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UNBELIEVABLE: 9 - Caught on Camera

Women's work is never done: a trio of art books showcasing women

Three new art books feature female subjects of every shape and hue from all over the world, doing the things that women have historically done — and also the things that men have historically done.

WEKU

To the Lighthouse by Virginia Woolf audiobook review – Ruth Wilson captures the writer’s rhythms

The actor moves seamlessly between the multiple viewpoints in this vivid and poetic reading of Woolf’s experimental novel

The Guardian - UK

Who is Elizabeth Debicki as she stars as Princess Diana in The Crown?

Since it was announced that the 32-year-old would be playing the late royal in the Netflix drama’s most controversial season yet, all eyes have been on the notoriously private Australian actress. But who exactly is she? Emma Loffhagen reports

Evening Standard

From analysis to the latest developments in health,
read the most diverse news in one place.

TS Eliot’s Waste Land was a barren place. But at least a spirit of optimism still prevailed

A century on, the epic masterpiece speaks to today’s anxieties about loss of tradition

The Guardian - UK

The best new books released in September as selected by avid readers and critics

Our critics’ picks include a historical melodrama based on a real-life maybe murder, a romp through the illegal dance halls of 20s London and a gloriously biting satire set in Rwanda.

ABC News

Sophie Cunningham on the ‘crazy challenge’ of bringing Leonard and Virginia Woolf to life

The Melbourne author spent 16 years researching and writing her deeply original novel. In the process, This Devastating Fever became about the process too

The Guardian - AU

Sophie Cunningham's pandemic novel admits literature can't save us – but treasures it for trying

“How good are novels!” So thinks protagonist Alice Fox in This Devastating Fever, the third novel from former publisher Sophie Cunningham. Alice is preparing to chair a panel at a writers’ festival, just as Covid-19 hits the headlines in March 2020.

The Conversation

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Sally Potter on making a film about violence with Chris Rock: ‘He is aware of what happens when a man feels humiliated’

In Look at Me, Rock is thrown to the floor by Javier Bardem. Potter discusses male anger in her film and the similarities between that and Rock’s real-life experience of being slapped by Will Smith at the Oscars

The Guardian - UK

'Skin and sinew and breath and longing': reimagining the lives of queer artists and activists, from Sappho to Virginia Woolf

After Sappho, Selby Wynn Schwartz’s reimagining of the lives of 19th and 20th century women artists, activists and sapphists is a book I’ve always wanted to read. (And it’s just been longlisted for the 2022 Booker Prize.)

The Conversation

‘Nothing really matters except the courage to be yourself’: Emma Corrin to star in Virginia Woolf’s Orlando in the West End

The groundbreaking exploration of gender identity is being adapted by famed playwright Neil Bartlett

The Independent UK

Virginia Woolf’s Richmond townhouse goes on sale for £3.5 million

Bloomsbury Group members Virginia and Leonard Woolf lived in the house between 1915 and 1924.

Evening Standard

A story of two St Ives: ‘It is cursed and confused by its raging beauty’

On 2 July we sent six writers and photographers to capture a typical British summer’s day. Tanya Gold headed to St Ives

The Guardian - UK

Flash of genius: how a Cornish lighthouse inspired Virginia Woolf’s fictional icon

St Ives holiday home that planted the seed for English writer’s modernist masterpiece To the Lighthouse has now earned a historic plaque

The Guardian - UK

After Sappho by Selby Wynn Schwartz review – in praise of visionary women

A chorus of writers and artists, from Virginia Woolf to Lina Poletti, tells a bold, original story of creativity and freedom

The Guardian - UK

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The Guardian - UK

Why can’t women in the UK afford to buy their own houses? We ask an expert

Sara Reis, of the nonprofit Women’s Budget Group, says there is nowhere in the UK where an average-earning female can afford her own place

The Guardian - UK

Old dogs, funny names and fishy tales – take the Thursday quiz

Fifteen questions on general knowledge and topical trivia plus a few jokes every Thursday – how will you fare?

The Conversation

In Daisy & Woolf, Michelle Cahill revisits a modernist classic to write a story of her own

Michelle Cahill’s Daisy Woolf takes its epigraph and its inspiration from Virginia Woolf’s feminist essay A Room of One’s Own (1929): “A woman writing thinks back through her mothers.”

The Guardian - UK

Books by women that every man should read: chosen by Ian McEwan, Salman Rushdie, Richard Curtis and more

Studies show men avoid female authors. Ahead of the Women’s prize for fiction, chair of judges Mary Ann Sieghart finds out why – and we ask male authors to redress the balance

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The Guardian - UK

Olga Neuwirth: Orlando review – sumptuous staging but music drama lacks Woolf’s wit

Neuwirth’s 2019 opera adapting and updating Virginia Woolf’s story has an outstanding lead in Kate Lindsey although it ultimately feels less than the sum of its parts

The Guardian - UK

Ruth & Pen by Emilie Pine review – a tale of two lives

Set over one day in Dublin, this gentle, empathetic debut explores love and loss through the stories of two women

The Guardian - UK

Orlando review – make a date for Virginia Woolf’s puckish time traveller

Smart, funny adaptation of Woolf’s exploration of multiple selves is pint-sized but faithful, and Taylor McClaine is excellent as the titular lead

Daily Mirror

Half of Brits aged under 30 have no idea who Marilyn Monroe was, study finds

A survey of 2,000 Brits aged 18-30 found the younger generation are in the dark over icons including Marilyn Monroe, Virginia Woolf and Frida Kahlo - but they know everything about reality TV stars

The Conversation

True writing is a convulsive act: inside the mind of Elena Ferrante

Where does great writing come from? How does the reading of writers shape their work? Perhaps the great writers are true originals, free from influence?

The Guardian - US

‘The movie directed me’: inside the year’s most haunting new film

The writer-director of buzzy new folk horror You Won’t Be Alone talks about dealing with gore, critics and Hollywood

The Guardian - UK

I’m thrilled we’ll get to read John le Carré’s letters – but what can this dying art reveal?

We like to think private correspondence reveals all, but the truth is a lot more complicated

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