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UNCOVERED: Silvertone | History Defined

“The original owner was a schoolteacher. It had been under her bed for 15 years in its case”: How a forgotten 1969 Jazz Bass became the go-to studio instrument for one of London’s top session bassists

Sam Dixon’s bass collection also includes a 1967 Silverstone Dolphin, a Harmony H2 from 1964, and a pre-CBS Fender P-Bass

Guitar World

“I just had decidedly hated Stratocasters, Les Pauls, any of the common instruments that you see everybody use”: How Jack White found his own voice by seeking out a different kind of guitar

Silvertone, Airline, Kay... Jack White's formative tastes in electric guitars gave him a sound that he wouldn't have found if he'd chosen a more orthodox instrument

Guitar World

“It’s like a baseball bat. It doesn’t play like any modern guitar I’ve ever used”: Geese guitarist Emily Green reveals the vintage guitar gem defining the breakout band’s sound

The budget-friendly model has become one of Green’s go-to guitars during this buzzy era of Geese...

Guitar World

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“The soul of the ’60s but with the playability and reliability modern musicians expect”: Silvertone revives “one of the most recognizable guitar models in rock history” – favored by Chris Isaak and Elvis Costello – for the first time in decades

The guitar’s resurrection centers on retaining its “classic mojo” while also bringing other aspects up to speed

Guitar World

“Whether you’re chasing that famously haunting Wicked Game intro or carving out a completely new sound, it gives you inspiration from the moment you plug in”: Silvertone resurrects the cult guitar loved by Elvis Costello, Hubert Sumlin and Chris Isaak

NAMM 2026: A long-lost catalogue classic is back from the dead and it might be the coolest release you'll see all year

MusicRadar

“It might just be the coolest offset guitar ever. And it’s finally back”: All the guitar gear that has caught my eye this week – including some huge early NAMM releases

It is the week before NAMM, and the gear drops are coming in thick and fast. This week, we have "the ultimate modern headless guitar", a recreation of Keith Richards' go-to six-string, John Mayer's new-favorite Silver Sky finish and more

Guitar World

“Ibanez and Japanese brands in general were irritating the hell out of Gibson, Fender and other US companies targeted by copyists”: From copies to innovations – the origin and rise of Japanese electric guitars (and the truth about ‘lawsuit’ guitars)

We dig into the Japanese guitar industry of the 1960s and ’70s and find notable brands, mischievous copies, diligent makers and original designs that led to the instrument’s renaissance in the 1980s and beyond

Guitar World

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“Dickey called me: ‘Hey, Les, come by for a steak, and bring your guitar.’ He already had the verse of Jessica, but he needed a bridge…” Meet Les Dudek, the ghost guitarist on Allman Brothers classics who dated Cher and joined Journey for two hours

“I’m a legend that nobody knows,” says the journeyman guitarist, who played alongside Dickey Betts on Ramblin’ Man and Jessica, worked with Steve Miller, got scolded by Mike Bloomfield and was almost a founding member of Journey (but wait, there’s more…)

Guitar World

“It was around midnight when I got there… I was blown away when I heard what he had started making”: Bruno Mars and Lady Gaga team up with Pearl Jam producer Andrew Watt on unexpected new country-inspired single

The fast-rising single marks Mars' first single in half a decade under his own name

Guitar World

'I'll play on some corner': Chris Isaak still playing his wicked game

"Australia still has the idea of a band and rock'n'roll."

Newcastle Herald

“If the mini-humbucker had remained exclusive to Epiphone, it may have been a mere footnote. It developed a following because they ended up in Gibson guitars”: The mini-humbucker’s surprising history – and why it deserves more love

Often passed over in conversations about the greatest electric guitar pickups, the mini-humbucker has a unique tone of its own, its story inextricably linked to Epiphone and Gibson

Guitar World

“I strived to get an electric guitar to respond like a fingerpicked, open-tuned acoustic for decades. I went about it wrong”: Ex-Black Crowes guitarist Luther Dickinson on why he never dug his first signature Gibson – and how its followup went MIA

The North Mississippi Allstars man has led a storied career. He discusses his surprising jams with Rich Robinson and co, recording with The Replacements at the age of 13, and how his dad (via Bo Diddley) set him on a lifelong open-tuned path

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