LOS ANGELES — Twenty years ago, Rob Marshall’s “Chicago” won six Academy Awards, including best picture, beating out Martin Scorsese’s “Gangs of New York,” Stephen Daldry’s “The Hours,” Peter Jackson’s “The Lord of the Rings: The Two Towers” and Roman Polanski’s “The Pianist.” The triumph of “Chicago” — one of several contenders backed by Harvey Weinstein, then at the peak of his power — had been widely expected; so were the wins for lead actress Nicole Kidman (“The Hours”), supporting actor Chris Cooper (“Adaptation”) and supporting actress Catherine Zeta-Jones (“Chicago”).
Less expected: a startling late surge for “The Pianist,” which scored upset victories for lead actor Adrien Brody and director Polanski, whose 1977 rape scandal had resurfaced in awards-season headlines. Elsewhere, Hayao Miyazaki’s “Spirited Away” was named best animated feature, Caroline Link’s “Nowhere in Africa” won foreign-language film and — in one of the evening’s most explosive acceptance speeches — Michael Moore took the stage to receive his documentary feature Oscar for “Bowling for Columbine.”
L.A. Times film critic Justin Chang and columnist Glenn Whipp sat down to discuss one of the most cringeworthy Oscars ever and what it portended for the movie industry more than a decade before #MeToo.
