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RARE PHOTOS: Trevor nunn | Vintage Vibes

To see or not to see? Every single Shakespeare play – ranked!

Antony and Cleopatra? Exhausting. Lear? Magnificent but flawed. Hamlet? Limitless. For Shakespeare’s birthday, the Guardian’s former theatre critic ranks all the plays

The Guardian - UK

Jane Lapotaire obituary

Stage and screen actor hailed for her work with the Royal Shakespeare Company and for her TV role as Marie Curie

The Guardian - UK

Easy Virtue review – Trevor Nunn brings back Noël Coward’s divorce dramedy in high style

Marital uncoupling may not be the social taboo it was in the 1920s, but this sumptuous revival delivers timeless pathos with the witty barbs

The Guardian - UK

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‘I thanked him for ending my acting career!’ – theatre directors on their debt to Tom Stoppard

Carrie Cracknell, Nina Raine and Belarus Free Theatre’s Natalia Kaliada and Nicolai Khalezin share memories of working with the playwright and ‘guardian angel’

The Guardian - UK

John Woodvine obituary

Actor who played senior police officers on TV and delighted critics with his Falstaff for the English Shakespeare Company

The Guardian - UK

Les Misérables: a musical full of heart and hope that continues to defy its critics

When it opened in 1985, the mighty Les Mis got some rotten reviews. Forty years on, our writer sees it afresh and producer Cameron Mackintosh reflects on the show’s spectacular success

The Guardian - UK

William Dudley obituary

Innovative theatre designer who was one of the outstanding new stars to emerge in the 1970s

The Guardian - UK

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Emily Richard obituary

Actor who toured with the RSC, played Tess of the d’Urbervilles on radio and starred in Lorna Doone on television

The Guardian - UK

Fiddler on the Roof review – shtetl showstoppers speak to the present

Jordan Fein’s revival, using its outdoor setting to sublime effect, stresses the musical’s comedy while resonating with the current plight of refugees

The Guardian - UK

The Baker’s Wife at the Menier review: This whimsical Seventies chamber piece has not stood the test of time

A luxurious cast but this ‘lost’ musical is basic and meandering

Evening Standard

Steam engines, injuries and a train called Brexit: The mad story of Lloyd Webber’s Starlight Express

As Andrew Lloyd Webber’s most surreal theatrical extravaganza returns to London, Katie Rosseinsky dives into its bizarre history, from early bafflement over its plot – Elvis, a bisexual engine, disembodied children! – to Arlene Phillips choreographing it all on roller skates

The Independent UK

Need proof who wrote Shakespeare’s plays? See The Merry Wives of Windsor

Set for revival at the RSC, this perfectly structured revenge comedy has an earthy vitality that no aristo or scholar could have created

The Guardian - UK

The week in theatre: Starter for Ten; Uncle Vanya review – fingers on buzzers, and samovars

Bamber goes to Bristol in a buoyant musical of David Nicholls’s University Challenge romcom, while Trevor Nunn’s impeccably traditional Chekhov works like a charm

The Guardian - UK

Uncle Vanya review – Trevor Nunn triumphs with Chekhov’s tragicomedy

This chamber staging, movingly played by an immaculate ensemble, fits perfectly with the drama’s hothouse of disappointment

The Guardian - UK

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Evening Standard

Uncle Vanya at the Orange Tree Theatre review: Trevor Nunn's intimate, humane revival is quietly devastating

The veteran director and former head of the National and RSC’s first staging of this classic is worth the wait

The Guardian - UK

Joss Ackland obituary

Veteran British actor known for his many and varied film, TV and stage roles in a career that spanned more than 70 years

The Guardian - UK

The Third Man: A Musical Thriller review – atmospheric and eccentric version of classic noir

The songs may not compare to the 1949 film’s zither music, but the design amplifies Trevor Nunn’s elegantly shadowy production

Evening Standard

The Third Man at the Menier Chocolate Factory review: please, not everything has to be turned into a musical

The creative team has a record of turning unlikely subjects into musical gold. Not this time

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The Guardian - UK

‘I do like a shock’: Martin McDonagh on why casting Lily Allen in The Pillowman makes it even more electrifying

His 2003 play about child torture and freedom of speech became a global phenomenon. But will it offend today’s audiences? The writer-director explains why he won’t be changing a thing

The Guardian - UK

‘People think I’m an aristocrat’: Charles Dance on class, Game of Thrones – and avoiding James Bond

He often plays the quintessential British hero, but the actor also makes a fine villain. He discusses his father’s death, his big break and leaving his stammer behind

The Guardian - UK

‘Is it antisemitic? Yes’: how Jewish actors and directors tackle The Merchant of Venice

Tracy-Ann Oberman’s Shylock, who has been relocated to 1930s Britain, is inspired by her tough great grandma – while Henry Goodman felt shame after losing himself in Shakespeare’s most notorious character

Manchester Evening News

Identical at The Lowry review: Double the fun (and trouble) with heartfelt Parent Trap musical

A musical feast complete with catchy choruses, heartfelt harmonies and cheeky quips and backchat

The Guardian - UK

Identical review – a new musical of The Parent Trap has its own special effect

The casting of twins as the separated sisters adds a frisson to Trevor Nunn’s elegant production of the twice-filmed tale, with pitch-perfect music by George Stiles

The Guardian - UK

Identical review – Trevor Nunn takes on The Parent Trap, with songs

This earnest musical, which features three sets of real twins across its cast, has a deeply moving pay-off

The Guardian - UK

Prisoner C33 review – Trevor Nunn directs a wretched, wonderful Wilde

In this dark, poetic one-man play, Toby Stephens gives it his all as the wrecked writer – imprisoned for gay sex in 1895 – as he rues his misfortunes with his younger self

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