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THE TRUTH ABOUT: 2 - Caught on Camera

Reports of the blockbuster exhibition’s death are premature as Tate’s Kahlo show breaks ticket record

Recent Van Gogh show was National Gallery’s most popular ever and British Museum gears up for arrival of Bayeux tapestry

The Guardian - UK

Fabulous Frida, classic Constable and a Cornish welcome for Kasuba – the week in art

Tate Modern celebrates everything Kahlo, the British Museum marks John Constable’s 250th birthday, while Claydon prepares for an invasion

The Guardian - UK

Win a Tate membership, Tracey Emin merch and more

Enter our competition to snag lunch for two, an arty blanket and a year of free Tate entry as part of our partnership with Tate for Emin’s A Second Life exhibition

The Guardian - UK

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Julio Le Parc review – as if Bridget Riley had opened a riotous funfair

The late artist found his calling in febrile 1960s Paris and this exhibition is imbued with an anarchist spirit – you can even spin the paintings!

The Guardian - UK

Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time

White may be a talented musician but as a visual artist, he’s a nonstarter. Not even the collaborations with Ai Weiwei and Damien Hirst can save this show

The Guardian - UK

‘This is mine, I own it’: how Tracey Emin and Frida Kahlo inspired me to make meaning out of pain

Emin’s unsparing examination of her cancer and Kahlo’s intensely imagined response to traumatic injury moved our writer to take self-portraits while recovering from a serious operation

The Guardian - UK

Take me to the river: why the money is flowing into the South Bank success story

It’s not just promenaders — developers and buyers are flocking to London’s cultural hotspot

Evening Standard

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Tracey Emin Chose This Farrow & Ball Paint for the Backdrop to Her Tate Modern Retrospective — It's a Color That Makes You Feel Calm, Attentive, and Present

Inspired by the unusual pigmentation of mud and cockles mixing on a Norfolk beach, the color lends a night sky-like atmosphere to the landmark show of one of Britain's all-time greatest artists

Livingetc

Tate at a turning point: new director must confront unwieldy ‘beast’ of an art institution

As Maria Balshaw steps down after nine years, her successor at the gallery needs to forge a fresh financial and cultural path

The Guardian - UK

'Sad step backward' for boy thrown from Tate Modern balcony

Family of boy who survived a 100 ft fall from London gallery but suffered life-changing injuries give sad update

Evening Standard

Tell us: what would you ask Tracey Emin?

Ahead of our upcoming Guardian Live event with Tracey Emin, we’re inviting readers around the world to be part of the conversation.

The Guardian - UK

OPINION - The National Gallery’s new wing is bland, but the modern art going in it is the problem

For the National Gallery to expand its remit to include 21st-century art (hello, Tracey Emin) is something else

Evening Standard

‘Money! Glamour! Yachts! But not for me!’ Adrian Searle relives 30 glorious years as our chief art critic

He has faced off a fighter jet, ridden a motorised bed and even been a Beano character. As he steps down, the mighty Guardian critic delivers his insights, confesses his crimes and relives his highs

The Guardian - UK

The UK’s free-to-access museums are the envy of the world. Charging for entry would be a big mistake

There are better ways to raise money than jeopardising a model that draws visitors to Britain and has huge benefits for the wider economy, asks Tate interim director Karin Hindsbo

The Guardian - UK

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The Independent UK

Tate to feature first Monet exhibition as organisation announces 2027 exhibition programme

Next year will also see the arts organisation celebrate David Hockney’s 90th birthday and the reopening of the Tate Liverpool

The Guardian - UK

Tate Modern Turbine Hall to showcase David Hockney opera sets

Immersive exhibition will form the centrepiece of the celebration of the artist’s 90th birthday next year

The Guardian - UK

Tracey Emin: A Second Life at Tate Modern – private view for Guardian readers

Experience the artist’s largest ever exhibition at a private view hosted by the Guardian at Tate Modern in London

Evening Standard

The YBAs renewed Britain in the 1990s. Let’s value the artists who can do the same today

Nearly 40 years ago, a group of second-year Goldsmiths fine-art students looked at the artistic landscape and saw no place for their renegade sensibilities. So they took fate into their own hands and made a show in an abandoned Port Authority building in Docklands.

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The Guardian - UK

The Guardian view on an explosion of solo exhibitions by women: move over old masters

Editorial: From a landmark Tracey Emin show at Tate Modern to the first female painter in the Royal Academy’s main space, the art world is finally catching up

Evening Standard

Tracey Emin at Tate Modern: She can never turn her gaze outward

3/5 Tracey Emin’s career-spanning exhibition at Tate Modern relies upon visitors to be totally invested in the artist

Euronews

A Second Life: Tracey Emin’s infamous bed takes centre stage in Tate Modern retrospective

Spanning four decades, the major exhibition charts Emin's fearless exploration of trauma, desire, and survival across painting, sculpture, neon, film, and performance.

Livingetc

WatchHouse's Newest London Coffee Shop Might Be Its Best-Designed Yet — Here's Where It Is, and How to Capture Its "Ornate-but-Industrial" Style

Unveiled this week, the group's Millennium Bridge location is "a distillation of the Thames Embankment, its monumental architecture, its shifting light, and its fleeting atmospheres"

Evening Standard

Artist Dame Tracey Emin ‘proud to be British’

Speaking ahead of her new exhibition at London’s Tate Modern, Dame Tracey said art had improved her home town of Margate.

Evening Standard

Dame Tracey Emin exhibition to launch at Tate Modern

The show includes two of her most well known installations: Exorcism Of The Last Painting I Ever Made and My Bed.

The Guardian - UK

Tracey Emin: A Second Life review – this show of undiluted love, heartache and pain left me a teary wreck

Forget the sex and drugs of the 90s. This wildly emotional exhibition shows that Emin’s life’s work has been turning suffering into sculpture, insults into poetry – and agony into art

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