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HISTORICAL FACTS: 2 - Caught on Camera

"The Boston Symphony hasn't changed its name, so why should Foreigner?": Mick Jones looks back on 50 often fractious years with one of rock's most successful bands

Mick Jones steered Foreigner to instant success, but with a self-confessed "bit of a control freak" at the helm it was often far from plain sailing

Louder

"People were always asking me, but I never used to tell them": Trevor Horn finally dishes out his sampling and drum machine tips in a new studio interview

The legendary producer lowers his guard when quizzed about the "golden era" of hi-tech music making

MusicRadar

Liam Payne’s Vocals Have Been Used Posthumously On The Same Christmas Song Slammed By Ed Sheeran

“Had I had the choice, I would have respectfully declined,” Sheeran said of his involvement in the song.

Pedestrian.tv

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Band Aid stars hit out at Ed Sheeran over vocal permission complaint on charity single

Spandau Ballet’s Tony Hadley and the song’s producer, Trevor Horn, defended the intentions behind the charity single

Evening Standard

"Still stands as a rebuke to that period in which it was first heard": Bob Geldof announces new remixed version of Do They Know It’s Christmas for single’s 40th anniversary

But how effective will it be as a fundraiser?

MusicRadar

Band Aid’s Do They Know It’s Christmas? reissued as all-star mashup – including three generations of Bono

Fortieth-anniversary edition is spliced together by Trevor Horn from previous versions of the song, including snippets of George Michael, Ed Sheeran and more

The Guardian - UK

“An eight-minute opening track… pomp, circumstance, Wagnerian bombast and epic grandeur”: Propaganda’s A Secret Wish was more prog than people knew

Known as “ABBA from Hell,” the German synth-poppers’ 1985 debut had links to Yes, Mike Oldfield and Die Krupps

Louder

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“They had to put me in the video. People thought I was Adamski!”: Seal tells the backstory of '90s smash Crazy

Almost 25 years later, Seal looks back at his classic and the unlikely rave collaboration that kickstarted his career…

MusicRadar

Holly Johnson on orgasmic pop and his second coming: ‘It’s a miracle of modern science I’m still here’

His band, Frankie Goes to Hollywood, ruled the charts in the 1980s with their libidinous, unapologetically queer songs. Then he was told he had months to live. As a new exhibition celebrates Johnson’s art and influence, he tells the hidden story

The Guardian - UK

“We booked a studio and said, ‘Whoever’s here on Monday morning is in Yes’”: How the band regenerated to make Drama, in their own words

Rick Wakeman recalls quitting with Jon Anderson, Steve Howe recalls hoping they’d return, and Trevor Horn recalls being dragged into the line-up that bounced back in 1980

Louder

“When the mood took them, the prog legends of the 70s could write simple but catchy music with aplomb”: The 40 greatest Yes songs ever

When 50,000 Prog magazine readers voted on the band’s catalogue, the resulting chart contained a few surprises

Louder

Richard Thompson replaces Trevor Horn at Cropredy Festival

This year's Corpredy Festival takes place in Cropredy, near Banbury, from August 8 -10

Louder

“They matched ELP for pomp, bombast, overambition and grandiosity of execution”: How Frankie Goes To Hollywood helped carry prog into the 80s and beyond with Welcome To The Pleasuredome

With a stack of references to the 70s giants, and three members of Yes involved, how could any debut double album arrive without prog credentials?

Louder

"Getting her to the studio was tough! But once we got her there, she was wonderful. We really sprung Slave... on her": The story of Grace Jones’ Slave to the Rhythm - tempo changes, stacked Roland synth patches and Trevor Horn

Never stop the action… Join us as musical mis-steps, happy accidents, crushing financial burden and raw unbridled talent give birth (eventually) to one of the enduring hits of the ‘80s

MusicRadar

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MusicRadar

“Ladies And Gentlemen: Miss Grace Jones”: Actor Ian McShane says that he recorded his iconic Slave To The Rhythm spoken-word intro after smoking “a large spliff” with Trevor Horn in the studio

“He was at another table and said: ‘Ian, how are you? What are you doing after dinner?’”

The Guardian - UK

Ian McShane: ‘When I was about to get it on with Richard Burton, he said I reminded him of Elizabeth’

The actor on the fate of Lovejoy’s leather jacket, appearing nude on the cover of Cosmo and how to make a perfect cup of tea

Louder

“The fans understood I was the price they had to pay to hear the band they loved, so they put up with me. It’s not like you’re joining the Sex Pistols”: Trevor Horn on fronting Yes – and how it later made 90125 possible

Producer recalls making his colleagues feel “embarrassed and amused at the same time” as he begged them not to give up on Owner Of A Lonely Heart

Louder

“When working on material we could ask, ‘What would we have done in the days of Close To The Edge?’ Maybe sometimes we didn’t ask that question enough”: Steve Howe’s favourite Yes songs

Guitarist lists his five of the best – and explains why they’re all from the 70s

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MusicRadar

"It should eventually end up in a museum": The true story behind Hans Zimmer and his giant Moog is even more extraordinary than the original photo of them together, and it turns out the monster modular could be the most important synth ever made

The real story is about who owned the synth originally (and that we've unearthed some more cracking shots of it)

MusicRadar

Aaron Horn: "My dad banned me from all the studios as a little kid. Every kid just wants to hit a load of buttons, don’t they?"

Stepping out of the shadow of his legendary father, Trevor, Aaron Horn has charted a unique course across the music industry, from producing for Doja Cat to mastering sound meditation

MusicRadar

“He was a lot more comfortable when he went into film...”: How Trevor Horn almost talked Hans Zimmer into rapping on The Buggles’ Video Killed the Radio Star

"Back then, he was a 23-year-old budding keyboard genius who came with his very own Prophet-5"

Louder

Steve Hackett's on the front cover of the new issue of Prog, on sale now

Plus Family, Opeth, Trevor Horn, No-Man, The Orb & David Gilmour, Pallas, Caligula's Horse, Brian Auger and loads more...

Louder

“I just knew Trevor Horn as a pop producer. When he turned up with a guitar, I said, ‘Is that a prop, or are you going to use it?’ We just didn’t hit it off”: How Yes’ 90125 became a triumph – despite starting with “the worst jam in history”

After Drama resulted in the band’s complete collapse, a massive revamp seemed the only hope for any kind of future. But that epic challenge resulted in an equally epic album

Evening Standard

Relax: 40 years of Frankie Goes to Hollywood's greatest ever hit song

It's four decades since the band's salacious track hit number one and began one of the briefest but most exhilarating reigns in British pop history

Louder

“Steve Hogarth is a revelation among an impressive, if seemingly random, array of singers”: Trevor Horn’s Echoes – Ancient & Modern

Pop and prog tracks are presented in a dreamlike state in the follow-up to his 80s collection

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