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Salon
Salon
Lifestyle
Juliana Lamy

UNCOVERED: How did the zombie become so white | History Defined

For all that they are meant to – and do – induce a skin-prickling alarm, the fungal zombies that populate HBO's "The Last of Us" rely on a stunning optical extravagance that announces them as devices of fantasy. In a bout of poeticism suited to its subject matter, "The Last of Us" has revivified the zombie for fans of serialized horror, attaching it to new origins rooted in biochemistry, a new temporal setting that reimagines the past 20 years as dystopic, and something not-so-new – the preoccupation of much of American zombie media with the dissolution of primarily white suburbs and cities. "The Last of Us" is the latest zombie-horror TV show that allows us to look out on to the marked, magnetic topography of imaginative fiction, but it further distances pop-culture audiences from the distinctly Black source material to which it owes its inspiration – the Haitian zonbi. For many of the Haitians who believe in the existence of zonbi, these figures are as immediate, as personal, as death's other aspects.
The distress of a loved one's body gone missing sits at the very center of Haitian folklore.

For many of Haiti's residents, mentions of the village Titanyen guide to mind the mass graves that, even now, collectively frustrate burial rites meant to aid and/or honor souls as they cut across into the next world. On Jan. 12, 2010, the Haitian capital city of Port-au-Prince was hit by a 7.0 magnitude quake that, all told, killed nearly 300,000 people. It struck in the afternoon while the sun was still propped up quite high in the sky. There were children playing in Port'Prince alleys. In Guantánamo, in Kingston, in Caracas, in Santo Domingo, seismographs registered the quake in mathematical figures while residents of each city felt the ground convulsing for themselves. For days after the quake, the earth near Titanyen was sifted and split for burial pits. Public health officials saw the mass burials as expedient, and necessary, modes of moving the bodies of the dead from Port-au-Prince before decay set in. Many of the deceased were moved before they could be identified by, or have their bodies retrieved by, their families.

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