Paul Costelloe had a very Irish career. He learned and practised fashion internationally as a migrant in Paris, Milan and New York, and designed for such British institutions as Diana, Princess of Wales, and British Airways at its 1990s zenith.
But he was rooted in the island of Ireland’s terroir, appreciating its fibres, wool and, especially, linen, by fingertip feel as much as eye. Fashion only rediscovered linen after synthetics lost appeal with the oil price shock of the mid 70s. For Ireland, and Costelloe, linen was always an essential resource.
