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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

FOUND: Good madam review eerie post apartheid chiller - What They Never Told You

Sinister portents … Good Madam.
Sinister portents … Good Madam. Photograph: Causeway Films

South African writer and film-maker Jenna Cato Bass has created an eerie, unsettling movie with something of Jordan Peele’s Get Out: its whispers and susurrations are the sound effects of a bad dream and it straddles the genres of supernatural thriller, satire and political parable.

Chumisa Cosa plays Tsidi, a young black woman in Cape Town who is estranged from Luthando (Khanyiso Kenqa), the father of her little girl Winnie (Kamvelethu Jonas Raziya). Some fierce arguments in Tsidi’s extended family mean that Tsidi and Winnie are effectively homeless and have to move in with Tsidi’s elderly mother Mavis (Nosipho Mtebe), the devoted maid and live-in nurse to a wealthy old white woman called Diane, who is catatonic and bedridden.

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