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Salon
Salon
Lifestyle
Coleman Spilde

INSANE: An apolitical war film is impossible | Rare Historical Photos

Imagine: You’re in your early 20s, and your heart has been captured by the soulful eyes of one of today’s up-and-coming heartthrobs. This person has had a couple of big roles but no huge mainstream breakthrough yet, and that fact has made your imaginary kinship even stronger. You want to go support their latest venture because they’re in it, and you enjoy both their acting and the chance to look at them for 90 minutes up on the big screen. The movie you’re forking over $20 for (or more, depending on the location and what snacks you purchase) is a war movie, being touted as “the most realistic war movie ever made.” You don’t really care about that kind of thing. But because the movie stars one of your favorite actors, and because it’s distributed by one of the hottest, trendiest distribution companies, you choose to see it anyway. And maybe, just maybe, a behind-the-scenes image with your favorite actor looking like the picture of masculinity, mugging for the camera while holding a machine gun, played a rousing role in getting you to the theater, too. 

As it turns out, you’ve been the target of a bait and switch. You come out of the theater realizing that your hunky idol had negligible screen time — at least you think so. Really, you couldn’t tell who was who for 78% of the movie. Whether or not you took anything from the film doesn’t matter. You’ve spent the cash to boost this movie’s opening weekend box office, helping to create a new ripple in its larger story. Hundreds of thousands of others will do the same, and the question of what they’ll take away from their experience could have an entirely different answer.

“Warfare,” the new film by Alex Garland, co-directed by Iraq war veteran Ray Mendoza, welcomes and refutes that ambiguity. When A24 released the first trailer for the film — which follows a single, horrific day in the lives of a platoon of Navy SEALs stationed in Ramadi in 2006 — the response was not exactly glowing. A brief scroll through the replies to the trailer on X will show people calling the movie “American war propaganda” and decrying the persistence of war movies in an age when nationalist military narratives have less sway over dwindling enlistment figures than ever.

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