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FOUND: Sound on sound org - You Need To See This

"Every time I played it, I got phone call after phone call. I thought I'd get howls of protest": How turning a tear-jerking orchestral classic into an unlikely dancefloor hit launched William Orbit's solo career

The story of Orbit’s electronic rework of Samuel Barber's Adagio for Strings, and the euphoric Ferry Corsten remix that rocketed it to No 4 in the UK charts

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"Every time I played it, I got phone call after phone call. I thought I'd get howls of protest, but that wasn't the case. Listeners were actually moved by it": The story of William Orbit’s rework of Adagio for Strings and its chart-smashing trance remix

How Samuel Barber's tear-jerking orchestral classic was transformed into an unlikely dancefloor hit at the turn of the millennium

MusicRadar

“I think he altered his perspective after working with us. He did some wonderful stuff after that. He got out of just heavy metal, and that's a good, good thing": John Lydon and Bill Laswell remember the making of Rise - with a little help from Steve Vai

"I think it’s one of my best pop songs" says the singer

MusicRadar

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How to re-create Drake’s smooth Burning Bridges sound using plugins

He’s one of hip-hop’s biggest stars, but his globally successful sound is easily replicable with the right software - and the right know-how…

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"Until then, I’d always thought that putting tongues in mouths was disgusting, but when he gave me my first proper kiss, I did indeed ‘have to let it linger’": How the Cranberries bucked '90s trends and made the surprise hit that's become huge once again

The song has recently been given a boost by TV show Love Story, but as befits its title, it never really went away

MusicRadar

“I decided it would be funny to write a song about how he was holding us all down, how he was trying to mess it all up, sabotaging our great works of art”: The story of the Beastie Boys' incendiary Sabotage

Its legendary DIY video was hugely influential, but few realise that the fury of the Beastie Boys’ Sabotage was triggered by real studio pressure

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“It was a terrible record to make. The arrangement’s so weird. It’s not very musical”: The American anthem that hit No.1 and made a star of John ‘Cougar’ Mellencamp – with help from a Bowie sidekick and inspiration from a Phil Collins classic

His motto: “Write about something that matters to people, man!”

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“For about three days, just listening to this thing, I was looking at Kevin and the other two guys saying ’What have we created? This is brilliant’“: The difficult bossa nova birth and enduring brilliance of 10CC’s I’m Not In Love

10cc’s classic turned fifty this year

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“I turned to my assistant and said 'Man, this sounds like it's going to be big’”: Shakira and Wyclef Jean reunite for a 20th anniversary performance of Hips Don’t Lie, a song that began life in the Dirty Dancing movie that you’ve never seen

“Shakira had a big influence on where she wanted the record to go,” recalled recording engineer Serge Tsai in 2007

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“I was thinking at the time, if anyone wants to try and copy this video, good luck to them!”: How ’60s soul music, African rhythms and a groundbreaking video fuelled Peter Gabriel’s biggest hit

Gabriel had to lie under glass for a total of 16 hours

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“There was a full moon and the curtains were open. Every time I looked up for ideas, I looked at the moon”: How teen prodigy Kate Bush created her timeless classic Wuthering Heights

“Those shrieks and warbles are beauty beyond belief,”said John Lydon

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“We did turn a corner. But it must have been the biggest corner in the universe, ‘cos it took ages to turn it”: Inside the protracted creation and glorious guitar work of The Stone Roses' Second Coming

It took the band 347 ten-hour days in the studio to produce 75 minutes of music, but the definition of difficult second album saw a darker Zeppelin-esque Les Paul-toting John Squire emerge

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“He remembers my guitar sound clearly, end of story”: Dave Davies rejects Eddie Kramer’s Jimmy Page overdub claims and insists that he alone played all guitar parts on You Really Got Me

The Kinks guitarist has responded to recent quotes concerning the recording of the 1964 hit

Guitar World

How Kylie Minogue’s Can’t Get You Out Of My Head was written in a couple of hours and took most of its sounds from the Korg Triton

As the star rides high again with Padam Padam, we look back at the writing and recording of one of her biggest hits

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40 years of Eurythmics' Sweet Dreams, the 'home recording' that took the world by storm

The story behind Eurythmics' 1983 smash hit single Sweet Dreams (Are Made Of This) starts, in some ways, in a hotel room in Wagga Wagga.

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