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YOU WONT BELIEVE: Sydney theatre company - What They Never Told You

Queen’s secret Whitlam correspondence inspires Sydney Theatre Company play in 2027

STC’s 2027 program also features Celeste Barber in Amy Sedaris and David Sedaris play, Tim Minchin as Scrooge and the return of The Picture of Dorian Gray

The Guardian - AU

Palace Letters heads up Sydney Theatre Company slate

The Sydney Theatre Company's 2027 season includes the world premiere of a play about the Palace Letters, which revealed the inside story of the 1975 dismissal.

AAP

Housework review – breezy comedy deftly explores the complexity of Australian politics

Sydney Theatre Company, Opera House Susie Youssef plays a first-term MP who is passionate, but also clearly a bit of a nightmare to work for

The Guardian - AU

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Theatre audiences still show up. So why do so many shows fail to make money?

Recent cancellations of major musical theatre productions, including Waitress and Beetlejuice, have raised an obvious question: has Australian theatre become too expensive?

The Conversation

Bennelong in London review – Indigenous warrior meets the actor playing him in this funny, clever play

Jane Harrison’s play is alive to the challenge of telling Bennelong’s story, teasing out tensions between past and present perspectives on a contested figure

The Guardian - AU

Doubt: A Parable review – Sam Reid and Pamela Rabe go head-to-head in electrifying drama

Sydney Theatre Company Reid elicits gasps as a charming priest suspected of having an inappropriate relationship with a child – but this production rarely lets us linger in discomfort

The Guardian - AU

Heather Mitchell: ‘I got the biggest reaction for playing Donald Trump – but I really enjoyed playing Bill Clinton’

The stage and screen actor on her annoyingly nice co-star Hugo Weaving, her talent for toast art, and the time a tarot reader said she’d ruin her husband’s life

The Guardian - AU

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An Iliad review – David Wenham is a great match for contemporary twist on Homer’s epic

Sydney Theatre CompanyStarring Wenham and triple-threat Helen Svoboda, this take on The Iliad captures the dark magic of masterful oral storytelling

The Guardian - AU

The River review – slippery Jez Butterworth play remains a headscratcher

Sydney Theatre CompanyMiranda Otto, Ewen Leslie and Andrea Demetriades are all pleasant to watch but this decade-old play is sometimes obnoxiously mysterious

The Guardian - AU

The Normal Heart: the early years of the fight against AIDS in an articulate, but fierce, cry of anger

Larry Kramer – writer, playwright, activist, and author of the 1985 play The Normal Heart – has been a polarising figure in queer politics.

The Conversation

The Shiralee brings a Shakespearean energy to the Aussie swag-man’s life

A lyrical homage to the spirit of the Australian bush, Sydney Theatre Company’s The Shiralee is set on the highways and byways of 1950s Australia, with brief visits to the urban squalor of Kings Cross.

The Conversation

The Shiralee review – love grows in the harshest place in bountiful adaptation of outback epic

Sydney Opera HouseJourney of swagman and daughter feels vast in production that reaches beyond D’arcy Niland’s classic novel

The Guardian - AU

John Farnham musical Whispering Jack headlines Sydney Theatre Company’s 2026 season

STC program also features an AFLW drama by Prima Facie playwright Suzie Miller and star turns from Sam Worthington, David Wenham and Miranda Otto

The Guardian - AU

Congratulations, Get Rich! is a glittering ghost story where emotion is lost to theatrics

Merlynn Tong’s new play, Congratulations, Get Rich!, bursts onto stage with all the colour and flair you’d expect from a work set in a struggling Singaporean-style karaoke bar.

The Conversation

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The Conversation

Impressive performances and production values – but Joanna Murray-Smith’s The Talented Mr. Ripley doesn’t quite land

Playwright Joanna Murray-Smith has a long held fascination with the brilliance of Patricia Highsmith, who published the classic novel The Talented Mr. Ripley in 1955.

The Guardian - AU

The Talented Mr Ripley review – stylish thriller gets a pacy, crowd-pleasing stage adaptation

Heartbreak High’s Will McDonald does an admirable job as antihero Tom Ripley, while playwright Joanna Murray-Smith dials up the humour and homoeroticism

Pedestrian.tv

Will McDonald On His Eshay Inspiration & Kissing Heartbreak High Goodbye

When Netflix’s Heartbreak High reboot became a global smash hit, it not only catapulted a group of previously unknown Aussie talents into the spotlight, it also introduced the world to a uniquely Australian stereotype: the humble eshay. Ca$h, played by Will McDonald, was initially your typical eshay – living his…

The Guardian - AU

Circle Mirror Transformation review – a heart-first play of human connection

Logie winner Rebecca Gibney leads a suite of strong performances in Pulitzer prize-winning playwright Annie Baker’s gentle, generous comedy set in a community centre drama class

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The Guardian - AU

Sydney Theatre Company books $10m revenue boost after Dorian Gray production becomes global hit

Company due to reap more millions from cut in award-winning Broadway run starring Sarah Snook

The Guardian - AU

Sarah Snook wins best actress at Tony awards for The Picture of Dorian Gray

Australian actor performed all 26 roles in Broadway production of the Sydney Theatre Company play directed by Kip Williams

The Guardian - AU

Cynthia Erivo to play Dracula and 22 supporting roles in West End transfer of Australian show

Wicked star to play Bram Stoker’s bloodsucking fiend in a production from the creators of Olivier award-winning hit The Picture of Dorian Gray

The Conversation

Pamela Rabe shines in this hypnotic revival of Samuel Beckett’s classic play Happy Days

Samuel Beckett is justly regarded as one of the greatest playwrights of the 20th century – and unquestionably one of the most demanding. Few of his works illustrate this more clearly than Happy Days, first performed in 1961, and currently playing at the Sydney Theatre Company.

The Guardian - AU

Happy Days review – Pamela Rabe gives an aching performance in Samuel Beckett’s unrelenting play

This is a particularly oppressive and tragic take on Beckett’s famous play, with fewer laughs than usual – making it a tough space to exist in for its run-time

The Guardian - AU

Picnic at Hanging Rock review – a haunting, heady horror story

Sydney Theatre Company’s adaptation of the beloved Joan Lindsay novel, in which four schoolgirls go missing during a bush excursion, reveals the ghost story lurking within

The Guardian - AU

From irreverent musicals to unresolved histories, live theatre will provide rich entertainment in 2025

Australian voices will be centre stage in the Sydney Theatre Company’s 2025 program

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