In the grand entrance of the Victoria & Albert Museum, beneath a looming dome with ancient statues visible through nearby arches, a programmer/DJ is busy live-coding a glitchy electronic music set. Either side of her, large LED displays show streams of code and strobing pixellated images as the bass pounds. She’s part of a group named London Live Coding, an experimental collective that makes music by writing and manipulating audio programs. It is loud, disorientating and brilliant, and I can’t help wondering what Queen Victoria and her husband would have made of it.
The set is part of the museum’s long-running Friday Late evening series, a collaboration with the London Games Festival. It showcased a range of independent video games and immersive interactive experiences, focusing on the link between play and performance. Visitors were given a map and left to wander the halls, corridors and galleries looking for installations. You could play the Bafta-winning comedy game Thank Goodness You’re Here! on a giant screen beneath a 13th-century spiral staircase. You could wander down the darkened Prince Consort’s gallery and find groups of giggling pals playing the hilarious erotic physics puzzler Sex With Friends, in which ragdoll-like characters have to be guided into (consensual) sexual encounters – much to the amusement of spectators.
