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UNCOVERED: Thomas ades - Caught on Camera

National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing

Thunderous timpani, stereo harps, a supersized horn section and 160 teenagers combined for Berlioz’s Symphonie fantastique, Adès’s Dante and a Liszt waltz

The Guardian - UK

Imagine a world without Wagner … it’s not easy, but let’s try

As the Bayreuth festival turns 150, we look at the composer’s huge and enduring influence, and wonder what might have happened to classical music in his absence?

The Guardian - UK

125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths

The veteran chamber music venue kicked off a celebratory two-week festival with a starry lineup of performers playing works that had featured on the first ever programme

The Guardian - UK

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It’s unfashionable, wild and wilful – why Bax’s music deserves a comeback

The British composer is once again missing from the Proms schedule – that’s our loss. Instead, here’s my pick of the brand new music you can catch at the summer festival

The Guardian - UK

Magnificent minimalism, sizzling Strauss, bracing Berlioz: Guardian critics’ top picks for Proms 2026

As details of this year’s concert series are unveiled, here are some of the most exciting lineups – from a Bach recital by Notre-Dame’s organist to Thomas Adès conducting the National Youth Orchestra in his own ballet

The Guardian - UK

BBC Symphony Orchestra/ Oramo/ Tetzlaff review – plain-speaking, big-hearted fare

Sakari Oramo and his orchestra served up a multifaceted concert, from swaggering Samuel Coleridge-Taylor to virtuosic Thomas Adès and mistily magical Sibelius

The Guardian - UK

LSO/Adès review – the mood-boosting musical equivalent of a Sad lamp

Thomas Adès curated and conducted a dazzling concert of contemporary works by Alex Paxton and Poul Ruders, plus his own Aquifer alongside a radiant Sibelius 3

The Guardian - UK

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From After the Hunt to the Last Dinner Party: your complete entertainment guide to the week ahead

Guillermo del Toro offers his take on Mary Shelley’s cobbled-together creature, and the baroque rockers follow up their chart-topping debut album

The Guardian - UK

BBCSO/Adès review – Adès held the orchestra as if under a spell

A Proms programme of the UK premiere of Gabriella Smith’s Breathing Forests, Sibelius, and Adès’s own music (Five Spells from The Tempest) was atmospheric and engaging

The Guardian - UK

Adès, Leith, Marsey: Orchestral Works album review – an impressive collection marks a productive association

This brings together new works of his own and by composers he admires that Thomas Adès has conducted at Bridgewater Hall during his residency with the Hallé

The Guardian - UK

LSO/Adès review – Adámek’s concerto pits Isabelle Faust’s violin against a bullying orchestra

Follow Me by Ondřej Adámek is a vivid work that upends traditional relationships, while exhilarating and faultless Beethoven symphonies bookend the concert

The Guardian - UK

The week in classical: Yuja Wang x Hockney; Proms 61 & 62: Bavarian Radio Symphony Orchestra/Rattle – review

Surrounded by giant projections of her friend David Hockney’s art show, star pianist Yuja Wang pushes the boundaries of what a concert can be

The Guardian - UK

Prom 61: Bavarian Radio Symphony Orch/Rattle review – rich and rewarding Adès, graceful Bruckner

Simon Rattle, with his new German orchestra, brought Thomas Adès’s Aquifer to vivid life in its UK premiere, and held the audience rapt in a lucid and light-on-its-feet reading of Bruckner’s fourth symphony

The Guardian - UK

LSO/Adès review – Adès’s violin concerto beguiles in Mutter’s silvery sound

The UK premiere of the composer’s concerto written for Anne-Sophie Mutter was placed alongside two of Stravinsky’s ballet scores in this musically rich and vivid concert

The Guardian - UK

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The Guardian - UK

Hallé/Adès review – an exhilarating and magnificent partnership

The Hallé’s playing was triumphant as Thomas Adès oversaw a challenging programme including a rare Tippett masterpiece and new work from Oliver Leith, while the conductor’s own piece was an immense statement

The Guardian - UK

The 10 best contemporary albums of 2023

There was soothing minimalism and bowel-quaking low end as Neil Gaiman got some wonderfully quizzical accompaniments and Manchester’s answer to Sun Ra freaked out

The Conversation

How the poetically-charged art of Tacita Dean gives its audience a moment for stillness and time

The first time I saw one of Tacita Dean’s monumental film-works it was by chance.

Evening Standard

The Dante Project at Royal Opera House review: a sin-tilating take on the Divine Comedy

With an astonishing score and gleaming dancers, McGregor's latest marshals spectacular forces

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Los Angeles Times

LA Phil's 2023-24 season lineup celebrates the 20th anniversary of Walt Disney Concert Hall

LOS ANGELES — Walt Disney Concert Hall, the Frank Gehry-designed home of the Los Angeles Philharmonic, celebrates its 20th anniversary this year with a 2023-24 season that will pay tribute to the hall and its architect, the orchestra is expected to announce Tuesday — on Gehry's 94th birthday.

The Guardian - UK

LPO/Adès review – composer’s finest stage work sea-changes into something rich not strange

Thomas Adès’ Tempest symphony proved a shapely and gorgeous précis of his 2004 opera in a concert conducted by the composer himself

The Guardian - UK

The week in classical: It’s a Wonderful Life; A Child of Our Time; IMS Prussia Cove – review

ENO’s warm-hearted production of Jake Heggie’s operatic take on the classic Frank Capra film is full of poignant ironies

The Guardian - UK

IMS Prussia Cove Celebration review – Adès’s botanical song cycle glistens

A weekend celebrating 50 years of the Prussia Cove International Musicians Seminar included world premieres by Kurtág and Adès, with Hungarian mezzo Katalin Károlyi in compelling form

Evening Standard

BBC Proms 2022: Nicola Benedetti with the RSNO and Thomas Søndergård review - swinging stuff

The superstar violinist played Wynton Marsalis’ composition written for her, and he couldn’t have had a better advocate

The Guardian - UK

‘We hear things no one else notices’: Proms composers on their extraordinary new music

The world’s greatest classical music festival is back. From landing on Mars to the life of a beehive, Thomas Adès, Mark-Anthony Turnage, Jennifer Walshe and others tell us about the work they’ll debut there

The Guardian - UK

Classical home listening: a time capsule from 1953; Caio Fabbricio; Power and Adès on film

A remastered recording of the Queen’s coronation is full of atmosphere; Handel’s ‘capsule opera’ is beautifully performed; and violist Lawrence Power releases a visual album

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