that the inspiration could come from John…

The Conversation

Romeo a Juliet review – star-crossed lovers divided by language

Theatr Cymru’s bilingual version of Shakespeare’s tragedy brings intriguing complexity to the warring families but also some confusion

The Guardian - UK

Alistair Petrie on Sex Education and starring in Hamlet: ‘Connor Swindells is like my son. We speak every day’

INTERVIEW: The English actor tells Ellie Harrison about the sliding-doors moment that led to his role in the Netflix teen drama, the long-awaited new season of ‘The Night Manager’, and why he’s finally returning to theatre after a decade away from the stage

The Independent UK

‘My wife is an exquisite goddess’: Nick Offerman on love, woodwork and storing gravy in his beard

The Parks and Recreation actor answers your questions on being married to Megan Mullally, visiting Manchester and preparing for the apocalypse

The Guardian - UK

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Inverse

25 Years Later, The Iconic Shakespeare Revenge Epic Gets A Visceral Remix

Riz Ahmed delivers a career-best performance in the visceral crime-thriller remix of Shakespeare's classic tragedy.

The Guardian - UK

A curious incident … dog in Night Watch was a copy by Rembrandt, expert claims

Rijksmuseum says that just like Shakespeare, Rembrandt drew widely and shamelessly from earlier sources

The Guardian - UK

Can We Stop Killing Each Other? review – a violence-themed show that’s about as dangerous as a garden centre

This exhibition asks whether art can diminish the human capacity for violence – but you might want to throttle someone after seeing this nonsense

The Conversation

Shakespeare for children: an expert’s top ten books to spark their imagination

As pupils head back to school, they may well encounter Shakespeare’s plays and poems – perhaps for the first time.

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The Guardian - UK

‘The storm for Lear is inside him’: Crossing choppy seas to bring Shakespeare to Isles of Scilly

RSC touring troupe stage King Lear in a school hall on St Mary’s before continuing to the Isle of Wight

The Conversation

Richard Burbage: the Elizabethan De Niro to Shakespeare’s Scorsese

How did Shakespeare become the world’s greatest playwright? It’s a question that has long fascinated scholars and fans alike. My latest research suggests that one answer lies in the Bard’s close collaboration with his leading man, Richard Burbage.

The Guardian - UK

Chadwick Boseman play about police brutality to receive UK premiere in London

Deep Azure, written by the late Black Panther star in response to the death of a fellow college student, will open at the Sam Wanamaker Playhouse next year

The Independent UK

Voices: Why Kenneth Branagh’s return to Stratford-upon-Avon is the best thing to happen to my hometown in years

COMMENT: Kenneth Branagh coming to the RSC for the first time in more than three decades could be just what my failing hometown needs to stop its decline, says Georgina Fuller

Evening Standard

Sir Kenneth Branagh: We have to work harder to earn the audience’s attention

The Oppenheimer star made his first appearance with the Royal Shakespeare Company aged 23 in the 1984 production of Henry V.

BANG Premier

Sir Kenneth Branagh hails arts as a 'British super-power'

Sir Kenneth Branagh wants more money to be invested into the arts.

Evening Standard

Kenneth Branagh returns to Royal Shakespeare Company for first time in 30 years

Sir Kenneth, best known for Belfast and Hamlet, made his first appearance with the theatre company aged 23 in the 1984 production of Henry V.

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