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SHOCKING: Strauss - You Need To See This

Salome review – righteous fury and dynamic clarity give Regents Opera its head

Directed with gangsterish overtones by Mark Ravenhill, the tempered musical weight of this lean production of the Strauss classic brings greater focus on the roles’ contrasting dramas

The Guardian - UK

Flattery or forgery? Row erupts over Vienna Phil’s re-orchestration of a Florence Price piece

Inclusion of first Black woman in US to write a symphony in Vienna’s New Year’s Day concert was a long overdue recognition. But how much of her music was actually played?

The Guardian - UK

I tested three compact Dolby Atmos soundbars from Sonos, Sony and Denon — this is the one I'd buy with my own money

Three compact Dolby Atmos soundbars, the same five movie scenes — which ones come out on top?

TechRadar

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Lise Davidsen and James Baillieu: Live at the Met album review – electrifying renditions make the momentous intimate

Recorded in New York in 2023, the soprano sings Strauss, Wagner, Grieg and more to thrilling effect, her sincerity and passion matched perfectly on piano

The Guardian - UK

4 awesome 4K Blu-rays for evaluating your TV's picture

4K Blu-rays are essential for evaluating TVs. Here are the discs I use on a regular basis.

TechRadar

I compared Panasonic and Sony's 2025 OLED TVs to see which has the better sound – and there’s an obvious winner

Panasonic and Sony TVs have the best built-in sound on the market, but who comes out on top in a side-by-side test?

TechRadar

Shibe/BBCPhil/Bihlmaier review – vivid, vibrant and exuberant virtuosity

Mark Simpson’s vibrant new work for Sean Shibe was the centrepiece of a polychromatic Prom that began with Strauss and ended with a vividly told Symphonie Fantastique

The Guardian - UK

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Salome at the Barbican review: a gripping performance from a dream cast

5/5 Soprano Asmik Grigorian astounds in the title role, with the London Symphony Orchestra conducted by Antonio Pappano

Evening Standard

Salome review – a frankly astonishing concert performance

Asmik Grigorian heads one of the finest casts you could hope to hear, and every flicker of detail and colour in Strauss’s score hits home, as Antonio Pappano’s first season with the LSO climaxes in remarkable style

The Guardian - UK

Met Opera attendance dropped in spring as tourism fell, coinciding with immigration crackdown

Metropolitan Opera season attendance dropped slightly following the Trump administration’s immigration crackdown that coincided with a decrease in tourists to New York

The Independent UK

Nina Stemme says farewell to Isolde after 126 performances

Soprano Nina Stemme sung her 126th and final performance of Isolde in Wagner's “Tristan und Isolde” with the Philadelphia Orchestra at Marian Anderson Hall

The Independent UK

LSO/Dudamel/Rebeka review – relentless orchestral fireworks and bright moments

Starry conductor Gustavo Dudamel’s appearance with the London Symphony Orchestra saw Strauss and Ravel given explosive power but limited depth

The Guardian - UK

Soprano Elza van den Heever has nightmares from her disturbing portrayal of `Salome'

Elza van den Heever’s portrayal of Salome sticks to her when she leaves the Metropolitan Opera for a rented apartment on Manhattan’s Upper West Side

The Independent UK

Armenian Haik Kazazyan wins top prize at inaugural Classic Violin Olympus competition in Dubai

From 12-to-1, Armenian violinist Haik Kazazyan has triumphed at the first-ever Classic Violin Olympus competition at Dubai’s Jumeirah Zabeel Saray, beating a world leading collection of classical music performers to win the coveted prize.

Euronews

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The Guardian - UK

LPO/Guggeis review – Wagner and Strauss touches both body and soul

Renée Fleming brought her communicative gifts to Strauss’s Four Last Songs in a programme dominated by Wagner. Making his LPO debut, Thomas Guggeis was an urgent presence

The Independent UK

Soprano Lise Davidsen pregnant with twins, cancels performances from mid-March through December

Soprano Lise Davidsen is pregnant with twins and is canceling her performances from mid-March through the end of the year

The Guardian - UK

The Sound of Utopia by Michel Krielaars review – the musicians persecuted by Stalin

A revelatory account of the composers and performers whose lives were determined by the whims of a dictator

The Independent UK

Netrebko withdraws from Ariadne role debut in Vienna, replaced by Davidsen in star soprano switch

Anna Netrebko has withdrawn from her planned role debut in Strauss’ “Ariadne auf Naxos” at the Vienna State Opera and been replaced by Lise Davidsen in a switch of star sopranos

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The Guardian - UK

Elektra review – Strauss’s intense and overwrought music drama doesn’t grip as it should

Antonio Pappano brings out every detail of Strauss’s technicolour score but Christof Loy’s static production, boasting star leads, offers few insights

The Guardian - UK

National Youth Orchestra/Elder review – monumental Strauss sees young musicians scale the heights

Dani Howard’s Ascent put the NYO brass front and centre, while, under conductor Mark Elder, Smetana’s Má Vlast and the Alpine Symphony were both full of grandeur and intricate detail

The Hindu

Acrobat should come good in the upper division of the Auxiliary Plate

Acrobat should come good in upper division of the Auxiliary Plate in Hyderabad on Sunday (Dec. 31)

The Guardian - UK

Birmingham Royal Ballet: Black Sabbath – The Ballet; English National Ballet: Our Voices – review

The fathers of heavy metal have gained at least one new fan thanks to an inspired new Carlos Acosta commission. And the music’s the star in the English National Ballet ambitious new mixed bill

Evening Standard

English National Ballet/Our Voices at Sadler’s Wells review: sparky and sorbet-fresh with magnificent music

The company’s new artistic director makes his first mark with this mixed bill set to a sumptuous score

The Guardian - UK

LSO/Hannigan review – season opens with haunting Vivier and superb Strauss

The London Symphony Orchestra’s associate artist Barbara Hannigan conducted a programme that mixed mainstream repertoire by Haydn and Strauss with less familiar music from the second half of the 20th century.

The Guardian - UK

Prom 52: Boston SO/ Nelsons review – weighty lyricism and ravishing reflection

The Boston Symphony showed signature depth in a grand Prokofiev Fifth, and splendidly contrasting textures in both Strauss and an emotionally driven premiere from US composer Julia Adolphe

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